Electric Shadow

Revisiting State of Play on Disc

Upon a few months' reflection, I feel Kevin MacDonald's State of Play was unfairly ignored for more than the reasons brought up during its run in theaters. Play was adapted from a masterful UK miniseries, that much has been reported to death. The people I'm bothered by are those critics who rushed to watch that series so they could act hipper-than-thou and assert some sort of authoritative, lazy "not as good as the original" critique.

Those people set the critical paradigm on the movie, and by and large they suffer from what the movie is really getting at, which is the nature of authenticity and integrity. State of Play the movie is not about the exact same things as the miniseries, and that was ignored by critics who were more interested in looking cool and smart rather than giving an honest assessment of the movie. I still haven't watched the BBC One miniseries. I know, I know, I'm tragically uncool and some would say uninformed. Calm down and get off my lawn. If walking into a movie completely fresh is a bad thing all of a sudden, then I quit. I tire of reviews that only concern themselves with comparative "version A vs. version B" instead of individual evaluation. There's no such thing as complete critical objectivity, but most reviews have just thrown objectivity out the window. Play's 85% Fresh rating on Rotten Tomatoes doesn't cover all the critics out there, just the ones tabulated on that site. The "Eloi" movement Jeff keeps referencing includes homegrown "dude" critics among one's circle of friends who rely on the same template reviews as lazy professional critics. "It's too long," "It's not as good as the original," and "I liked the director's other movie better" are all too common among their analyses. This movie has contextually, for me, become a story about the loss of ideals and any sense of professional morality. Extras on the Blu-ray include two Deleted Scenes [3:39], both of which were wisely excised, because the final product works better not showing what's in those two scenes. The Making of State of Play [18:45] highlighted one thing, in particular, that I'm sure I felt but didn't notice. They shots scenes with the Congressman in HD and others on film, further mixing the analog vs. digital dynamic at play.
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Opapatika

I wish I could take a translated English script of Demon Warriors (Opapatika in Thai) in a time machine to the 1990's and cast Don "The Dragon" Wilson, Steven Seagal, or Dennis Rodman (why not?) in an American version. A cop has to commit suicide to enter "the spirit realm" so that he can defeat a supernatural ganglord. Once bestowed with extra powers and strength, he's faced with a deterioration curse. Anyone who hates lengthy exposition will love this movie, because it spends only a couple minutes to hit you with "here's the high concept, swallow in one gulp."

I love that a label like Magnet Releasing exists so that generally insane foreign genre releases can be seen by US audiences. I would, however, very much like for them to stop making foreign discs default to the horrendous English language dub tracks. Bar none my favorite thing about the DVD release is the insane quote from Variety on the cover: "Ingredients for a nasty version of X-MEN." Had the writer ever seen X-Men, or is this taken wildly out of context? There's no way to know, since no evidence exists online that this Variety review ever happened. I'm sure Variety reviewed it at some point, but that organization is terrible about making their content searchable or even existent online. The only extra on the disc is The Making-of Demon Warriors [15:47]. Demon Warriors was released on August 4th.
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Sin Nombre Sans Blu


The only disappointing thing about Sin Nombre coming out on DVD today is that it isn't available on Blu-ray. I should hope going DVD-only isn't a trend for Focus Features releases going forward. Cary Joji Fukunaga's feature debut does the best job I've seen of late in capturing the perils of the journey people are going on as you read this, no matter the time of day. Most other films covering related ground focus on all the white actors they can cast to get a larger budget and wider release, where Fukunaga wisely chose to tell the right story that serves no other masters. Sin Nombre is one of the best, most perfect films I have seen this year. It's spare, lean, and brutal in just the right proportions. Don't let a quantity of only two extras listed on the back make you think the DVD isn't worth looking at for interesting behind-the-scenes stuff. I'd rather have the substantiveness of what is on here than the hour of fluff featurette garbage on most DVDs these days. The twelve Deleted Scenes [10:03] come from various parts of the film. A couple of the first deal with friends of Sayra's that didn't make the final cut, and much to my delight, there's also more of Smiley's eccentric grandma. The Feature Commentary with Fukunaga and producer Amy Kaufman points out a lot of good stories about the production and never lost me. Some brief personal anecdotes from Fukunaga about his own background were intriguing to say the least.
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Secessionist Idiots

I'm still laughing after watching these wingnuts twice. This is funnier than most summer comedies. "There may be a bloody war" indeed.
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No More Wires & Strings


I agree wholeheartedly with Jeff, George Feltenstein, and Robert Harris regarding yesterday's posts on digitally removing wires. This has actually been an issue since people started watching DVDs on HD screens. Shortly after we got our HDTV, Ashley and I popped in Jurassic Park to see what it looked like. Everything was going fine until we got to Nedry and the Dilophosaurus and saw the wires attached to the dino's frills. We were horrified! We didn't see those years ago in the theater, nor had we on our SD set. I don't hope, I expect the rumored Blu-ray coming next fall will have these wires removed. This is not an issue of too much or not enough grain in a picture, which is debatable. Wanting a "wires" version is like demanding a cut of Star Wars without the lightsaber blades glowing.
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Disc Roundup 8.25.09


