A few days ago, Paramount announced a new DVD special edition of John Hughes' Planes, Trains, and Automobiles with no matching Blu-ray. This disappointed me greatly, as Paramount's recent Blu-ray port of Ferris Bueller's Day Off is fantastic. Whether Hughes had died yesterday or not, I should certainly hope that Paramount quickly announces plans for the same edition to be released on Blu-ray. If they don't, they're making a huge mistake going into a very important holiday season for the format.
Planes, Trains, and Automobiles is a "buy, don't rent" title for a large number of people that will be picking up players in that same quarter of the year, and it would be the no-brainer among first additions to a Blu library.
For that matter, I found the only major Hughes movie currently on Blu-ray aside from Bueller is Home Alone. No Weird Science, Breakfast Club, Sixteen Candles, or Pretty in Pink are to be found. Not to be unsentimental, but Universal and Paramount could sell new Blu-ray users copies of all these movies in a couple months' time without breaking a sweat.
Some thoughts on the Bueller Blu, as I noted a couple months ago:
"Similar to the other two catalog releases from Paramount last week, Ferris Bueller's Day Off has jumped to Blu-ray, carrying over the supplements of the Bueller...Bueller Edition that hit DVD in 2006. The movie itself looks and sounds better than it ever has, which should be the bare minimum expected at this point. What has impressed me most with the catalog titles is that they haven't overdone the DNR or edge enhancement as far as I can tell. There's an appropriate amount of grain in the picture such that it isn't too clean and plastic-looking."
Read MoreElectric Shadow
Che DVD Eh

Disc Roundup: Week of 7/28








Defining Funny
Now that I've seen the movie, I couldn't disagree more with the writers and sites painting Funny People as one of the primary ingredients in a bad summer for Universal. These individuals are inventing a story for themselves to perpetuate. It's all bullshit spin designed to drive their ad-views and comment sections. Be prepared for a movie that's 2.5 hours in length that resembles very little in Sandler's repetoire, and you'll be fine.
The movie earns its runtime, even if the pacing slows in the last act. Various armchair directors have cited arbitrary numbers of minutes that "should have been cut," as if editing a movie were based only in numerical metrics. Those recommendations are about as precise as saying "let's drop one out of every 24 frames, sound like a plan?" It felt as if Funny People could have used a few little nips and tucks throughout, but I'd rather err on the side of length than on chopping content. While I enjoyed Funny People a great deal, I'll agree with the haters that it won't be for everyone.
Part of the issue is the length. When confronted with a 146-minute runtime, a number of friends confided that they immediately filed Funny People under "wait for home video." Even two hour runtimes put people off these days. The American public has become accustomed to everything fitting in a nice, neat 100 minutes, and anything that doesn't feels "weird."
The reason people will dislike Funny People is that those who love Adam Sandler for The Waterboy and Billy Madison generally can't stand Reign Over Me or Punch Drunk Love. Likewise, fans of Judd Apatow's previous movies won't immediately know what to do with this movie, which is a more mature, evolved thing than 40-Year-Old Virgin or Knocked Up. No matter what you do, some people will turn up their noses at a filet when they asked for a fatty cheeseburger. They don't want to savor anything, just give 'em something that goes in and then goes right back out.
The loud-breathing kid sitting next to me two nights ago who couldn't stop saying "woooow" and "duuuude" is the manifestation of this confusion. He's one of these guys who are not interested in growing and bettering themselves, but rather, would much prefer to be wealthy and famous for no good reason and get laid all the time. He may have a wonderful personality, but there is no chance in hell this kid ever gets laid. I'll call him DudeWhoa.
DudeWhoa and many like him are assuming that, since Funny People stars Sandler and is about comedians, that he's going to get a hybrid of a Dane Cook standup special and Billy Madison: The Later Years. He came expecting to repeat-quote his way through the movie, but it's impossible to do that with Funny People. Aziz Ansari's Randy is extremely authentic to the quotable-but-worthless comics this kid's generation loves. I've gritted my teeth on open mic nights I've both participated in while watching these morons perform. Ansari has undoubtedly endured this as well, because in his short presence, he embodies everything about hack comics that I want someone to choke out of them.
The context added by a simple "people actually like this stuff?" from Seth Rogen's Ira made it difficult for DudeWhoa to laugh at Randy and not set off a signal that he's an idiot. I could hear it in his grunting though: he really badly wanted to lose it laughing at Randy's killer jokes!
After a while, DudeWhoa seemed to go on the offensive, blurting out "laaaame" and "psh yeah, profound...whatever dude." Even after I told him (I didn't ask) "how 'bout you shut the fuck up," he kept dramatically exhaling like he was stuck at Macy's waiting for his mom to try on jeans.
His final thoughts on the movie as the credits rolled was a simple "Duuuude what the fuck, I mean seriously." That was the end of the sentence. He sat there for a couple more minutes and then exited, talking loudly the whole way out the door.
Read MoreNight of the Creeps on Blu too

