Electric Shadow

Post-Adolescent Nostalgia Friday: Adventureland

I didn't fall head over heels for this like many colleagues and friends did. The main reason I don't think I went for it is that I paid too much attention to the advertising. The movie itself is more of a self-discovery thing than the hilarious vintage romp the commercials and trailers made it look like. It's more introspective than slapstick by a long shot, and that could be why general audiences texted friends to avoid it after feeling mislead. The thing is, the more time that passes, the higher it ticks up in regard for me.

Eisenberg and Starr sounds like a law firm
The movie was born out of director Greg Mottola's "worst summer of [his] life," which turned out to be one of the most definitive stretches of time in his life. There are contemplative stretches and bits that are intellectually hilarious, which is probably where the misdirection marketing killed them. I've loved so many movies like this one in spirit that it was difficult for me to really feel moved by it, but it very well might work differently on me over time. I'm dead certain that it's only going to grow in estimation on home video for people who were in their early 20's in the 1980's as well as kids everywhere from high school through their undergrad years. The performances are really solid all around, and I particularly enjoyed Martin Starr as the unique (some may say eccentric) guy who probably went on to be a multi-millionaire with a mansion in the Hamptons. He gave in to authentic impulses, and Mottola didn't push him into Revenge of the Nerds-style, cartoonish geek-isms. Kristen Stewart also does good work, and I'm glad she has the outlook that she does on her Twilight franchise exposure, using that leverage to help get interesting indies made and exposed to audiences. Extras found on both the DVD & Blu-ray include: Digital Copy, 3 Deleted Scenes [2:27], Just My Life: The Making of Adventureland [16:30], a Song Selection, and a Feature Commentary with Mottola and lead actor Jesse Eisenberg. The Blu-ray also includes Frigo's Ball Taps [HD 2:34], where the actor playing Frigo is featured nailing countless people in the balls; Lisa P's Guide to Style [HD 2:08], which the actress playing the dance-aholic idiot amusingly plays in-character. My favorite Blu-ray exclusive by far is Welcome to Adventureland, which includes two in-character commercials (Fun-tastic Time [0:39] and Fireworks [0:49]), an Employee Orientation video [HD 3:31], and a Drug Policy training video [HD 0:44]
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OMG Girlfriend, How to Lose a Guy in HD!

Replacing the six-year-old DVD edition is a new "Deluxe" DVD and, for the first time ever, the King of the Empties' romcom calling card is on Blu-ray. I have something of a connection to this movie, in that the writers of the book and I both went to Florida State (different years and I've never met them). It's completely formulaic chick flick crap, but I'm watching it with the intention of cracking the formula so that I too can be filthy rich some day. Fun fact: 17 Again director Burr Steers has a co-writing credit! According to reviews I can find of the original DVD, they dumped some location shooting featurettes but retained the 2003 Director's Commentary, Deleted Scenes [SD 9:30] with optional Director's Commentary, and Keith Urban "Somebody Like You" Music Video [SD]. There are three newly-added featurettes on both the DVD & Blu. First up is How to Make a Movie in 2 Years [HD 16:54], a "how it happened" piece that opens with the book's writers Jeannie & Michele sitting in a bar. The amount of Botox and plastic surgery seen in this featurette alone is more funny than the movie ever gets. Why the Sexes Battle [HD 5:00] has a couple experts talking about stuff that put most people to sleep in Intro to Cultural Anthropology in a way that manages to be brisk but not slight. Aside from missing an apostrophe in its title, Girls Night Out [HD 5:15] features more of the book's writers relating anecdotes form their lives that inspired the book.
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Adolescent Nostalgia Friday: 17 Again

While I'm still rolling around my thoughts on Adventureland, which Ashley and I finally watched on Blu-ray the other night, I thought of 17 Again, another movie I missed in theaters that is rooted in formative nostalgia. As I said in the Roundup from a couple weeks back, "the best explanation I have for why this movie works reasonably well is that Thomas Lennon is one of the most talented comedians living or dead, and they kept the plot relatively simple."

I've seen some whinings online from people who feel like this movie is some sort of remake-by-another-name of Big, which it isn't at all. It's the same type of conceit, yes, but it's a different animal. Big and Freaky Friday do not own the Age Displacement Comedy genre. I'm not on board with the possible interpretation that knocking up your high school girlfriend and marrying her will lead to total happiness after some bumps in the road. Zac Efron is frequently dissed by the fanboy crowd, and undeservedly I might add. When everyone sees him in Me and Orson Welles this fall, we'll hopefully see some proper notice for his depth of range. There's an auto-play trailer on this disc for that movie, which I hope signals that Warner Bros. has picked it up (one could only assume as much) and that they are in fact pushing it for awards. Ah, but I digress. I found 17 Again to be one of the more enjoyable and efficient studio movies I've seen this year, and it resists the option to condescend. On top of that, it has some of the best-done and creepiest incest prevention humor this side of Star Wars. It's worth giving a chance. The Blu-ray includes the becoming-ubiquitous Digital Copy along with some 13 Deleted Scenes [HD 16:05], a pop-up Trivia Track, and a small pile of featurettes that play on Zac Efron's first name the way a high school bully might. Zac Goes Back [HD 12:32] is the making-of/behind the scenes piece, Going Back to 17 [HD 3:13] covers what cast members remember from being 17, Breakin' Character Outtakes [HD 3:24] are just that, and Zac's Dance Flashback [HD 2:10] covers a dance sequence that was shot but later cut. Exclusive BD-Live extras include two more featurettes, Zac Attacks [HD/SD 2:56], which is about the fight between Efron and Lennon, and Tom Lennon & Melora Hardin: Unfiltered [HD/SD 3:04], which is mostly just behind the scenes shenanigans between the two. For the life of me, I could not find the "Zac's Commentary" that's listed on the box after twenty minutes of searching. The Blu-ray & DVD hit the street on 8/11.
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The Rock-afire Explosion Revival

I got some great news this morning about a documentary called The Rock-afire Explosion made by Texas' own Brett Whitcomb and Bradford Thomason. The movie is about the lasting legacy of an animatronic show that went extinct back when Chuck E Cheese's finally monopolized the kids' pizza and play area industry in the 80's and early 90's. The movie's website updated today, touting a DVD release date of September 29th.