(l. to r., top to bottom) I Am Waiting (1957), Rusty Knife (1958), A Colt is My Passport (1967), Take Aim at the Police Van (1960), Cruel Gun Story (1964)
Release of the Week Eclipse's Nikkatsu Noir Collection (DVD only) This absolutely brilliant collection comes from Eclipse, Criterion's "no-extras, but a great transfer" subdivision. This is the top release of the week for the gaping hole in Region 1 film history this completes. Nothing else this week carries nearly the degree of significance of this set, no matter how many extras and fluff they squeeze into it. Rather than futilely try to do a better job than someone I consider a subject matter expert, I'm going to briefly excerpt from fellow Austinite Rodney Perkins' series of reviews over at Twitch. Here's Rodney's take on A Colt is My Passport: "Takashi Nomura's 1967 film A Colt is My Passport is arguably the best known of the five films featured in the Nikkatsu Noir box set from Criterion sub-label Eclipse. For that reason, and the fact that it is the most recent of the five films included in the set, A Colt is My Passport a good place to start when examining Nikkatsu Noir." "In A Colt is My Passport , chipmunk-cheeked action star Jo Shishido plays Kamimura, a hitman hired by a mob boss to exterminate the head of an opposing group. Kamimura, who runs around with a sidekick named Shiozaki (Jerry Fujio), does the job perfectly. In fact, he does the job too perfectly, forcing his employers to send him into hiding. While in Kamimura is in exile, the rival mobs team up, leaving Kikimura and his buddy in a bad situation. During their effort to get out of Japan, they are aided by a young woman named Mina (Chitose Kobayashi) who works at duo's hotel hideout." The titles below link to the individual pieces he's done on the set. I'll update these links as I see him post reviews of the rest. Click here to see everything written by Rodney at Twitchfilm.net. I'm not exaggerating when I say he's among the best and most knowledgeable film programmers I've ever met. Koreyoshi Kurahara's I Am Waiting (1957) Toshio Masuda's Rusty Knife(1958) Seijun Suzuki's Take Aim at the Police Van (1960) Takumi Furukawi's Cruel Gun Story (1964) Takashi Nomura's A Colt is My Passport (1967) Catalog New to DVD I haven't gotten my hands on either of these, but below are a listing of the extras from Criterion's site.

Jeanne Dielman: 23, quai du Commerce, 1080 Bruxelles -Autour de "Jeanne Dielman," a 69-minute documentary--shot by actor Sami Frey and edited by Agnes Ravez and Akerman--made during the filming of Jeanne Dielman -New interviews with Akerman and cinematographer Babette Mangolte -Excerpt from "Chantal Akerman par Chantal Akerman," a 1997 episode of the French television program Cinema de notre temps -Interview with Akerman's mother, Natalia -Archival television interview excerpt featuring Akerman and star Delphine Seyrig -Saute ma ville (1968), Akerman's first film, with an introduction by the director -A booklet featuring an essay by film scholar Ivone Margulies The Last Days of Disco -Audio commentary featuring Stillman and actors Chloe Sevigny and Chris Eigeman -Four deleted scenes with commentary by Stillman, Eigeman, and Sevigny -Audio recording of Stillman reading a chapter from his book The Last Days of Disco, with Cocktails at Petrossian Afterwards -Behind-the-scenes featurette -Stills gallery with captions by Stillman -Original theatrical trailer -An essay by novelist David Schickler New Release

Rudo y Cursi (Blu-ray & DVD) Extras: Feature Commentary with Carlos Cuaron, Gael Garcia Bernal, & Diego Luna, 6 Deleted Scenes [4:45], Making-of Featurette [26:51], "I Want You to Want Me" Music Video [2:54], "Rudo y Cursi" Music Video [3:53], Turn Off Your Cell Phone! Promo [1:09] Blu-ray Exclusive: Q&A with Cuaron, Bernal, & Luna [1:11:32] I'm not certain anything could live up to the expectations of a followup to Y tu mama tambien starring the same lead actors. Diego Luna and Gael Garcia Bernal play off of each other well, and I had fun with the movie. Your own experience may depend on your enjoyment of soccer. The Informers (Blu-ray & DVD) Extras: Director & Cast Commentary, Human Intersections: Making The Informers [15:26] This movie was difficult to stomach. There was no one to identify with, nor was there anyone to relish the destruction of. At a certain point, I wanted all of the characters to just die in a fire and put me out of my misery. I'll get into why this didn't work as well as other Ellis adaptations later in the week.

Duplicity (Blu-ray & DVD) Extras: Feature Commentary with Writer/Director Tony Gilroy & Editor/Co-Producer John Gilroy Duplicity really didn't get its due, and I've heard various reasons as to why. Some would like to allege that Julia Roberts is "over" or Clive Owen "can't 'open' a movie" or that the script was too clever for its own good. There are a variety of variables that screw with March openings, so don't let anyone use the movie's box office take as evidence against it being worth your time. In the sea of "turn your brain off" crap that's out there, Duplicity is a sweet respite. Fighting (Blu-ray & DVD) Extras: Unrated & Theatrical Cuts, Digital Copy, and 5 Deleted Scenes [8:03] The title is the whole movie. I can't wait for the sequels: Punching, followed by Kicking, and then Punchin' n' Kickin' a few years down the road when the franchise grows stale. I found it entertaining that the commercials for the DVD & Blu-ray referred to Channing Tatum as "GI Joe's" instead of "Step Up's". Adventureland (Blu-ray & DVD) Extras: Digital Copy, Feature Commentary with Mottola and lead actor Jesse Eisenberg, 3 Deleted Scenes [2:27], Just My Life: The Making of Adventureland [16:30], and Song Selection Blu-ray exclusives: Frigo's Ball Taps [HD 2:34], Lisa P's Guide to Style [HD 2:08], and Welcome to Adventureland, which includes two in-character commercials (Fun-tastic Time [0:39] and Fireworks [0:49]), an Employee Orientation video [HD 3:31], and a Drug Policy training video [HD 0:44] The more time that passes since I saw this movie last week, the more it grows on me. No matter what, I probably won't relate to it as much anymore now that I'm married and a ways out of college. Click here for my review from Friday. Sunshine Cleaning (Blu-ray & DVD) Haven't seen this one yet, but I've heard mixed news. I've got it as a B-priority to rent & watch. Goodbye Solo (DVD only) Extras: Feature Commentary with Director Rahmin Bahrani, Theatrical Trailer I missed this one at an extremely out-of-my-way screening at SXSW this year and should be catching up to it soon. I've heard nothing but good things. The presence of a commentary on a release this "arty" is wonderful to see. Patton Oswalt: My Weakness is Strong (DVD only) Patton Oswalt is truly one of the funniest men on the planet, living, dead, or undead. The only way to support truly gifted people like Patton, who also goes to bat for unknown, talented people, is to buy their stuff and not download it. Hear me, you young punks on my lawn?