12 Monkeys and Spinal Tap in HD
Both of these Blu-rays, which street tomorrow, feature vastly improved transfers, particularly on Spinal Tap. New extras on This is Spinal Tap (on a separate DVD) include The Tap performing "Stonehenge" at Live Aid in 2007 and some promos for Stonehenge Decoded done as a faux interview with Nigel Tufnel (Christopher Guest). The rest of the extras on Tap and all of the ones on 12 Monkeys carry over from the most recent DVD editions. Both are highly recommended, worthy upgrades. More tomorrow on these and others.
Read MoreTechnical Issues
Posts from the last few days have been unexpectedly, bizarrely edited outside my control. Now that I've got things sorted out, things are back to normal. Stay tuned for some This is Spinal Tap and 12 Monkeys Blu-ray impressions from me later.
Read MoreEmo Potter IMAX3D
I saw the IMAX3D version of Harry Potter and the Half-Blood Prince last night, and I'm not on board with the "best in the series" reviews I saw up near its time of release. Before I get into what I thought of the movie (which I waited to see until now), I should mention a couple things about the IMAX presentation. The trailers start in 3D and the 3D portion of the movie is completely front-loaded, and probably composes a fair portion of the first half hour. Once you take the glasses off, you never put them back on again. The sequences not in 3D that you'd expect to be in 3D? Quidditch, battles, and other action-filled stuff that makes you wonder why you have space goggles sitting in your lap.
I haven't read the books at all, so apologies to those whom that offends. The pace was glacial, mostly owing to only being able to cut so much from the book and the movie still serve the purpose it needed to: bridge the gap from Order of the Phoenix and set up dramatic conflict for both halves of Potter 7. There were plenty of enjoyable bits, but it didn't knock my socks off like Harry Potter and The Magic Touch of Cuaron did. Half-Blood Prince was well-directed and pitch dark compared to the previous ones, which I liked. I kept waiting for it to stop feeling like an adaptation as much as a movie.
Read MoreTest
House That Blu Built
http://gizmodo.com/5324436/a-peek-inside-a-blu+ray-factory
http://www.news.com.au/technology/gallery/0,23607,5057861-5014321-1,00.html
Read MoreDigital Roundup: Week of 7/21



From the second season of The Mighty Boosh



Wuxia Blus
Miramax (Disney) has just announced Zhang Yimou's Hero, The Legend of Drunken Master (Drunken Master II, that is), Woo-ping Yuen's Iron Monkey, and the Takeshi Kitano Zatoichi for Blu-ray release Sept. 15th. They'll be in a box set and also available separately. SRP on the box set is $104.99, with the individual discs at $44.99 each. As always, they'll definitely retail at less than that. From my initial read, the only new feature is on Hero ("Close-Up of a Fight Scene"), with others carried over from the original DVD releases. I hope this indicates a wave of more East Asian releases on Blu-ray coming from Miramax, whether martial arts or not. I'm glad I held out for a domestic release of Hero on Blu-ray rather than import. For those who don't know, here's a link defining wuxia (yes, I know it doesn't really apply to Drunken Master).