Before Chuck E took over, the other dominant chain was Showbiz Pizza Place, which I frequented with my parents and younger brother as a kid. Showbiz had pizza, skee ball, a ball pit, arcade games, and an animatronic band known as The Rock-afire Explosion, which was made up of various anthropomorphic animals singing and joking and carrying on. As a kid, I remember enjoying the show, which matched the quality in design and lifelike qualities of the dinosaurs I loved so much at the natural history museum. Girls and boys were often frightened by the gorilla (Fatz Geronimo) in the Rock-afire band, usually running screaming for their parents or the ball pit when he abruptly came to life. I had the chance to see a workprint of the documentary last fall, and I have to say I really enjoyed it. Whitcomb and crew primarily follow superfan Chris Thrash, a small-town car salesman who owns a full "show" of the characters, and original Rock-afire creator Aaron Fechter. They both have their share of interesting (and in some cases cringe-inducing) stories to tell. The affection for Rock-afire across "flyover country" runs deep, as evinced in various other testimonials throughout. The fervor in the voices of the people who loved, touched, or created this manufactured, computer-operated band would be right at home at some sort of religious revival. It's alternately hilarious and touching to see the affection for the ghosts in these machines. Overall, Rock-afire was fascinating to me as a look at the aftermath of the extreme materialism and corporate greed of the 80's that gave birth to the world we live in now. It's kind of depressing that all those memories of my childhood have been contextualized for me by the rise of a consumerist culture that has no room for individual ingenuity, praising group-think above all. I mentioned above that Chuck E Cheese "took over," which is technically accurate. Chuck E Cheese went bankrupt, and the flush-with-cash Showbiz Pizza Place bought them out, operating both chains independently for a few years. Eventually, the company decided to "unify the brand" under the Chuck E Cheese characters after various disagreements with Fechter. The most surprising part of the doc for me was watching the training videos that instructed Chuck E Cheese staff on how to retrofit and reverse engineer the Rock-afire shows into the vastly inferior (ask any kid from that era) Munch's Make-Believe Band. It was like a sci-fi horror movie where people were being retrofit into cybernetic monstrosities against their will. The DVD features 35 minutes of bonus footage, but I'm unclear as to whether there are any other supplements (I'll update this if I find out about any). $20 will be nothing to fans or even just the moderately curious, but I'd love to see them do a limited Hulu or other ad-supported "free to watch" VOD option to promote it in the week leading up to release. This doc is well worth one's time, whether you grew up with it or not. Pre-order it at the movie's official site.
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Disc Roundup 8.18.09


Falk, Cassavetes, and the back of Ben Gazzara's head
Release of the Week Husbands (DVD only) The release of a John Cassavetes film that was previously unavailable on DVD is cause for celebration, as far as I'm concerned. The transfer is solid, the sound is sharp, and it actually has extras. Someone in the world of DVD production still loves me. The movie concerns Cassavetes, Peter Falk, and Ben Gazzara as middle aged men who bury a friend and then run headlong into a trip steeped in contemplating their futures and mortality itself. The movie is rough around the edges, meanders, and isn't generally considered a classic of any sort. None of those things change the fact that it's a damn good movie that holds up these years later. Similarly to how I felt about Judd Apatow's Funny People, the 142 minutes of Husbands is well spent contemplating human nature and the stupid, regrettable things we often do without remorse. People don't really change much once they've settled into their own idiosyncratic patterns.

Ben Gazzara a few months ago
Film critic, author, and Elsewhere commenter Marshall Fine delivers a solid, knowledgeable Feature Commentary. He wrote a book about Cassavetes that came out three years ago, and I've been told it's well worth a read. The Story of Husbands: A Tribute to John Cassavetes [29:46] traces the origins of the film through interviews with friends and Ben Gazzara, and it doesn't waste a second of your time. I don't expect Criterion-deep extras for every movie out there, but releases like this one and Lookin' To Get Out really get it right. Give me the movie, make it look good, and put together a 20-30 minute piece about it. Discs like this one have reassured me that catalog titles are not, in fact, dead. As for the movie on its own: if you can't or don't want to deal with a two and a half hour running time, that's the beauty of freedom of choice. I'm just glad that the option is there. New to Blu

Kagemusha Playtime Criterion's recent editions of both movies get the Blu-ray upgrade. I've only had a chance to look at Kagemusha thus far, and I have to say the color and picture quality are stunning; however, at this point that's as profound as saying it rains in the Pacific Northwest. A full review of Kagemusha should arrive in the next couple days, with Playtime coming some time after Amazon delivers it. Go Doug Liman, where have you gone? John August appears to have been the more favorably destined of the young bucks who made this movie. I haven't seen this disc yet, so I have no idea regarding picture quality.

The Last Starfighter (Blu-ray & DVD) I didn't grow up wearing out a tape of this. In fact, I recall only having seen it two or three times my entire childhood. It came out the year after I was born, so I don't know if my generation of kids got into it nearly as much as kids four or five years our senior. By the time we were the right age and it was on tape, we were all going Teenage Mutant Ninja Turtle crazy.

I've seen complaints online of digital scrubbing, edge enhancement, DNR, and so on, but I didn't pick up on anything that particularly bothered me. My mantra on this stuff is "consider the source material," and I'm at a disadvantage due to the fact I never saw a print of this movie projected. I'll be damned if the Blu-ray doesn't impress anyone who's known this movie on VHS for most of its life, though. The CG shots are remarkably clear and crisp, and the live-action stuff looks up to par when compared to what a relatively recent print I saw of Flight of the Navigator looked like.


the great Robert Preston
There's a brand-new retrospective doc called Heroes of the Screen [HD 24:18] on here in addition to the now 10-year-old Crossing the Frontier: Making The Last Starfighter [SD 32:01]. They don't really repeat one another too much. The Feature Commentary is with Director Nick Castle and Production Designer Ron Cobb, and the Photo Gallery on the disc features (among other things) toy prototypes and muddy stills of the original ending, which was only different in that it was shot on a different set than the one they ended up using in the reshot one. New Release

Tyson (Blu-ray & DVD) James Toback's revealing and surprisingly moving (for me at least) portrait of "Iron" Mike Tyson should be on minds toward the end of the year for nomination as Best Feature Documentary. I had no idea how introspective Tyson was, nor did I scratch the surface when it came to really knowing anything about who he was or has become until now. In some respects, that lack of familiarity is representative of the era of pop culture idols that includes Mike Tyson, Michael Jackson, and Michael Jordan among many others. They were commodified personas who were all plastered on every kind of merchandise in existence, from drink cups to clothing to video games. What does it say about modern culture that we are still putting the weight of the world on the shoulders of celebrities who have no interest in ruling it as much as living in peace and quiet? Extras include: a Director's Commentary from Toback; "A Day With James Toback" [HD 16:11] featuring footage from the day of the L.A. Premiere of the director primarily and eventually Tyson himself; a featurette called Iron Mike: Toback Talks Tyson [HD 11:49]which is just that; and an excerpt from an episode of "The Big Picture Show" featuring Toback [HD 13:08], which is referred to in the program itself as "The Fabulous Picture Show," for clarification.

Julia (DVD only) Tilda Swinton always impresses, but hopefully she's remembered for this performance at the end of the year. Julia is a woman given to excess. She's oblivious to just how far over the edge she's gone when she gets mixed up in a situation she wouldn't have control of even if she were sober. The DVD from Magnolia carries only Deleted Scenes [26:00] in addition to the 144-minute feature. I only mention the running time as a courtesy so that viewers know precisely what kind of time investment they're looking at. The movie is well worth two and a half hours to me thanks to Swinton's performance, which the entire movie hinges on. If you aren't with it in the first 30-45 minutes, you probably don't believe in 2.5-hour movies to begin with.