American Son (DVD only) Extras: Leave in Bakersfield: Behind the Scenes of American Son [11:37], Feature Commentary with director Neil Abramson & producers Danielle Renfrew and Michael Roiff, 1 Deleted Scene & 1 Alternate Scene [3:18 total] with optional audio commentary by director Neil Abramson & producers Danielle Renfrew and Michael Roiff Nick Cannon plays Mike, a soldier on a four-day Thanksgiving leave from the armed forces after he completes basic training. He meets a girl on the bus into town (Melonie Diaz) who he becomes somewhat infatuated with. For me, the solid gold contained in the movie is Tom Sizemore as Mike's stepdad. In the audio commentary, it's suggested that Sizemore couldn't keep different characters' names straight...wonder why. The movie itself is a wandering around town, coming of age thing. Cannon's charm, as evident back in Drumline, carries the movie admirably. It reminded me a great deal of Three Blind Mice, an Aussie military-on-leave movie IFC released earlier this year. This movie is worth checking out when you're in the mood for it.

Boot Camp (DVD only) Extras: a trailer for Dragonball: Evolution Boot Camp's box art almost makes it appear like a horror film. It's really just an "escape from the island" light thriller with tinges of Lord of the Flies mixed with a message film about Tough Love rehab camps. Mila Kunis plays a bad girl who's portrayed sympathetically as not-so-bad. She gets shipped off to one of these camps run by Peter Stormare, one of the few guys working who does a perfect over-the-top schlock villain. The movie is tremendously didactic, but is much, much better than what is typically considered "direct to video" product. Trouble the Water (DVD only) It was Oscar-nominated, but stood not a chance in hell of winning up against Man on Wire. Another well-received doc to go on collectors' Katrina Movies shelf next to When the Levees Broke: A Requiem in Four Parts. Nights & Weekends (DVD only) A Swanberg production I couldn't make it into at SXSW due to the excessive number of VIP seats taken up by people dying to see themselves on the screen. New to Blu Children of the Corn Screwballs How to Lose a Guy in 10 Days: Deluxe Edition Here's my review from a few days ago. TV New Release House M.D. Season 5 (DVD only) Extras: House Meets a Milestone: The 100th Episode [5:42], Commentary on "Locked In," Keeping it Real: Accuracy in Writing [7:22], Dr. Mom: Cuddy's Storyline [8:46], Anatomy of a Teaser [12:03], and House Guests: Casting the Show [11:10] (which is more about the initial casting than guest parts) I am a fan of Sherlock Holmes, so I also happen to enjoy this show, Sherlock Holmes' American Great Grandcousin, M.D.. A couple revelations from this season just past were particularly shocking, especially the final episode cliffhanger that really makes the viewer question a lot. Please, no one decry that as a spoiler. That's the definition of a network TV season-ending cliffhanger. Hugh Laurie would be the Sherlock Holmes I'd cast in an adaptation of Nicholas Meyer's novel The West End Horror, but that's just me and no one's listening. Scrubs Season 8 (DVD only) Extras: Bloopers, Deleted Scenes, Alternate Lines, My Bahamas Vacation [20:12], Scrubs Intern Webisodes The final season of this much-beloved show is finally out there so that ABC/Disney can do a complete series set in the shape of a bedpan or something. I never really watched it until I got married. Ashley introduced me to it, and I got hooked shortly before the end of the series. Samantha Who (Final) Season 2 (DVD only) Extras: Bloopers, Deleted Scenes, Tour the Set with Christina Applegate, and Christina's Dance Moment This is part of a two-week wave of Shows That Are No Longer, all of which might still be around if not for the WGA Strike. I'm not saying I'd have preferred the strike didn't happen, but it's interesting to see the wake it can really create. Back to the show itself: I've always found Christina Applegate entertaining and capable of more than she's usually offered. It really is unfortunate that not enough women get their own shows and have a chance to be something other than The Wife of The Comedian. This show is kind of like The Cleaner or Saving Grace, but instead of a former druggie loser, she's a horrible person who gets amnesia. This is all there will be, so it's easier to catch up. NCIS Season 6 (DVD only) Extras: Cast and crew commentaries on selected episodes Featurettes: "Bodies of Work," about the artificial bodies used on the show; "Fear: a DVD Exclusive," and acoustic version of Pauley Perrette's "Fear"; "Starting With a Bang," about the opening of Season 6; "Horsin' Around," about the "South by Southwest" episode; "Season Six: Cruising Along," where cast and crew reflect on Season 6; and finally "Six Degress of Conversation," which is just the cast talking about Season 6 I have to be completely honest here: I'm not a fan of this show, but my father-in-law is. Regardless, if they did an episode on horseback, I'll check that one out and probably get hooked. "I hate television, but I also hate peanuts, and I can't stop eating peanuts." Included in this package are all 18 hours and 26 episodes from Season 6. As I understand it, the show is about to be spun off, so good for everyone's residual checks! Life (Final) Season 2 (DVD only) Extras: Deleted Scenes, Gag Reel, Audio Commentary with cast and crew It isn't petty that I hate this show because NBC flipped a coin and kept it instead of Journeyman, is it? Well, it's a dead show now. Lie to Me Season 1 (Blu-ray & DVD) Ashley got into this show, and I caught a couple episodes along the way. It seems to be House MD: Pathological Liar Unit from what I have seen. I've always liked Tim Roth, so I'll eventually catch up with it. TV Catalog The Untouchables Season 3 Volume 1 (DVD only) At the beginning of Season 3, Eliot Ness has Frank Nitti and his gang right where he wants them: on the run, but hold the phone! Heroin crashes onto the scene and gives Ness and his men a new nemesis: the needle. That was my best shot at a 1960's-style "coming next week" promo, hope it was entertaining. Seriously, though, I love this show and am sincerely glad CBS is continuing to put them out volume by volume on DVD. Half a season of these shows amounted to 13.5 hours of TV. The transfers on these episodes look great, too. The Adventures of Robin Hood Complete Series (DVD only) All four seasons are available from Amazon in this set for $25, whereas individual seasons run around $13 apiece. 143 episodes for $25 is not bad, if I do say so myself.
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Fight Club Finally Goes Blu