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Considering Coraline
Universal's Blu-ray of Coraline (available tomorrow) features one of the best home video transfers of the year, hands-down. The movie is undoubtedly in the running for one of the Best Animated Feature slots among a potentially tough field (UP, Ponyo, A Christmas Carrey, 9, The Princess and the Frog). If Universal wants Coraline to be a player in that race, they should get copies of this Blu-ray to Academy voters now to lay some groundwork. As I understand it, the rules for the category allow for up to five nominees, but they've only done three since its inception.
The Behind the Scenes featurettes are what will etch this movie into Academy voter memory for the end of the year. Both the 35-minute piece and the snippets interspersed throughout the movie using the U-Control Picture-in-Picture (PiP) feature sell the amount of elbow grease that it took to make this. Most of the runtime of the featurette is devoted to all the painstaking work and design that went into making the whole movie happen, from tiny buttons and zippers to the armies of stop-motion puppets. The PiP bits focus on individual set pieces and puppets as they appear during the film. There's a separate featurette and set of PiP bits covering the voice actors' work, which are all well and good, but the real meat is in the BTS material.
Coraline had the best theatrical 3D of any animated feature I've seen this year. Monsters vs. Aliens' 3D is negated by the vacuous movie contained in it, and UP's 3D only added some extra depth, but it wasn't designed from the beginning with 3D in mind. The Coraline Blu came with 3D glasses I approached with trepidation. Previous home video attempts at 3D have failed miserably.
The anaglyph 3D glasses gave me a headache, but I'm assuming I needed to be sitting further back from the TV. Colleagues who've watched the whole thing all the way through report no pain or discomfort. What I did see through Coraline's pink/green glasses for fifteen minutes or so was much better than the red/blue 3D on releases like The Polar Express before it. The dimensionality was impressively similar to the polarized 3D I saw in theaters, but it's still far from perfect. If Universal can squeeze Coraline in for a second 3D run in October, I think they could make some decent scratch on it, simply because you can't yet replicate it at home.
The Blu-ray also includes some Deleted Scenes and a Director's Commentary with Henry Selick. Composer Bruno Coulais joins the commentary 1 hour 35 minutes in for about five minutes total. The movie is worth owning, but note that the Picture-in-Picture stuff is only on the Blu-ray, not the DVD.
Read MoreHenson Company Blus
Blu-ray's 91% jump in sales announced recently is obviously driving the quantity of catalog releases hitting this fall. Sony has just announced Jim Henson's Labyrinth and The Dark Crystal for Blu-ray release on September 29th, including new features. Suggested Retail Price is $27.95, so expect it to cost less the week of release. I hate copying and pasting press release info, but the extras pretty much speak for themselves as described below.

"These fantastical films sparkle in high definition with an array of exclusive Blu-ray special features including commentary with fantasy illustrator Brian Froud, who collaborated with Henson on both films, behind-the-scenes featurettes and deleted scenes. On The Dark Crystal, fans can play "SkekTek's Crystal Challenge" Trivia Game and save themselves from the scientist's evil efforts to drain their living essence. Additional Blu-ray exclusives include a Picture-in-Picture "Storyboard Track" and "The Book of Thra," a feature that allows fans to learn about and collect their favorite characters and objects from the movie.
"On the Labyrinth disc, fans can get the inside story behind Labyrinth in the "The Storytellers" Picture-in-Picture track which includes all-new interviews with Cheryl Henson and others from the cast and crew."
"Labyrinth
"The Storytellers" - Picture-in-Picture Exclusive
Making of Documentary: Inside The Labyrinth
Commentary with Brian Froud
Journey through the Labyrinth: Kingdom of Characters
Journey through the Labyrinth: "The Quest for Goblin City"
Dark Crystal
Commentary with Brian Froud
Picture-in-Picture Storyboard Track
The Book of Thra: Dark Crystal Collector
SkekTek's Crystal Challenge Trivia Game
Original Skeksis Language - Test Scenes with Introduction by Screenwriter David O'Dell
Deleted Scenes
The World of "The Dark Crystal"
Reflections of the Dark Crystal: "Light on the Path of Creation"
Reflections of the Dark Crystal: "Shard of Illusion"
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Most Wanted: The Pirates of Penzance (1983)