Surveillance (Blu-ray & DVD) I didn't really care for this movie at Fantastic Fest last year, with the exception of Bill Pullman's performance. My review last September: "Please take anything you see written about this movie that includes a comparison to Rashomon with a grain of salt. Kurosawa's movie and this movie really should not be found mentioned in the same sentence, paragraph, or article. Three different people all have somewhat varying accounts of an "incident" in this serial killer movie. The accounts are not as wildly different as using the R word would imply. Three different POVs, murder? Check and check, but that doesn't equal the dynamic of Rashomon as a whole. The visuals of the flashbacks are all consistent, it's the story people are telling that contains different information. It is patently unfair to compare this film to Rashomon, so don't. Rant ends here. "Serial murders are being committed in broad daylight and FBI agents (Pullman and Ormond) are sent to investigate after a particularly grisly encounter finds a stoner, a young girl, and a local cop telling their individual accounts of what went down. The acting was pretty solid all around really, with the exception of some bizarre stuff the local police guys say (even for backwater morons...badly written, takes you out of the film)." The Feature Commentary is with director Jennifer Lynch and actors Mac Miller and Charlie Newmark. Miller is the shitkicker boyfriend and Newmark is the cop who isn't French Stewart. Surveillance: The Watched Are Watching [15:01] is a making-of/behind the scenes featurette. There's also an HDNet "A Look At" featurette that's standard on all Magnet releases for the most part. Most interesting are two Deleted Scenes and an Alternate Ending, all of which have optional Director's Commentary. I'm glad they didn't use this ending, because it doesn't work nearly as well as the one they went with. That variant ending actually made me appreciate the movie a lot more. At the very least, this isn't a revived-franchise serial killer movie, and even though at the time I said I "forgot I'd seen it two days later," it's turned out more memorable than the Friday the 13th or My Bloody Valentine do-overs.

Hannah Montana The Movie (Blu-ray & DVD) I find the very existence of this movie hilarious due to a comment Miley Cyrus made at some appearance or another where she talked about how she hoped to pick up an Academy Award nomination for Best Song. The plot involves Miley going "back home" to save something or another by "putting on a show." It's no more derivative than many classic musicals. Yes, I went there. Believe it or not, I'm given to defend the movie on philosophical grounds, because it has a "to thine own self be true" message that makes it more substantive than the vast majority of Disney Channel-birthed product of the last decade or so. I still can't get over the fact that I saw an inflatable Hannah Montana chair at Target that seemed to be marketing the idea of how fun it was to sit on her face. Don't get me started on the wigs! Extras on the DVD & Blu-ray outdo most Disney releases with a total of 7 Music Videos; Bloopers; Director's Commentary, which I might review on its own; Find Your Way Back Home, where the stars show the viewer around their own hometowns; a featurette where boy of Miley's character's dreams Jason Earles digs into why "I [He] Should Have Gone to Film School"; and finally a Digital Copy of the movie. Blu-ray exclusive extras include a "Throwdown Hoedown" Dance-Along and a featurette called The Dance Experience with the cast. The Blu-ray also includes a DVD copy of the movie with the DVD extras on it.

Last House on the Left (Blu-ray & DVD) I haven't watched this one yet, but when Scott Weinberg says it's "One of the best horror remakes ever made," that's a quote worth paying attention to. The Blu-ray features the Unrated and Theatrical Cuts via seamless branching, a Digital Copy, Deleted Scenes, and a featurette called A Look Inside.

The Golden Boys (DVD only) From my review a few days ago: "David Carradine, Rip Torn, and Bruce Dern are retired sea captain roommates looking for a housekeeper. I must have missed the reason why, but one of them has to marry this lady so that two of them can live for free. I replayed the opening minutes of the movie to try to figure this out and gave up. Did I mention the movie is set on Cape Cod in the days of horse-drawn carriages? It may read like a sketch slotted in the closing half hour of Saturday Night Live, but if you trust the quote on the front cover of The Golden Boys, it's apparently "a cross between Grumpy Old Men and Three Men and a Baby." It's not really either one. "The picture itself wasn't nearly as interesting or entertaining as From Zen Master to Shipmaster: The Life and Career of David Carradine [40:07], which is more a Making-of/Behind the Scenes featurette than a Carradine career tribute. The bits with David telling stories are indisputably the most tolerable parts of the whole disc. "I must note that I really do dislike slagging off the months and months of work people put into making a feature, but this is a great example of how not to write or complete a period film. The reason to touch this disc is to sift through that featurette if you have an interest in Carradine." Reissue

Pete's Dragon (DVD only) This disc replaces an eight-year-old edition, retaining all but one of the original extras: a 25-minute theatrical short called Man, Monsters, and Mysteries. The upside is the short had little to do with this fondly-remembered children's classic that would likely never be made today. The video and audio transfers don't look any different from what I remember. The swirling grain all over Elliott (the dragon) makes me wish for the sacrilege of a Lowry Digital-style restoration that'd strip out the grain from him, just because I wonder what that would look like. New extras include Brazzle Dazzle Effects [25:23], which is mostly about the animation technique, spending some time with unsung Disney hero Ub Iwerks. It's also in part a "looking back" piece for the movie's star, Sean Marshall ("Pete"), who narrates. A Deleted Storyboard Sequence: "Terminus and Hoagy Hunt Elliott" [2:27] is in there too, along with three music samplings. There's an early Original Song Concept [2:35] for the song Pete sings to Elliott, Original Demo Recordings [7:07] of three songs (one of which was deleted from the film), and finally a Promotional Record of 4 "Pop" Versions of Songs [12:00] including "Candle in the Water." Carried over are a DVD game, and a couple of excerpts from shows that remind me of when The Disney Channel showed the older 1950's programs. Catalog TV

The Simpsons Season 12 (DVD only) It feels odd to consider the year 2001 as having been 8 years ago. The opening episode of this season, Treehouse of Terror XI (depicted above), features the best case against The Cove I can think of: those dolphins are going to turn on us in the moment we least expect. The packaging is Comic Book Guy-themed (photos to come) and includes the Worst Episode Ever among other excellent latter-day Simpsons shows. The 4-disc set features Audio Commentary on every episode with alternating participants, Deleted Scenes (w/ optional commentary) via button-push during the episodes, and Multi-Angle Alternate Animation. Also on there is a Comic Book Guy: Best. Moments. Ever. [9:38] clip package, some clips from The Simpsons Global Fanfest [7:28] 10th anniversary event on the Fox lot back in 2000, Commercials, Original Sketches, and the option to play one episode with Hungarian, Ukranian, Portugese, or Italian audio. New Release TV