Fight Club is at last arriving on Blu-ray in the US on November 17th. Fincher's Palahniuk adaptation was one of the early benchmarks for studio-produced DVD Special Editions. After its release, all were compared to its comprehensive crafting, down to the packaging. The Finch-level of obsessive design and detail are a big reason why many were introduced to the film, which didn't do well in theaters. Try to find someone who saw this movie the first time in first run and not on video and you'll come up short. The original two-disc affair was one of the first three DVDs I purchased to go with my Playstation 2. The PS2 was my first DVD player thanks to a high school job I had working in a video game store. The added extras are slight, but it's still jam-packed just carrying things over. Here's a rundown of the new stuff: A Hit In The Ear: Ren Klyce and the Sound Design of Fight Club This interactive featurette allows the viewer to re-mix the sound on four scenes: Welcome To Fight Club, Angel Face's Beating, The Crash, and Tyler's Goodbye. Flogging Fight Club The press release doesn't say what this is, so I'll venture a guess as to what this is. I'm assuming it has something to do with the controversy that the movie has drawn over the years thanks to unauthorized "fight clubs" cropping up. Insomniac Mode: I Am Jack's Search Index, Commentary Log, Topic Search According to the press release, this "gives viewers the ability to access any part of the disc's extensive bonus material via interactive tools," whatever that means. Behind-the-Scenes with Fincher, Pitt, & Norton accepting Guy Movie Hall of Fame honor at SPIKE TV'S 2009 GUYS CHOICE Awards
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Packaging Exhibitionism


This pronouncement on the 17 Again Blu-ray packaging became a catchphrase over the last few weeks with friends and colleagues who had seen it or reviewed it. "Has your day been packed with Zac? I know mine has!"

Fox began a curious packaging design choice by shipping TV Blu-rays with a cardboard "plate" (r.) identical to the jacket art (l.) glued to the outside of the cellophane with a sticker on it. Wouldn't it have cost less to put the sticker on the cellophane? Are they trying to make their TV product feel different than other things one the shelves? This seems like a stupid thing to be hung up on, but what gives?

Ditto the above, but in "buff" cardboard rather than "glossy" for the authentic, "gritty" feel.
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267: Kurosawa, Criterion, and Blu-ray

Akira Kurosawa's Kagemusha (The Shadow Warrior) was previously released by Criterion on DVD, but the added color depth and clarity in high-motion scenes offered by the Blu-ray released on 18 August are what truly make it a must-own for any serious collector or fan of Kurosawa. Beyond that, the included booklet is nice and thick, full of reproductions of Kurosawa's hand-painted storyboards for the film. I've taken the best photos I can with my point & shoot to give you a taste.

Criterion had planned for their first Kurosawa Blu-ray to be Ran, but rights issues with The Weinstein Company prevented it. What may initially be viewed as disappointing news is a blessing in disguise for one of Kurosawa's masterpieces that gets less attention than it deserves. When an ailing lord dies, a lookalike peasant thief is recruited to carry on in the warrior's place. As time passes, the "shadow warrior" struggles with his growing ambitions and the intimidating legacy he has to uphold. Kurosawa's return to samurai films is perhaps one of the best examples of his tremendous talent for choosing color palette. Kagemusha is more than just an epic from one of the most dense and complex times in Japanese history (that of the Warring States), it's a powerful fable on the perception and use of power. If HBO really wants to make me happy, they'll do a megaseries set in this time period. Better yet, I hope the Japanese film industry puts one together on their own terms and then sells it to HBO.

The picture is the closest I've seen to a film print on my television, with what I'm deeming a "Whole Grain" level of detail. I'm not a fan of Digital Noise Reduction and never have been. This transfer is clean, raw, and vivid. The audio is clear, with consistent audio levels throughout and lacking any discernible hiss. None of this should surprise anyone who has seen a Criterion Blu-ray transfer first-hand.

After looking at this disc, rumors of a 25-film Kurosawa box set due out later this year have me looking forward to the end of 2009 with bated breath. The extras are carried over from the previous release, but all video is now in HD. Feature Commentary with author Stephen Prince Prince wrote a book called The Warrior's Camera: The Cinema of Akira Kurosawa, and his commentary is very academic but thoroughly informative. The most interesting thing about it to me was the depth he went into regarding the intentionally alluded homosexual content of the film. It was completely historically accurate, but it's been largely glossed over during the last 30 years. I can only imagine what Troy would have been like if they had included the true depth of the relationship between Achilles and his "page" Patroclus. Lucas, Coppola, and Kurosawa [HD 19:21] George Lucas and Francis Ford Coppola talk about their early admiration of Kurosawa and how film school was the only option before the age of video when it came to seeing interesting foreign films. Akira Kurosawa: It Is Wonderful to Create [HD 41:01] is an 8 chapter vintage documentary fromt he Toho Masterworks series, featuring interviews with the actors who played Shingen, Ieyasu, and Nobunaga in addition to a variety of crew and staff. They tell the story of the genesis of the movie, from all the Japanese studios rejecting the script to Coppola and Lucas coming on board to a major casting change mid-stream to the stunning battle sequence that caps the film.