Kevin Kline as the Pirate King

09 Best in Discs
Biggest Brouhaha
Let The Right One In subtitle fracas
Best Mea Culpa
Universal catching a flaw in Inside Man blu-ray soundtrack and pushing back release.
http://www.hollywood-elsewhere.com/2009/07/half_time.php
http://www.hollywood-elsewhere.com/2009/02/first_2009_rund.php
Read MoreRevenge of the Toys
I felt sick opening the plastic wrapping of The Transformers: 25th Anniversary "Matrix of Leadership" Edition complete series set. A flood of memories from my childhood I must have repressed out of guilt overwhelmed me. I grew up watching the cartoons as a kid. Good God, the debt I plunged my parents in to for those toys. They're all still locked away in plastic sarcophagi inside a closet or storage unit somewhere in North Texas. The release of these box office-imploding first one and its sequel feel like those robot toys came to life and started taking over, spreading Reaganesque, over-simplified "us versus them" feelings back to thrilling life.
From what I've read since the release of Transformers: Revenge of the Fallen, that's something the critical community at large hasn't quite articulated, whether to avoid reader backlash or due to Bay-bashing distraction.
I must disclose here and now that my following observations are not any sort of critique of the movie. They couldn't be, since I have yet to see either live-action Transformers movie. I don't expect to correct that any time soon.
The reason the general public is telling critics to go stuff this or that by spending their dollars on the movie is more culturally embedded than our American need for explosions. From what I am told, the movie opens with Optimus Prime helping the US Army track down the evil Decepticons who've gone into hiding, "smoking them out," if you will. The War on Terror (aka War on Drugs 2) parallels have been far from hidden since the first installment. Now it's more apparent than ever that the American public is hopelessly applying Cold War and (God help us) WWII rhetoric to a very different threat. Reality isn't giving Iraq War supporters and apologists what they want, but reviving Reagan Era franchises sure as hell does. It doesn't matter that the symbolism doesn't line up one to the other. There's a stark division between the good guys and the bad, and that's all that matters.
"These evil, scary robo-bastards out there are bent on destroying our way of life and very existence. They want our Jesus and our hot women. They must be stopped at all costs, and damn it all, it's possible to get every last one!" That absolutism is what sells Fast Food America on it.
The real world is coated in different shades of grey, with no way to look at an insignia and definitively identify someone as "ok" or "dangerous."
Read MoreDigital Roundup: Week of 7/14




Missed Fracture




Blu Without Borders
Now that more people are jumping on the Blu-ray bandwagon, the question of how to play import discs has become a hot topic. With catalog titles and even select new releases popping up in Europe before the US, serious enthusiasts want to be able to stick a disc from anywhere in and just play.
A ton of discs, regardless of country, aren't locked by region in the first place. The problem is, it seems like all the ones collectors and cineastes want most from Region B are. Conversely, I don't think I've yet seen a single Blu-ray with region encoding from China or Hong Kong.
I actually considered buying some HK discs like Red Cliff (Parts I & II) until I saw they were priced at nearly $40 each and found out Magnet/Magnolia would be releasing them domestically after the mashup/shavedown release they'll be putting in theaters later this year. I've seen both thanks to a friend who bought them, so it's not like I'm dying to see them. It's nice to know I have the option with Asian releases.
Some of the European Blu-rays confirmed to be locked include the German Fight Club, French The Crow and Brotherhood of the Wolf, and the UK pressing of The Good, The Bad, The Weird. Most prominent to H-E is that Blu-ray.com's reviewer has confirmed that the recently-released UK Blu-ray of Che is in fact Region B-locked. I'm not the only one who's itching for a Region A pressing of Che.
So how does one get around this roadblock? Software unlocks are a no-go, since the necessary firmware updates for Blu-ray players kill these or make the player completely inoperable afterward. DVD Beaver's Gary Tooze highly touts the hardware-modified Momitsu BDP-899 from HKFlix, including positive comments from users. There's a pretty thorough rundown in a post on the VideoHelp forums, but what started me out concerned was that the first guy on the above-linked page didn't test Blu-ray, just DVD.
User posts on the DVD Talk forums suggest that as mostly-flawless as the Momitsu player is, it still isn't perfect. Multiple people cite issues with discs getting stuck in the drive. The workaround fix involves unplugging the player and plugging it back in, but that doesn't always work.
So yes, one could get this $370 modified player, but you could also just buy a Region B player for over a hundred bucks less (~$250). I don't think it's unreasonable to be paranoid that firmware updates might still brick the thing, or worry that it could have issues with newer discs and features. I'm all for importing and finding ways around region exclusivity, but that's too big a gamble for my budget.
If I could account for any Region C-only discs, the idea of the Momitsu would be more appealing, even in the face of varied reports of disc-trapping and freezes. My verdict on Region-locked import Blu-rays: either a) buy a Region B player or b) wait for prices to drop and reliability to be rock-solid on the region-free front.
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