Sons of Anarchy Season 1 (Blu-ray & DVD) Fox's FX cable network has consistently been putting together "grit" shows like this one, The Shield, and Rescue Me aimed squarely at the blue collar demographic. They might just rename the channel The American Badass Network. This isn't intended as a slight, but all their shows could cut promos to Kid Rock's salt of the earth anthem. What got me to sit up and pay attention to this show was the fact that it stars Ron Perlman, Charlie Hunnam (Hooligans), and the criminally under-used Katey Sagal. They're the reason I'll watch this even though I don't give a shit about the various biker reality shows across cable. There's ten hours of TV to chew through on this thing, just in time for the start of the new season. The Blu-ray is a three-disc package with 11 episodes split between the first two discs and the last 2 on the third along with the extras. Audio Commentary is present on select episodes throughout the season, and there are Making-Of, Behind the Scenes, Casting, and Production Design featurettes rounding things out along with Deleted Scenes. Dexter Season 3 (Blu-ray & DVD) You know what's weirder than a show about a serial killer that's caught on big-time? A Blu-ray disc whose special features are almost exclusively available via BD-Live. Don't get me wrong, I think it's brilliant to give purchasers of Dexter Season 3 free-to-watch access to "gateway drug" episodes of other Showtime series like United States of Tara and The Tudors and push BD-Live use and adoption. The problem is that not everyone is using a PS3 or WiFi-connected player, and let's face it, ethernet jacks in the wall aren't a standard feature of most American apartments or houses. You can't watch any of the Cast Interviews or other features without BD-Live access, which is a bit of a bummer for people without the necessary hardware or those like me who hate the horrendous load times for BD-Live content. Everybody Hates Chris (Final) Season 4 (DVD only) This is the beginning of a multi-part series of capsule reviews I write for shows that have been cancelled much to my chagrin. I really wish that we could have seen this one get Chris all the way through high school and not just leave us hanging after his 9th Grade year. For those unfamiliar, the show is based on Chris Rock's life and he narrates. They released a four-season complete series bundle this past week as well. Extras include Director Webisodes, Intro and Commentary by Exec Producer Ali LeRoi, a Gag Reel, four or five featurettes, and Deleted Scenes.

Dirty Sexy Money (Final) Season 2 (DVD only) There's a little trinity of "Second and Final Season" sets from ABC including this, Eli Stone (further down), and Samatha Who (the following week). I blame the writers' strike for all three disappearing. None of them could hope to retain audiences. Dirty Sexy Money is the kind of show that some friends dubbed "HBO Lite" because it was part family dynasty drama and part dark comedy garnished with plenty of people of privilege, just without all the nudity and cursing. You would expect a show with a cast of this caliber would implode from star salaries before just tanking in the ratings, but the latter is what ended up happening here. Three featurettes, a Blooper Reel, and Deleted Scenes are included. If you got in to the first season and were among the millions who dropped off, now there's a fixed amount of the show to catch up on.

Eli Stone (Final) Season 2 (DVD only) I had no idea what this show was about when it was on the air. Was it a supernatural comedy, a quirky lawyer show, a sci-fi thinker? It turns out it's about a lawyer who has an inoperable aneurysm and starts having visions. None of the ads ever told me that. It's got a good sense of humor to it and is worth watching. I didn't even know Loretta Devine and Victor Garber were in the cast. Why did no one tell me this show had musical numbers in it? I would have watched it, for cryin' out loud. Similar to DSM above, there are a couple featurettes, Bloopers, and Deleted Scenes for devoted fans.

GREEK Season 3 (DVD only) This show is the focus of my rant for the week. Why is there a show in its third season on a major cable network that seems entirely designed as a National Pan-Hellenic Council recruitment ad? I never had any interest in the Greek system in college, nor do I have interest in the High School For Big Kids atmosphere invented here. This show makes it seem like there's no one in the world who could survive college without pledging a frat or sorority. Most cinematic depictions of the Greek system aren't realistic, owing mostly to Greek system graduates scattered throughout the industry. These people want to perpetuate a legend that's never been real. The hive-mind groupthink being promoted here is thoroughly disgusting. The DVD includes Commentaries, Bloopers, and a 20 Questons With the Cast of Greek featurette.
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Ulisse/Ulysses


One of the best-composed shots in the movie
Fox Lorber released the Kirk Douglas-starring tale of Ulysses (Odysseus) about ten years ago. Lionsgate has reissued it with new cover art and no extras. It's important to note that Ulisse (Italian title) was shot in 1.66:1 aspect ratio, so the 1.33:1 transfer on this DVD is problematic for purists (myself included) from the start. Thing is, I don't think they really sank much money into quality film stock or decent lighting, so I don't know how much better this one will look. The movie was shot predominantly in Italian and dubbed into English with the exception of Douglas and Anthony Quinn's lines. Dino de Laurentiis produced, and one would expect he's why the predominantly mediterranean-staffed production got its cost-saving configuration. It's interesting to me that no one has come up with a definitive film adaptation for one of the great centuries-old men on a mission stories that turns into a quest for revenge. The thing this attempt does best is that it's slavishly faithful to much of the source material. In that respect, it's a safer bet for middle school teachers showing something to kids when studying Greek & Roman history since people have realized there's (gasp!) nudity in Clash of the Titans.

No one quite matches Quinn-style swagger and bravado these days
I'll watch anything with Kirk Douglas in it, but this movie drags toward the middle, only picking up speed again in its last 15 minutes or so. This year marks Ulysses' 55th year since release, and about the only thing I'd look forward to in a 60th Anniversary release in 2014 or a tie-in for a Troy sequel is a featurette on the practical effects and a cleaner transfer. Lionsgate rereleased this on disc back on 8/4 for $15 or a little less. I'm a sucker for enjoying this in spite of flaws I don't usually tolerate, but I'll plunk down for any imperfect adaptation of The Odyssey, so sue me.
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Cars Reissue = HD Audio Upgrade


Blu-ray.com is reporting that Disney/Pixar is rereleasing Cars on Blu-ray Nov. 10th in a Combo Pack (Blu & DVD in the same case) edition. That's the same day that UP and Monsters, Inc. hit Blu-ray as well. Aside from a new HD Audio track replacing the lossy PCM one, die-cast car models included, and the DVD packed-in, it's the same disc. That means this is really a quiet "fix" upgrade to what Home Theater enthusiasts expect from Blu-ray releases these days on top of including the precious Portable/In-Vehicle DVD Player-friendly disc for families. I've never seen Cars, but I may finally rectify that.
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Carradine in Golden Boys