Image: Kurosawa's Continuity [HD 43:44] Actor Masayuki Yui, who played Tokugawa Ieyasu in the movie, reconstructed Kurosawa's original vision for Kagemusha by setting the hand-painted storyboards to dialogue and scoring from the final film with the director's endorsement of the end product. A Vision Realized 25 frames of Kurosawa's original hand-drawn and painted storyboards are juxtaposed with the actual shots from the final film. Suntory Whiskey Commercials [~5:00] Kurosawa made commercials for the Suntory company's whiskey to pay the bills before and during the making of Kagemusha. Trailers: Japanese Teaser, Japanese Trailer, & U.S. Trailer I love that the Japanese Teaser [3:21] is completely dark and serious until the fourth wall is broken in its closing seconds. The Japanese Trailer [3:28] focuses more on dialogue and spends some time promoting the Coppola/Lucas endorsement. The U.S. Trailer [1:23] is radically different in every way possible.
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Recalibration and Reconfiguration

I've voluntarily taken on more and more Blu-rays and DVDs for review in addition to various features I've been working on starting, testing, and refining. This has very nearly turned this column into nothing more than me staring at a stack of discs that have never allowed me to get ahead, just less behind. I'm rejiggering the format I use for individual disc reviews and condensing what I put in the weekly Disc Roundup so that I can give the meat of Arthouse Cowboy my full attention and really make it hum. My main priority is having something new and interesting, diverting, or engaging in this space at least once a day. Back with you in the morning.
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Post-Adolescent Nostalgia Friday: Adventureland

I didn't fall head over heels for this like many colleagues and friends did. The main reason I don't think I went for it is that I paid too much attention to the advertising. The movie itself is more of a self-discovery thing than the hilarious vintage romp the commercials and trailers made it look like. It's more introspective than slapstick by a long shot, and that could be why general audiences texted friends to avoid it after feeling mislead. The thing is, the more time that passes, the higher it ticks up in regard for me.

Eisenberg and Starr sounds like a law firm
The movie was born out of director Greg Mottola's "worst summer of [his] life," which turned out to be one of the most definitive stretches of time in his life. There are contemplative stretches and bits that are intellectually hilarious, which is probably where the misdirection marketing killed them. I've loved so many movies like this one in spirit that it was difficult for me to really feel moved by it, but it very well might work differently on me over time. I'm dead certain that it's only going to grow in estimation on home video for people who were in their early 20's in the 1980's as well as kids everywhere from high school through their undergrad years. The performances are really solid all around, and I particularly enjoyed Martin Starr as the unique (some may say eccentric) guy who probably went on to be a multi-millionaire with a mansion in the Hamptons. He gave in to authentic impulses, and Mottola didn't push him into Revenge of the Nerds-style, cartoonish geek-isms. Kristen Stewart also does good work, and I'm glad she has the outlook that she does on her Twilight franchise exposure, using that leverage to help get interesting indies made and exposed to audiences. Extras found on both the DVD & Blu-ray include: Digital Copy, 3 Deleted Scenes [2:27], Just My Life: The Making of Adventureland [16:30], a Song Selection, and a Feature Commentary with Mottola and lead actor Jesse Eisenberg. The Blu-ray also includes Frigo's Ball Taps [HD 2:34], where the actor playing Frigo is featured nailing countless people in the balls; Lisa P's Guide to Style [HD 2:08], which the actress playing the dance-aholic idiot amusingly plays in-character. My favorite Blu-ray exclusive by far is Welcome to Adventureland, which includes two in-character commercials (Fun-tastic Time [0:39] and Fireworks [0:49]), an Employee Orientation video [HD 3:31], and a Drug Policy training video [HD 0:44]
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OMG Girlfriend, How to Lose a Guy in HD!

Replacing the six-year-old DVD edition is a new "Deluxe" DVD and, for the first time ever, the King of the Empties' romcom calling card is on Blu-ray. I have something of a connection to this movie, in that the writers of the book and I both went to Florida State (different years and I've never met them). It's completely formulaic chick flick crap, but I'm watching it with the intention of cracking the formula so that I too can be filthy rich some day. Fun fact: 17 Again director Burr Steers has a co-writing credit! According to reviews I can find of the original DVD, they dumped some location shooting featurettes but retained the 2003 Director's Commentary, Deleted Scenes [SD 9:30] with optional Director's Commentary, and Keith Urban "Somebody Like You" Music Video [SD]. There are three newly-added featurettes on both the DVD & Blu. First up is How to Make a Movie in 2 Years [HD 16:54], a "how it happened" piece that opens with the book's writers Jeannie & Michele sitting in a bar. The amount of Botox and plastic surgery seen in this featurette alone is more funny than the movie ever gets. Why the Sexes Battle [HD 5:00] has a couple experts talking about stuff that put most people to sleep in Intro to Cultural Anthropology in a way that manages to be brisk but not slight. Aside from missing an apostrophe in its title, Girls Night Out [HD 5:15] features more of the book's writers relating anecdotes form their lives that inspired the book.
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Adolescent Nostalgia Friday: 17 Again

While I'm still rolling around my thoughts on Adventureland, which Ashley and I finally watched on Blu-ray the other night, I thought of 17 Again, another movie I missed in theaters that is rooted in formative nostalgia. As I said in the Roundup from a couple weeks back, "the best explanation I have for why this movie works reasonably well is that Thomas Lennon is one of the most talented comedians living or dead, and they kept the plot relatively simple."

I've seen some whinings online from people who feel like this movie is some sort of remake-by-another-name of Big, which it isn't at all. It's the same type of conceit, yes, but it's a different animal. Big and Freaky Friday do not own the Age Displacement Comedy genre. I'm not on board with the possible interpretation that knocking up your high school girlfriend and marrying her will lead to total happiness after some bumps in the road. Zac Efron is frequently dissed by the fanboy crowd, and undeservedly I might add. When everyone sees him in Me and Orson Welles this fall, we'll hopefully see some proper notice for his depth of range. There's an auto-play trailer on this disc for that movie, which I hope signals that Warner Bros. has picked it up (one could only assume as much) and that they are in fact pushing it for awards. Ah, but I digress. I found 17 Again to be one of the more enjoyable and efficient studio movies I've seen this year, and it resists the option to condescend. On top of that, it has some of the best-done and creepiest incest prevention humor this side of Star Wars. It's worth giving a chance. The Blu-ray includes the becoming-ubiquitous Digital Copy along with some 13 Deleted Scenes [HD 16:05], a pop-up Trivia Track, and a small pile of featurettes that play on Zac Efron's first name the way a high school bully might. Zac Goes Back [HD 12:32] is the making-of/behind the scenes piece, Going Back to 17 [HD 3:13] covers what cast members remember from being 17, Breakin' Character Outtakes [HD 3:24] are just that, and Zac's Dance Flashback [HD 2:10] covers a dance sequence that was shot but later cut. Exclusive BD-Live extras include two more featurettes, Zac Attacks [HD/SD 2:56], which is about the fight between Efron and Lennon, and Tom Lennon & Melora Hardin: Unfiltered [HD/SD 3:04], which is mostly just behind the scenes shenanigans between the two. For the life of me, I could not find the "Zac's Commentary" that's listed on the box after twenty minutes of searching. The Blu-ray & DVD hit the street on 8/11.
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The Rock-afire Explosion Revival

