I'm refining and cleaning up my Human Condition review. Many things I had planned were hopelessly set back when I received word I was getting a review copy of that and subsequently got it and watched it. Next week brings some interesting things I've been developing and refining such that they really become regular features and not neat ideas I come up with that disappear. This week's Disc Roundup will be up tonight or in the morning at the latest, with TV on Disc following soon after.
Read MoreElectric Shadow
Faces of Kaji
My full review of the Criterion's The Human Condition will come later today. In advance of that, I've decided to post some screen captures I've taken of the film's protagonist Kaji, as played by Tatsuya Nakadai. Nakadai would go on to rival Toshiro Mifune as the best-known Japanese actor outside his home country. The images are shown below in chronological order from the three films. More to come later.
Kaji in Part I
Kaji in Part II
Kaji in Part III
Read MoreKaji in Part I
Kaji in Part II
Kaji in Part III
Bedknobs & Broomsticks Reissue
Requiem on Blu for $10
TV on Disc 9.1.09
Supernatural Season 4
Azucar Bien Fuerte (Good, Strong Sugar)
Two and a Half Men Season 6
Two and a Half Men continues its role as one of my guilty pleasures on TV. It's corny, unapologetically goofy and slapstick, and I watch it compulsively. Interesting developments that kept the show fresh this season include Charlie (Sheen) becoming a good deal more domesticated, much to his surprise, and Jake (Angus T. Jones) getting friendly with the girl next door. Alan (Jon Cryer) continues to get himself into an endless series of odd situations with women, including his receptionist's mom.
Extras include a pair of featurettes and a Gag Reel. Growing Up Harper covers the growth of Angus T. Jones over the years as his character, as an actor, and as what seems like a pretty cool young guy. The Women of Two and a Half Men covers the female co-stars and guest stars on the show. The sixth season came out on DVD last Tuesday (9/1) and is now available at Amazon for around $35. Click on the box art below to order.
Read MoreHuman Condition Preview
Adapted from an epic 6-volume novel over 3 films, Masaki Kobayashi's The Human Condition is considered one of the great achievements in Japanese film history. Criterion has successfully restored the entire picture with astounding clarity.
Disc 1 is currently sitting inside my Blu-ray player (a better DVD upconverter than my SD-DVD player). Each disc is composed of two volumes separated by an intermission, with the total running time exceeding nine and a half hours. I'm part of the way through Chapter 1 and wish I'd had a solid morning & afternoon to spend with the whole thing today.
The included booklet folds out origami-style and includes the chapter listings, credits, notes on the restoration, and a critical essay by Phillip Kemp, a freelance critic and film historian who teaches film journalism at the University of Leicester.
The Human Condition streets this coming Tuesday from Criterion.
Disc Roundup 9.1.09
Alice Guy's The Birth, The Life, and Death of Christ
Louis Feuillade's Bout de zan Steals and Elephant
Leonce Perret's The Mystery of the Rocks of Kador
Revisiting State of Play on Disc
Upon a few months' reflection, I feel Kevin MacDonald's State of Play was unfairly ignored for more than the reasons brought up during its run in theaters. Play was adapted from a masterful UK miniseries, that much has been reported to death. The people I'm bothered by are those critics who rushed to watch that series so they could act hipper-than-thou and assert some sort of authoritative, lazy "not as good as the original" critique.
Those people set the critical paradigm on the movie, and by and large they suffer from what the movie is really getting at, which is the nature of authenticity and integrity. State of Play the movie is not about the exact same things as the miniseries, and that was ignored by critics who were more interested in looking cool and smart rather than giving an honest assessment of the movie. I still haven't watched the BBC One miniseries. I know, I know, I'm tragically uncool and some would say uninformed. Calm down and get off my lawn. If walking into a movie completely fresh is a bad thing all of a sudden, then I quit. I tire of reviews that only concern themselves with comparative "version A vs. version B" instead of individual evaluation. There's no such thing as complete critical objectivity, but most reviews have just thrown objectivity out the window.