Carradine in the featurette From Zen Master to Shipmaster: The Life and Career of David Carradine, whose title is not terribly accurate
David Carradine, Rip Torn, and Bruce Dern are retired sea captain roommates looking for a housekeeper. I must have missed the reason why, but one of them has to marry this lady so that two of them can live for free. I replayed the opening minutes of the movie to try to figure this out and gave up. Did I mention the movie is set on Cape Cod in the days of horse-drawn carriages? It may read like a sketch slotted in the closing half hour of Saturday Night Live, but if you trust the quote on the front cover of The Golden Boys, it's apparently "a cross between Grumpy Old Men and Three Men and a Baby." It's not really either one. The first half hour of the movie just blows by, and it feels like nothing of consequence has happened. By the time it was completely over, I wasn't sure if I'd taken a nap or not. Everyone tried their damnedest to give the script as much as they could, but you can only be so exciting when playing crusty old sailors. To be completely honest, I would probably not have sat through all of it had David Carradine not died. Peter Boyle was cast in this movie (then called Chatham) just before he died. I'm convinced that cursed it even more than the lousy script. The picture itself wasn't nearly as interesting or entertaining as From Zen Master to Shipmaster: The Life and Career of David Carradine [40:07], which is more a Making-of/Behind the Scenes featurette than a Carradine career tribute. The bits with David telling stories are indisputably the most tolerable parts of the whole disc. As an avowed Grumpy Old Men fan, I take great offense when a lazy comparison is made like the one on this movie's cover (admittedly by a critic, not the studio). I'm sure if I were a fan of Three Men and a Baby, I'd be offended there too, since this movie has nothing in common with it. It'd have been accurate to put the following on the front: "Do you love the afternoon special at Luby's? Do you hate when those damn kids carry on with their jibber-jabber and damn fool music? You'll love this here movie, by golly!" I must note that I really do dislike slagging off the months and months of work people put into making a feature, but this is a great example of how to not write or complete a period film. The reason to touch this disc is to sift through that featurette if you have an interest in Carradine.
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The Redbox Putsch

David Poland has made some strong points about the Redbox "Revolution" going on. I agree in particular with the idea that this whole controversy has been promoted by and for the benefit of Redbox itself. This issue is not as simple as "rentals for a buck," because Redbox also resells their used discs from the same machines. If Redbox had their way, they would eliminate retail outlets and mail-order rentals from the equation entirely and act as the single provider of discs to the masses. They're demanding price-fixing and disguising it as consumer demand. They're disguising a Putsch they started as a grassroots movement.

The thing I'm sure no one goose-stepping with the Redbox fascists cares about is the fate of movies that aren't the Eloi* Top Ten Pick in terms of home video distribution. Prices will go up on documentaries, indies, and arthouse movies, and consumers will be more and more resistant to VOD pricing. They can go down to McDonald's and grab a 60-piece McHolesterol and White Chicks 2 for a total of five bucks! What a deal! Whereas I had no hesitation in paying $9.99 to watch Bobcat Goldthwait's wonderful World's Greatest Dad (review forthcoming) in HD on my TV, I know people will resist that in a Redbox-dominated world. Indies will not be able to compete in a world that prices non-megaplex movies out of the market entirely. In my mind, ten bucks costs less than paying for two tickets at the cinema when (or if) a local theater gets the movie I'm after. To Redbox Brownshirts, $10 is an outrage when they can rent The Pink Panther 2 down at the grocery store for $1. Even $5.99 or $2.99 will seem miserly for something "weird" and "arty" like The Cove or Ong Bak 2. If Redbox wants to rent everything for a buck, then I want them to diversify selection first. Buy up a few million copies of some indies and docs. If you want to really change the industry, there's a great opportunity. Any time I've walked by one of their "boxes" it's filled with shit I don't really care about, like 12 Rounds, with faint sprinklings of things like Coraline that I do like. It's also my understanding that the guys who founded the company are righties. If they do take over most of the rental continent, don't expect to find movies they might find "objectionable" like Michael Moore movies or documentaries with any kind of ideological bent. I should clarify that I'd have the same issue with this if they were lefties. Limited space equals limited choices and thereby the Redbox platform puts what I can see and how in the hands of some rich guy. I'm all for lowering prices on home video sales and rentals (Blu-ray particularly), but this is nothing more than a manipulative attempt by one company to corner an entire industry. For once, I'm siding with the multinational corporations (for the moment). ------------------------------------ * I'm using my editor's shorthand for the knuckle-dragging masses with no taste out of convenience, not in an endorsement of everything he writes using that term.
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Submarinenstein


Word is spreading like wildfire that Robert Zemeckis is remaking Yellow Submarine in motion-captured 3D. Pitchforks are being sharpened and the torches are being lit all over Twitter and message boards. I have a feeling die-hard Beatles fans and cinephiles will be up in arms about this until they see that glorious first reel. Does anything ever truly need a remake or "reimagining"? In this case and others, it's the only way to ensure their preservation. Show me a studio other than Disney willing to clean up and restore catalog animated films and I'll eat my hat. Anyone think we'll see Rankin/Bass animated features like Flight of Dragons restored? A pile of them aren't even on DVD! Lionsgate can't be bothered to have anyone clean up The Last Unicorn better than the German master they found for the most recent DVD. I could go on and on. The buzz of a new release related to The Yellow Submarine License means that we would likely see the original film properly remastered for HD. Even if the Zemeckis mo-cap version is terrible and/or bombs horribly (neither of which I'm hoping for), the revival of the brand happens regardless. The restoration cost could be rolled into the always-hidden advertising budget as tie-in marketing, and thus guarantee that a Blu-ray of the original will happen with complete certainty. This is the same reason I'm thrilled to hear they're re-adapting Dr. Seuss' The Lorax, a story that made me ecologically conscious at an early age. Ditto for Where the Wild Things Are. They'll clean up the originals and at the very least put them on DVD. If I hate the new ones, the originals will be there to continue being passed on, as will the books they're based on. I'm not a remake cheerleader (never have been), but some of them actually work. You'd have to be terribly naive or uninformed to believe that a studio would sink the significant cost of restoration into something that won't pay them back double. This is a good thing for people who like the first Yellow Submarine movie, period, end of story.
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Disc Roundup: Week of 8/11


Disc of the Week The GoodTimesKid (DVD only) Azazel Jacobs' The GoodTimesKid is a minimalist film accurately described on its DVD sleeve as in the vein of films from Jim Jarmusch and Jacques Tati. In stark opposition to the other new releases of the week, GoodTimesKid offers something that one doesn't really get to see with the majority of new releases. The movie is and feels distinctively handmade. There's a URL in the credits for the lead actress' clothesmaking business. I'm reasonably certain that there isn't a single cell phone seen or heard throughout the running time. The movie is about two men named Rodolfo (director Jacobs and Gerardo Naranjo) and the woman (one-named Diaz) on the rocks with one of them. Kid's 77 minutes concern the wanderings of the three of them over the course of a single day. The youthful vigor and sense of abandon in the filmmaking and acting is extremely refreshing. Anyone accusing the filmmakers or their characters of "hipster" pretension really means to use the word "aimless." The Rodolfos and the girl all lead dirty, unkempt lives, but not as a means of expressing their style. The movie was completed in 2005 and has only now found a DVD release. The effort and boutique treatment that Benten Films has given to the DVD is equally impressive as the movie itself. Supplements include a Director's Commentary that also features both costars; Deleted Scenes; a Photo Gallery; the Original Trailer (not your standard trailer); Let's Get Started, the short that led to the making of GoodTimesKid; and The Whirled (1956-63), a short by the director's father Ken Jacobs that helped inspire the movie. There's an insert book with an essay by Glenn Kenny, and there's a cardboard slipcase that features different art than the disc case. If I didn't know better, I'd think that Criterion had started an ultra-low-budget indie label. This is not just the best disc released this week, but one of my favorite discoveries of the year so far. The GoodTimesKid is more than a breath of fresh air, it's an afternoon where you never look at your watch and throw your phone in the lake. New Releases

The Class (Blu-ray & DVD) The Class is a really solid movie that won the Palme D'Or at Cannes last year and was deservingly nominated for Best Foreign Language Film at the Oscars. Those who think public education must be so much more easy-going in other countries should give this one a look in particular. Based on an autobiographical novel, it follows Mr. Marin (Francois Begaudeau), a teacher at an inner-city school in Paris trying to negotiate the challenges of his individual students and the cultural cocktail they represent. The Class does much more than work off of the existing template for inspirational teacher movies, and deserves consideration if only for that. If not for The GoodTimesKid, this would be the Disc of the week, far and away. Even those given to watching French films like this one that play almost non-existent theatrical runs missed this movie. High-profile arthouse films like this one are picking up more viewers as the expanded choice of Netflix queues take over from blockbuster-flooded local video stores. My hope is this will only get better with the proliferation of set-top VOD. Extras on both formats include a Making-Of featurette and Select Scene Commentary. The Blu-ray adds an Actors' Workshop and Actors' Self-Portraits.