I got some great news this morning about a documentary called The Rock-afire Explosion made by Texas' own Brett Whitcomb and Bradford Thomason. The movie is about the lasting legacy of an animatronic show that went extinct back when Chuck E Cheese's finally monopolized the kids' pizza and play area industry in the 80's and early 90's. The movie's website updated today, touting a DVD release date of September 29th.

Before Chuck E took over, the other dominant chain was Showbiz Pizza Place, which I frequented with my parents and younger brother as a kid. Showbiz had pizza, skee ball, a ball pit, arcade games, and an animatronic band known as The Rock-afire Explosion, which was made up of various anthropomorphic animals singing and joking and carrying on. As a kid, I remember enjoying the show, which matched the quality in design and lifelike qualities of the dinosaurs I loved so much at the natural history museum. Girls and boys were often frightened by the gorilla (Fatz Geronimo) in the Rock-afire band, usually running screaming for their parents or the ball pit when he abruptly came to life. I had the chance to see a workprint of the documentary last fall, and I have to say I really enjoyed it. Whitcomb and crew primarily follow superfan Chris Thrash, a small-town car salesman who owns a full "show" of the characters, and original Rock-afire creator Aaron Fechter. They both have their share of interesting (and in some cases cringe-inducing) stories to tell. The affection for Rock-afire across "flyover country" runs deep, as evinced in various other testimonials throughout. The fervor in the voices of the people who loved, touched, or created this manufactured, computer-operated band would be right at home at some sort of religious revival. It's alternately hilarious and touching to see the affection for the ghosts in these machines. Overall, Rock-afire was fascinating to me as a look at the aftermath of the extreme materialism and corporate greed of the 80's that gave birth to the world we live in now. It's kind of depressing that all those memories of my childhood have been contextualized for me by the rise of a consumerist culture that has no room for individual ingenuity, praising group-think above all. I mentioned above that Chuck E Cheese "took over," which is technically accurate. Chuck E Cheese went bankrupt, and the flush-with-cash Showbiz Pizza Place bought them out, operating both chains independently for a few years. Eventually, the company decided to "unify the brand" under the Chuck E Cheese characters after various disagreements with Fechter. The most surprising part of the doc for me was watching the training videos that instructed Chuck E Cheese staff on how to retrofit and reverse engineer the Rock-afire shows into the vastly inferior (ask any kid from that era) Munch's Make-Believe Band. It was like a sci-fi horror movie where people were being retrofit into cybernetic monstrosities against their will. The DVD features 35 minutes of bonus footage, but I'm unclear as to whether there are any other supplements (I'll update this if I find out about any). $20 will be nothing to fans or even just the moderately curious, but I'd love to see them do a limited Hulu or other ad-supported "free to watch" VOD option to promote it in the week leading up to release. This doc is well worth one's time, whether you grew up with it or not. Pre-order it at the movie's official site.
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Disc Roundup 8.18.09


Falk, Cassavetes, and the back of Ben Gazzara's head
Release of the Week Husbands (DVD only) The release of a John Cassavetes film that was previously unavailable on DVD is cause for celebration, as far as I'm concerned. The transfer is solid, the sound is sharp, and it actually has extras. Someone in the world of DVD production still loves me. The movie concerns Cassavetes, Peter Falk, and Ben Gazzara as middle aged men who bury a friend and then run headlong into a trip steeped in contemplating their futures and mortality itself. The movie is rough around the edges, meanders, and isn't generally considered a classic of any sort. None of those things change the fact that it's a damn good movie that holds up these years later. Similarly to how I felt about Judd Apatow's Funny People, the 142 minutes of Husbands is well spent contemplating human nature and the stupid, regrettable things we often do without remorse. People don't really change much once they've settled into their own idiosyncratic patterns.

Ben Gazzara a few months ago
Film critic, author, and Elsewhere commenter Marshall Fine delivers a solid, knowledgeable Feature Commentary. He wrote a book about Cassavetes that came out three years ago, and I've been told it's well worth a read. The Story of Husbands: A Tribute to John Cassavetes [29:46] traces the origins of the film through interviews with friends and Ben Gazzara, and it doesn't waste a second of your time. I don't expect Criterion-deep extras for every movie out there, but releases like this one and Lookin' To Get Out really get it right. Give me the movie, make it look good, and put together a 20-30 minute piece about it. Discs like this one have reassured me that catalog titles are not, in fact, dead. As for the movie on its own: if you can't or don't want to deal with a two and a half hour running time, that's the beauty of freedom of choice. I'm just glad that the option is there. New to Blu

Kagemusha Playtime Criterion's recent editions of both movies get the Blu-ray upgrade. I've only had a chance to look at Kagemusha thus far, and I have to say the color and picture quality are stunning; however, at this point that's as profound as saying it rains in the Pacific Northwest. A full review of Kagemusha should arrive in the next couple days, with Playtime coming some time after Amazon delivers it. Go Doug Liman, where have you gone? John August appears to have been the more favorably destined of the young bucks who made this movie. I haven't seen this disc yet, so I have no idea regarding picture quality.