Play's 85% Fresh rating on Rotten Tomatoes doesn't cover all the critics out there, just the ones tabulated on that site. The "Eloi" movement Jeff keeps referencing includes homegrown "dude" critics among one's circle of friends who rely on the same template reviews as lazy professional critics. "It's too long," "It's not as good as the original," and "I liked the director's other movie better" are all too common among their analyses. This movie has contextually, for me, become a story about the loss of ideals and any sense of professional morality.
Extras on the Blu-ray include two Deleted Scenes [3:39], both of which were wisely excised, because the final product works better not showing what's in those two scenes. The Making of State of Play [18:45] highlighted one thing, in particular, that I'm sure I felt but didn't notice. They shots scenes with the Congressman in HD and others on film, further mixing the analog vs. digital dynamic at play.
Read MoreOpapatika
I wish I could take a translated English script of Demon Warriors (Opapatika in Thai) in a time machine to the 1990's and cast Don "The Dragon" Wilson, Steven Seagal, or Dennis Rodman (why not?) in an American version. A cop has to commit suicide to enter "the spirit realm" so that he can defeat a supernatural ganglord. Once bestowed with extra powers and strength, he's faced with a deterioration curse. Anyone who hates lengthy exposition will love this movie, because it spends only a couple minutes to hit you with "here's the high concept, swallow in one gulp."
I love that a label like Magnet Releasing exists so that generally insane foreign genre releases can be seen by US audiences. I would, however, very much like for them to stop making foreign discs default to the horrendous English language dub tracks.
Bar none my favorite thing about the DVD release is the insane quote from Variety on the cover: "Ingredients for a nasty version of X-MEN." Had the writer ever seen X-Men, or is this taken wildly out of context? There's no way to know, since no evidence exists online that this Variety review ever happened. I'm sure Variety reviewed it at some point, but that organization is terrible about making their content searchable or even existent online.
The only extra on the disc is The Making-of Demon Warriors [15:47]. Demon Warriors was released on August 4th.
Read MoreSin Nombre Sans Blu
Secessionist Idiots
I'm still laughing after watching these wingnuts twice. This is funnier than most summer comedies. "There may be a bloody war" indeed.
Read MoreNo More Wires & Strings
Disc Roundup 8.25.09
(l. to r., top to bottom) I Am Waiting (1957), Rusty Knife (1958), A Colt is My Passport (1967), Take Aim at the Police Van (1960), Cruel Gun Story (1964)
Fight Club Finally Goes Blu
Packaging Exhibitionism
This pronouncement on the 17 Again Blu-ray packaging became a catchphrase over the last few weeks with friends and colleagues who had seen it or reviewed it. "Has your day been packed with Zac? I know mine has!"
Fox began a curious packaging design choice by shipping TV Blu-rays with a cardboard "plate" (r.) identical to the jacket art (l.) glued to the outside of the cellophane with a sticker on it. Wouldn't it have cost less to put the sticker on the cellophane? Are they trying to make their TV product feel different than other things one the shelves? This seems like a stupid thing to be hung up on, but what gives?
Ditto the above, but in "buff" cardboard rather than "glossy" for the authentic, "gritty" feel.
267: Kurosawa, Criterion, and Blu-ray
Akira Kurosawa's Kagemusha (The Shadow Warrior) was previously released by Criterion on DVD, but the added color depth and clarity in high-motion scenes offered by the Blu-ray released on 18 August are what truly make it a must-own for any serious collector or fan of Kurosawa. Beyond that, the included booklet is nice and thick, full of reproductions of Kurosawa's hand-painted storyboards for the film. I've taken the best photos I can with my point & shoot to give you a taste.
Criterion had planned for their first Kurosawa Blu-ray to be Ran, but rights issues with The Weinstein Company prevented it. What may initially be viewed as disappointing news is a blessing in disguise for one of Kurosawa's masterpieces that gets less attention than it deserves.