The Tiger's Tail (DVD only) MGM released this 2006 John Boorman film straight to DVD in the US. Aside from being an extremely insipid doppelganger story, the worst thing about it is Kim Cattrall's "Irish" accent. Since her presence is probably part of why the film got made, I tolerated it. Tail is a Prince & Pauper-styled moral drama crossed with some thriller elements and some minor comic tinges. The whole movie is saved by paying attention only to Brendan Gleeson's masterful performance and not the blunt, overly-simplistic plot. Gleeson plays Liam O'Leary, an arch-businessman made rich by the "Celtic Tiger" boom of the late 20th-Century irish economy. Liam pays very little attention to his wife Jane (Cattrall) or his son Connor (Gleeson's son Briain). I was also glad to see Ciaran Hinds in a supporting part as a priest pal of Liam's. A vengeful, separated-at-birth twin enters Liam's life in the opening minutes of the film and sends his world into upheaval, oh my stars and garters! Life lessons are learned, a twist pops up here and there, and the movie is only a great excuse to watch Brendan Gleeson act opposite one of my favorite Irish actors (Brendan Gleeson). There are no extras, just the movie. 17 Again (Blu-ray & DVD) The best explanation I have for why this movie works reasonably well is that Thomas Lennon is one of the most talented comedians living or dead, and they kept the plot relatively simple. More fleshed-out thoughts on this one after I take a look at the extras: a couple featurettes and some trivia track stuff along with BD-Live features I hope I can make work. I Love You, Man (Blu-ray & DVD) In my review back at SXSW in March, I referred to this movie as akin to a really good cheeseburger. That isn't to say it's cheesy and full of bad nutrition, but that sometimes this is just the thing that hits the spot. "Like I did, a lot of people will look at promos for I Love You, Man determined to be a neg-head on it. "Oh great, one of these," many will say. I came out thinking it's a perfect "watch anytime" kind of thing. When I'm done with the latest depressing "end of the world"-tinged doc and want to watch something that grabs me by the gut and makes me chuckle, this is it." I've found in the months since then that it's gotten me re-addicted to Baja-style fish tacos. The Blu-ray includes 3 Deleted Scenes [HD 3:48], a few Extended Scenes [HD 12:39], a so-so Gag Reel [HD 11:25], and a Making-Of [HD 17:29]. The Feature Commentary includes director John Hamburg, Paul Rudd, and Jason Segal, and it's really laid back. There's a set of Extras [22:24] which are better described as "Extra Takes" or alternate riffs from different parts of the movie dominated by Jon Favreau. Rounding things out is the movie's Red Band Trailer in HD. Paris 36 (DVD only) I almost drove to Dallas to see this at AFI Fest. I still haven't seen it, but want to very much. Alien Trespass (Blu-ray & DVD) Allegedly fun and campy. I'll catch up to it. Gigantic (DVD only) Goodman, Asner, Dano, and Deschanel (in that order)? I'll give it a look down the road. The Wild Man of the Navidad (DVD only) It kills me that I missed this one at Fantastic Fest last year. New to Blu

Starman Blue Thunder St. Elmo's Fire About Last Night... Cutthroat Island TMNT Collection (3 live-action & recent CG toon) The Ninth Gate This week was good to catalog titles filling in gaps on Blu-ray, particularly with another John Carpenter movie (Starman), a couple 80's movies, and a schlocky action movie. I can't speak for any of the transfers on these, but will write something up as soon as I do. Imported TV Pulling Season 2 The second and final season of Pulling is now available. As i said when I reviewed the first season, toss all Sex & The City comparisons out the window and enjoy it on its own terms. TV New Release 90210 Season 1 Apparently, this show has done so well that they're reviving Melrose Place as well. I caught part of a single episode in which a High School was putting on a production of Spring Awakening: A New Musical. I like the score to Awakening a great deal. 90210 I don't
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Buzz in the District

I didn't see District 9 at Comic-Con, and I regrettably missed the screening last Friday with the director and star in attendance. I saw a press screening last Thursday morning, and even a week later, I can't completely side with all the of rave reviews out there, but certainly not with Armond White's slam. I'm certain the effusive praise for the movie is coming out of feelings of relief. My greatest fear for District 9 is how it can endure the impossibly high expectations others have put on it.

District 9 is a real science fiction film, unlike many modern effects-based movies that use sci-fi elements to dress up what would otherwise be a conventional action movie. I'm still amazed that all of the aliens were completely CG and that the budget was around $30 million. When you see the movie, you won't believe it. I wasn't very fond of the faux-documentary style that opens the picture, but just as it started to bug me, it faded. I wouldn't go so far as to proclaim it one of the greatest science fiction films of all time, as others have done, but it is undeniably brilliant. The backstory I'm about to describe is gone over in the opening minutes of the movie, so no one bite my head off about spoilers. District 9 is told entirely in flashback, but principally takes place 20 years after an alien craft is mysteriously disabled over Johannesburg. The helpless surviving aliens are herded into a refugee camp and treated like little more than oversized bipedal zoo animals. They're given the derogatory nickname of "Prawns" over time and humans of all colors and creeds show open prejudice against them. The apartheid allegory at play and the portrayal of a gang of Nigerian gangsters will be the two things I'd wager will be most hotly-debated as time goes on. Lefties unfamiliar with apartheid (they exist) will erroneously link the imagery to immigration policy and existing family prisons like the T. Don Hutto facility just miles from me here in Austin. Righties will go on about how the government involved should have just exterminated the "bugs" rather than let them be a burden on taxpayers. On a side note, the local news reports featuring concerned citizens speaking out about the Prawns reminded me of those at the beginning of Children of Men. The snarling, sub-human Nigerian gangsters have cannibalistic tendencies. They know nothing but greed, murder, and hunger. Some will equate their depiction as overt, careless racism. I don't know whether people will be bothered because it really was offensive, or because Michael Bay put those little Sambots in Transformers 2. In an ideal situation, District 9 would win the weekend with a tally greater than its budget and set a precedent for more low cost, high ingenuity, and auteur-driven sci-fi. The first thing very well may happen, but the latter is a lot less likely. The marketing is wisely misrepresenting the movie as all action, like the Halo movie that director Blomkamp never got to make (and no longer has interest in). People word-of-mouthing it as the Second Coming should dial themselves back a bit so as to not hype it too hard for their friends. The movie is very well-made, thrilling, and truly exciting at points. There's also definite sequel potential, and for once in a long while, I'm very eager to see this mutate into a franchise.
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Old vs. New