The Last Starfighter (Blu-ray & DVD) I didn't grow up wearing out a tape of this. In fact, I recall only having seen it two or three times my entire childhood. It came out the year after I was born, so I don't know if my generation of kids got into it nearly as much as kids four or five years our senior. By the time we were the right age and it was on tape, we were all going Teenage Mutant Ninja Turtle crazy.

I've seen complaints online of digital scrubbing, edge enhancement, DNR, and so on, but I didn't pick up on anything that particularly bothered me. My mantra on this stuff is "consider the source material," and I'm at a disadvantage due to the fact I never saw a print of this movie projected. I'll be damned if the Blu-ray doesn't impress anyone who's known this movie on VHS for most of its life, though. The CG shots are remarkably clear and crisp, and the live-action stuff looks up to par when compared to what a relatively recent print I saw of Flight of the Navigator looked like.


the great Robert Preston
There's a brand-new retrospective doc called Heroes of the Screen [HD 24:18] on here in addition to the now 10-year-old Crossing the Frontier: Making The Last Starfighter [SD 32:01]. They don't really repeat one another too much. The Feature Commentary is with Director Nick Castle and Production Designer Ron Cobb, and the Photo Gallery on the disc features (among other things) toy prototypes and muddy stills of the original ending, which was only different in that it was shot on a different set than the one they ended up using in the reshot one. New Release

Tyson (Blu-ray & DVD) James Toback's revealing and surprisingly moving (for me at least) portrait of "Iron" Mike Tyson should be on minds toward the end of the year for nomination as Best Feature Documentary. I had no idea how introspective Tyson was, nor did I scratch the surface when it came to really knowing anything about who he was or has become until now. In some respects, that lack of familiarity is representative of the era of pop culture idols that includes Mike Tyson, Michael Jackson, and Michael Jordan among many others. They were commodified personas who were all plastered on every kind of merchandise in existence, from drink cups to clothing to video games. What does it say about modern culture that we are still putting the weight of the world on the shoulders of celebrities who have no interest in ruling it as much as living in peace and quiet? Extras include: a Director's Commentary from Toback; "A Day With James Toback" [HD 16:11] featuring footage from the day of the L.A. Premiere of the director primarily and eventually Tyson himself; a featurette called Iron Mike: Toback Talks Tyson [HD 11:49]which is just that; and an excerpt from an episode of "The Big Picture Show" featuring Toback [HD 13:08], which is referred to in the program itself as "The Fabulous Picture Show," for clarification.

Julia (DVD only) Tilda Swinton always impresses, but hopefully she's remembered for this performance at the end of the year. Julia is a woman given to excess. She's oblivious to just how far over the edge she's gone when she gets mixed up in a situation she wouldn't have control of even if she were sober. The DVD from Magnolia carries only Deleted Scenes [26:00] in addition to the 144-minute feature. I only mention the running time as a courtesy so that viewers know precisely what kind of time investment they're looking at. The movie is well worth two and a half hours to me thanks to Swinton's performance, which the entire movie hinges on. If you aren't with it in the first 30-45 minutes, you probably don't believe in 2.5-hour movies to begin with.

Surveillance (Blu-ray & DVD) I didn't really care for this movie at Fantastic Fest last year, with the exception of Bill Pullman's performance. My review last September: "Please take anything you see written about this movie that includes a comparison to Rashomon with a grain of salt. Kurosawa's movie and this movie really should not be found mentioned in the same sentence, paragraph, or article. Three different people all have somewhat varying accounts of an "incident" in this serial killer movie. The accounts are not as wildly different as using the R word would imply. Three different POVs, murder? Check and check, but that doesn't equal the dynamic of Rashomon as a whole. The visuals of the flashbacks are all consistent, it's the story people are telling that contains different information. It is patently unfair to compare this film to Rashomon, so don't. Rant ends here. "Serial murders are being committed in broad daylight and FBI agents (Pullman and Ormond) are sent to investigate after a particularly grisly encounter finds a stoner, a young girl, and a local cop telling their individual accounts of what went down. The acting was pretty solid all around really, with the exception of some bizarre stuff the local police guys say (even for backwater morons...badly written, takes you out of the film)." The Feature Commentary is with director Jennifer Lynch and actors Mac Miller and Charlie Newmark. Miller is the shitkicker boyfriend and Newmark is the cop who isn't French Stewart. Surveillance: The Watched Are Watching [15:01] is a making-of/behind the scenes featurette. There's also an HDNet "A Look At" featurette that's standard on all Magnet releases for the most part. Most interesting are two Deleted Scenes and an Alternate Ending, all of which have optional Director's Commentary. I'm glad they didn't use this ending, because it doesn't work nearly as well as the one they went with. That variant ending actually made me appreciate the movie a lot more. At the very least, this isn't a revived-franchise serial killer movie, and even though at the time I said I "forgot I'd seen it two days later," it's turned out more memorable than the Friday the 13th or My Bloody Valentine do-overs.

Hannah Montana The Movie (Blu-ray & DVD) I find the very existence of this movie hilarious due to a comment Miley Cyrus made at some appearance or another where she talked about how she hoped to pick up an Academy Award nomination for Best Song. The plot involves Miley going "back home" to save something or another by "putting on a show." It's no more derivative than many classic musicals. Yes, I went there. Believe it or not, I'm given to defend the movie on philosophical grounds, because it has a "to thine own self be true" message that makes it more substantive than the vast majority of Disney Channel-birthed product of the last decade or so. I still can't get over the fact that I saw an inflatable Hannah Montana chair at Target that seemed to be marketing the idea of how fun it was to sit on her face. Don't get me started on the wigs! Extras on the DVD & Blu-ray outdo most Disney releases with a total of 7 Music Videos; Bloopers; Director's Commentary, which I might review on its own; Find Your Way Back Home, where the stars show the viewer around their own hometowns; a featurette where boy of Miley's character's dreams Jason Earles digs into why "I [He] Should Have Gone to Film School"; and finally a Digital Copy of the movie. Blu-ray exclusive extras include a "Throwdown Hoedown" Dance-Along and a featurette called The Dance Experience with the cast. The Blu-ray also includes a DVD copy of the movie with the DVD extras on it.