When an ailing lord dies, a lookalike peasant thief is recruited to carry on in the warrior's place. As time passes, the "shadow warrior" struggles with his growing ambitions and the intimidating legacy he has to uphold. Kurosawa's return to samurai films is perhaps one of the best examples of his tremendous talent for choosing color palette. Kagemusha is more than just an epic from one of the most dense and complex times in Japanese history (that of the Warring States), it's a powerful fable on the perception and use of power. If HBO really wants to make me happy, they'll do a megaseries set in this time period. Better yet, I hope the Japanese film industry puts one together on their own terms and then sells it to HBO.
The picture is the closest I've seen to a film print on my television, with what I'm deeming a "Whole Grain" level of detail. I'm not a fan of Digital Noise Reduction and never have been. This transfer is clean, raw, and vivid. The audio is clear, with consistent audio levels throughout and lacking any discernible hiss. None of this should surprise anyone who has seen a Criterion Blu-ray transfer first-hand.
After looking at this disc, rumors of a 25-film Kurosawa box set due out later this year have me looking forward to the end of 2009 with bated breath. The extras are carried over from the previous release, but all video is now in HD.
Feature Commentary with author Stephen Prince
Prince wrote a book called The Warrior's Camera: The Cinema of Akira Kurosawa, and his commentary is very academic but thoroughly informative. The most interesting thing about it to me was the depth he went into regarding the intentionally alluded homosexual content of the film. It was completely historically accurate, but it's been largely glossed over during the last 30 years. I can only imagine what Troy would have been like if they had included the true depth of the relationship between Achilles and his "page" Patroclus.
Lucas, Coppola, and Kurosawa [HD 19:21]
George Lucas and Francis Ford Coppola talk about their early admiration of Kurosawa and how film school was the only option before the age of video when it came to seeing interesting foreign films.
Akira Kurosawa: It Is Wonderful to Create [HD 41:01]
is an 8 chapter vintage documentary fromt he Toho Masterworks series, featuring interviews with the actors who played Shingen, Ieyasu, and Nobunaga in addition to a variety of crew and staff. They tell the story of the genesis of the movie, from all the Japanese studios rejecting the script to Coppola and Lucas coming on board to a major casting change mid-stream to the stunning battle sequence that caps the film.
Image: Kurosawa's Continuity [HD 43:44]
Actor Masayuki Yui, who played Tokugawa Ieyasu in the movie, reconstructed Kurosawa's original vision for Kagemusha by setting the hand-painted storyboards to dialogue and scoring from the final film with the director's endorsement of the end product.
A Vision Realized
25 frames of Kurosawa's original hand-drawn and painted storyboards are juxtaposed with the actual shots from the final film.
Suntory Whiskey Commercials [~5:00]
Kurosawa made commercials for the Suntory company's whiskey to pay the bills before and during the making of Kagemusha.
Trailers: Japanese Teaser, Japanese Trailer, & U.S. Trailer
I love that the Japanese Teaser [3:21] is completely dark and serious until the fourth wall is broken in its closing seconds. The Japanese Trailer [3:28] focuses more on dialogue and spends some time promoting the Coppola/Lucas endorsement. The U.S. Trailer [1:23] is radically different in every way possible.
Read MoreRecalibration and Reconfiguration
I've voluntarily taken on more and more Blu-rays and DVDs for review in addition to various features I've been working on starting, testing, and refining. This has very nearly turned this column into nothing more than me staring at a stack of discs that have never allowed me to get ahead, just less behind. I'm rejiggering the format I use for individual disc reviews and condensing what I put in the weekly Disc Roundup so that I can give the meat of Arthouse Cowboy my full attention and really make it hum. My main priority is having something new and interesting, diverting, or engaging in this space at least once a day. Back with you in the morning.
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