I'll have more to say on this whole Wells, Maher, Ebert, and Scott v. The Young thing later, but I had to get some quick thoughts out there to start the morning. First, out of no due allegiance to my editor, I have to say that by and large, I agree with him. I've often disagreed with Jeff on things he's said about The Generation of Doom (my generation), and vehemently so. The disconnect here isn't old versus young, it's misinterpretation of who the target is. It isn't fanboys, and it isn't every single "young person" out there that "Uncle Jeff" shakes his fist at from his internet porch. What these guys are decrying is the social movement required for a movie to make anything resembling respectable money by current standards: (1) The movie has to have wildly enthusiastic, heavily-hyped advance screenings where swag is given out that bubbas will wear three years later to dinner at The Olive Garden. (2) Tons of TV ad time has to be secured, preferably during Shark Week, a sporting event, or prime time network reality shows. (3) Whatever the movie is, it must be visible on every High Fructose Corn Syrup-stained wrapper, cup, and box to be found at fast food restaurants or your local cinemegaplex. (4) And finally, for God's sake, there should probably be some immediately recognizable actors, like That Guy From Dance Up, Or Step It, Or Whatever It Was Called or possibly That Chick From The First One With The Boobs. More later on this, but for now: throwing around the age card is not only a lazy defense, but missing the point of what these guys are actually angry about.
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Green Lantern: First Flight & The Future

Now that Ryan Reynolds has signed on to play Hal Jordan (the Green Lantern) in Martin Campbell's live-action, big-budget deal, this recent direct to video animated movie could be viewed through another lens. What will they keep, and how big will they go? One would assume there are some major themes and cast members in common, as the Lantern universe is more strictly defined than Superman or Batman, who have giant rosters of potential villains. I'm most interested to know just how "weird" they'll let the tentpole movie go when it comes to creatures and other-worldly things. As with all comic adaptations, they have to rein things in a lot or they lose the general public. It's all going to come down to how much they rein things in, especially on a "traditional" sci-fi property like GL. Green Lantern: First Flight blows by at a lean 77 minutes. First Flight flies right through the origin story and leaps headfirst into the world of the Green Lantern Corps, the universe's power ring-equipped police force. A behind the scenes power struggle is brewing as Jordan is thrust into this organization, and it comes as no surprise that the red-skinned, Snidely Whiplash-mustachioed Sinestro isn't such a good guy after all. The box proudly touts the PG-13 rating, and the movie seems to include just enough "swear words" (like "ass"), blood, and violence to not seem too kiddy for adults watching, yet just edgy enough for younger kids to feel cool for sneaking it under mom/dad's radar. One kill in particular was surprisingly graphic to me. Overall, it feels like a cartoon made for adults who still love their comics, but it won't scar kids for life if they see it too young. The voice cast is impressive, with Law & Order: SVU's Chris Meloni as Hal Jordan, Victor Garber as Sinestro, Battlestar Galactica's Tricia Helfer as Boodika (another Lantern), and a That Guy congregation of Michael Madsen, John Larroquette, Kurtwood Smith, William Schallert (every 80's cartoon in existence), and Larry Drake. The style of performance is what one expects from the top-notch pedigree of DC/WB animated product produced by Bruce Timm. Warner Bros. is doing a single disc version of First Flight that includes a promo for the upcoming Superman/Batman: Public Enemies animated DVD, a Behind the Scenes of Blackest Night, a current major DC Comics crossover that involves the Lanterns, and trailers for three other animated comic movies. The 2-Disc DVD Special Edition includes all the single disc extras plus a Windows Media-only Digital Copy, Behind the Story with Geoff Johns (GL writer/current mastermind), featurettes profiling Sinestro and other GL characters, and my favorite toss-ins, a two-part Justice League Unlimited episode and Duck Dodgers episode "The Green Loontern". The Blu-ray puts everything on one dual-layer BD-50 disc. The animation upconverts nicely on the DVD, but as always with animation, Blu-ray is the choice for those with the right equipment. Green Lantern: First Flight hit the street on July 28th. Order the DVD from Amazon by clicking here (Blu-ray here).

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Disc Roundup: Week of 8/4


check out DVD Beaver's writeup for great screen captures
Release of the Week Big Trouble in Little China (Blu-ray only) This has been one of my most-anticipated high-def upgrades since I started obsessively tracking what is and is not available on Blu-ray. The 1080p resolution of the picture is the biggest "get" for fans of the movie like myself who have worn out VHS tapes of it over the years. The added clarity makes it look like a completely different movie for me and others who never saw it on the big screen. All of the extras from the most recent DVD special edition carry over, including the John Carpenter/Kurt Russell Commentary. Enjoyable for me was the Spanish Trailer, which re-titles the movie "Rescue in Chinatown," or more literally, "Rescue in the Chinese Neighborhood." Big Trouble can be found for right around $20, and is the Disc Release of the Week partly on its own merit, but mainly because it's the only true must-own of the week. titles like this one being handled correctly will be what makes Blu-ray sink or swim in the long run. New Releases

The Soloist (Blu-ray & DVD) This is a much better movie than people gave it credit for during the takedown campaign that pre-dated its actual release. I don't know if it would have made the Best Picture nominee list, but it didn't deserve to be buried in April. Robert Downey Jr. and Jamie Foxx are both very solid, Foxx in particular. What really angers me most about all the damning-with-faint-praise buzz now that I've seen the movie are the slams against Foxx I read months ago. Downey puts it best in one of the featurettes when he says that when someone portrays schizophrenia and does it badly, it's just dreadful. What Jamie put together is an absolute mimicry of Nathaniel Anthony Ayers, and I mean that as the highest compliment. I would not consider this a movie I think everyone would want to go out and buy, but the movie and all the supplements deserve at least a rental. The blu-ray includes Director's Commentary with Joe Wright, some Deleted/Alternate/Extended Scenes, and various featurettes that are worth looking at (unlike many).

Race to Witch Mountain (Blu-ray & DVD) Disney has wisely decided to issue their family films on Blu-ray with the DVD and a Digital Copy included, thus removing any and all inclination to "rip" video through other means. The movie itself is better than I expected, mostly thanks to Dwayne Johnson's showmanship, which makes a lot of things he's in tolerable all on his own. I never had any attachment to the original whatsoever, and it didn't knock my socks off. I can say, however, that seeing Drew "Moriarty" McWeeny as a Featured Background Artist did encourage me that he may have finally found a steady job. Extras include Bloopers and Deleted Scenes on both the DVD and Blu, with a "Which Mountain" feature exclusive to the Blu-ray that points out references to the original movie.

Mutant Chronicles (Blu-ray & DVD) I wish I could say this movie has some redeeming value other than being unintentionally hilarious. Loosely-based on a role-playing game from some years ago, there's a great deal of talent on display despite a plot out of the mind of a middle-schooler and effects that are often shockingly bad. Thomas Jane is once again squandered, Ron Perlman plays a priest with a better-than-most Irish accent, Malkovich plays a guy with so few lines he must have only worked for a couple days, and Benno Furman barely gets a chance to do anything but act "sinister" and "bad-ass." As long as one goes in expecting it to be terrible, it's watchable while planning a couple accidental naps. A friend recently remarked on Twitter that you learn the most from movies that don't turn out well, and I completely agree. For every Criterion multi-disc set, I have a super-in-depth special edition of something like Mutant Chronicles. Believe it or not, for a movie this negatively-reviewed and generally dismissed, there's a metric ton of supplements included. There's a Feature Commentray with Simon Hunter & Ron Perlman, a Making-of Documentary, Deleted Scenes, Greenscreen/Storyboard Comparisons, a Promo Teaser Short Film with Director's Commentary, a Making-of for the Promo Teaser (thorough!), Cast & Crew Interviews, Storyboards, Concept Art & Visual Effects featurettes, an HDNet promo, a San Diego Comic-Con Panel Q&A, Webisodes, and the Theatrical Trailer. Most movies that do as poor of business as Mutant Chronicles hit DVD without so much as the trailer. Magnet (genre subsidiary of Magnolia) allows the curious to see how the sausage was made, which I think is utterly brilliant.

Delgo (DVD only) Independently produced and released, Delgo fell victim to the mass failures of independent labels that followed the tanking worldwide economy. It was released in the middle of December 2008, which is why most people forgot it existed. I'd rather expose kids to this than all the gimmicky crap 3D CG-animated stuff out there, as there's some real effort, ingenuity, and interesting creature design at play. It's also notable in that it features Anne Bancroft's final performance. The voice cast is full of famous people, from Malcolm McDowell and Val Kilmer to Burt Reynolds and Michael Clarke Duncan to Jennifer Love-Hewitt and Freddie Prinze Jr. to Louis Gossett Jr. and...Kelly Ripa? Lots of famous people worked on the cheap, let's put it that way. The movie is not terrible by any stretch, relative to movies of its type. did it blow me away? No, not really, but it was authentically original, and that nice in CG animation. It actually reminds me of some of the less-remembered Rankin-Bass animated fantasy movies, like Flight of Dragons. The visuals really deserve a Blu-ray upgrade at some point. The check disc I received looks all right, I suppose, and the financial prospects for the movie bode not too well for sales, but this movie will look a lot better in 1080p. In terms of extras, there's a Directors' Commentary, Behind the Scenes, fully-animated and rendered Deleted Scenes [13:00], and a Sound featurette. Also included is an original animated short, Chroma Chameleon [4:48], which I'm assuming accompanied Delgo's theatrical run. The major uphill battle Delgo has on home video is the fact it doesn't have accompanying toys that kids expect to compliment their new favorite movie of the moment. I hope the filmmakers have a grassroots campaign going, because otherwise this worthwhile family-friendly title will get buried by the likes of Ice Age 3: Yawn of the Dinosaurs. New to Blu

Sling Blade This is one movie that has aged really well, as has Thornton's performance as Karl. The picture on the Blu-ray is as close to the look of the print I saw back in '96 as I think I'll see again until (I'm assuming) it's re-struck as a repertory title for its 20th anniversary in 2016. The Blu-ray includes all of the following: Mr. Thornton Goes To Hollywood; Bravo Profiles: Billy Bob Thornton; A Roundtable Discussion with Billy Bob Thornton, Dwight Yoakam, Mickey Jones, and Producer David Bushell; A Conversation with Billy Bob Thornton and Robert Duvall; A Conversation with Robert Duvall (on his own); A Conversation with Billy Bob Thornton and Composer Daniel Lanois; The Return of Karl; On the Set: Billy Bob at Work, Doyle's Band: The Johnsons, Doyle Gets Pummeled; "Doyle's Dead" with Intro by Thornton; and finally a Feature Commentary with Thornton.

The Waterboy It's been over ten years since this came out, and it's still on my "tune-out and veg" list of movies I'll come across on cable and just leave on for three hours on TBS. Do I endorse the horde of imitators that have flooded multiplexes since 1998? No, not at all. nor am I surprised that Touchstone included no extras here. The movie doesn't really need them. No one cares how they did Sandler's makeup, they just want to watch him tackle people. My Cousin Vinny Tomei won an Oscar for this, and the movie's good too. Haven't looked at this disc yet. New to Region 1

Ulysses (DVD only) There were crap all-region versions of this out there previously. I'm waiting for this to arrive to put it through its paces, but I'll keep beating the drum: more Kirk Douglas movies on DVD is a good thing. You Must Remember This: The Warner Bros. Story I'm going to track this one down at some point when I want to soak in studio history. The reviews are raves across the board. Reissue The Tigger Movie: 10th Anniversary Edition (DVD only) Does my credibility take a minor blow for including a Winnie The Pooh spin-off movie in a DVD roundup for a column with the word "Arthouse" in the title? Probably. Do I care? Not at all. Disney appears to have remastered this one, included a Digital Copy, and a couple Tigger-centric episodes of The New Adventures of Winnie The Pooh along with a pile of interactive extras. The whole reason I'm covering this is to emphasize what they're doing right here: bundling Digital Copy and actual added-value (more than just the movie, i.e. the TV show episodes). The "movie" (more like extended episode) is just over an hour and teaches some lessons about what family means. To my delight, this may inadvertently start a "nature versus nurture" kinship conversation in a lot of conservative households that don't know what they're getting into. I blame socialism, naturally. TV Catalog

Stargate Atlantis: Fans' Choice I never got into this show, and this is the perfect gateway drug or shortcut, depending on how one reacts. Fans of the show voted for the full, feature-length version of the Pilot episode, "Rising," and the unedited Series Finale, "Enemy at the Gate" to be released on Blu-ray. They even voted on packaging design. Either I'll get sucked in and decide to catch up on the whole thing, or I'll watch the very beginning and very end. SPOILER ALERT: I watched both and skipped everything in-between, reasoning that I'd never have time to catch up on yet another show. It looks a hell of a lot better than shows like this usually do on broadcast TV. The Young Black Stallion Season 2 My wife and I have two horses. We will probably own this at some point. TV New Releases Flight of the Conchords Season 2 It would be advisable to start with the first season of this show. ------------------------------------------------- Splitting the Disc releases from VOD wasn't a big deal, but structuring the VOD Roundup has been more time-consuming than ever expected. A big one with plenty of backdated on-demand stuff is coming later this week.
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VOD Roundup: Week of 8/11

World's Greatest Dad RiP! A Remix Manifesto http://www.hulu.com/watch/88782 http://www.hulu.com/my-so-called-life Second Skin http://www.hulu.com/watch/87648 http://www.hulu.com/spaced
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