Last House on the Left (Blu-ray & DVD) I haven't watched this one yet, but when Scott Weinberg says it's "One of the best horror remakes ever made," that's a quote worth paying attention to. The Blu-ray features the Unrated and Theatrical Cuts via seamless branching, a Digital Copy, Deleted Scenes, and a featurette called A Look Inside.

The Golden Boys (DVD only) From my review a few days ago: "David Carradine, Rip Torn, and Bruce Dern are retired sea captain roommates looking for a housekeeper. I must have missed the reason why, but one of them has to marry this lady so that two of them can live for free. I replayed the opening minutes of the movie to try to figure this out and gave up. Did I mention the movie is set on Cape Cod in the days of horse-drawn carriages? It may read like a sketch slotted in the closing half hour of Saturday Night Live, but if you trust the quote on the front cover of The Golden Boys, it's apparently "a cross between Grumpy Old Men and Three Men and a Baby." It's not really either one. "The picture itself wasn't nearly as interesting or entertaining as From Zen Master to Shipmaster: The Life and Career of David Carradine [40:07], which is more a Making-of/Behind the Scenes featurette than a Carradine career tribute. The bits with David telling stories are indisputably the most tolerable parts of the whole disc. "I must note that I really do dislike slagging off the months and months of work people put into making a feature, but this is a great example of how not to write or complete a period film. The reason to touch this disc is to sift through that featurette if you have an interest in Carradine." Reissue

Pete's Dragon (DVD only) This disc replaces an eight-year-old edition, retaining all but one of the original extras: a 25-minute theatrical short called Man, Monsters, and Mysteries. The upside is the short had little to do with this fondly-remembered children's classic that would likely never be made today. The video and audio transfers don't look any different from what I remember. The swirling grain all over Elliott (the dragon) makes me wish for the sacrilege of a Lowry Digital-style restoration that'd strip out the grain from him, just because I wonder what that would look like. New extras include Brazzle Dazzle Effects [25:23], which is mostly about the animation technique, spending some time with unsung Disney hero Ub Iwerks. It's also in part a "looking back" piece for the movie's star, Sean Marshall ("Pete"), who narrates. A Deleted Storyboard Sequence: "Terminus and Hoagy Hunt Elliott" [2:27] is in there too, along with three music samplings. There's an early Original Song Concept [2:35] for the song Pete sings to Elliott, Original Demo Recordings [7:07] of three songs (one of which was deleted from the film), and finally a Promotional Record of 4 "Pop" Versions of Songs [12:00] including "Candle in the Water." Carried over are a DVD game, and a couple of excerpts from shows that remind me of when The Disney Channel showed the older 1950's programs. Catalog TV

The Simpsons Season 12 (DVD only) It feels odd to consider the year 2001 as having been 8 years ago. The opening episode of this season, Treehouse of Terror XI (depicted above), features the best case against The Cove I can think of: those dolphins are going to turn on us in the moment we least expect. The packaging is Comic Book Guy-themed (photos to come) and includes the Worst Episode Ever among other excellent latter-day Simpsons shows. The 4-disc set features Audio Commentary on every episode with alternating participants, Deleted Scenes (w/ optional commentary) via button-push during the episodes, and Multi-Angle Alternate Animation. Also on there is a Comic Book Guy: Best. Moments. Ever. [9:38] clip package, some clips from The Simpsons Global Fanfest [7:28] 10th anniversary event on the Fox lot back in 2000, Commercials, Original Sketches, and the option to play one episode with Hungarian, Ukranian, Portugese, or Italian audio. New Release TV

Sons of Anarchy Season 1 (Blu-ray & DVD) Fox's FX cable network has consistently been putting together "grit" shows like this one, The Shield, and Rescue Me aimed squarely at the blue collar demographic. They might just rename the channel The American Badass Network. This isn't intended as a slight, but all their shows could cut promos to Kid Rock's salt of the earth anthem. What got me to sit up and pay attention to this show was the fact that it stars Ron Perlman, Charlie Hunnam (Hooligans), and the criminally under-used Katey Sagal. They're the reason I'll watch this even though I don't give a shit about the various biker reality shows across cable. There's ten hours of TV to chew through on this thing, just in time for the start of the new season. The Blu-ray is a three-disc package with 11 episodes split between the first two discs and the last 2 on the third along with the extras. Audio Commentary is present on select episodes throughout the season, and there are Making-Of, Behind the Scenes, Casting, and Production Design featurettes rounding things out along with Deleted Scenes. Dexter Season 3 (Blu-ray & DVD) You know what's weirder than a show about a serial killer that's caught on big-time? A Blu-ray disc whose special features are almost exclusively available via BD-Live. Don't get me wrong, I think it's brilliant to give purchasers of Dexter Season 3 free-to-watch access to "gateway drug" episodes of other Showtime series like United States of Tara and The Tudors and push BD-Live use and adoption. The problem is that not everyone is using a PS3 or WiFi-connected player, and let's face it, ethernet jacks in the wall aren't a standard feature of most American apartments or houses. You can't watch any of the Cast Interviews or other features without BD-Live access, which is a bit of a bummer for people without the necessary hardware or those like me who hate the horrendous load times for BD-Live content. Everybody Hates Chris (Final) Season 4 (DVD only) This is the beginning of a multi-part series of capsule reviews I write for shows that have been cancelled much to my chagrin. I really wish that we could have seen this one get Chris all the way through high school and not just leave us hanging after his 9th Grade year. For those unfamiliar, the show is based on Chris Rock's life and he narrates. They released a four-season complete series bundle this past week as well. Extras include Director Webisodes, Intro and Commentary by Exec Producer Ali LeRoi, a Gag Reel, four or five featurettes, and Deleted Scenes.

Dirty Sexy Money (Final) Season 2 (DVD only) There's a little trinity of "Second and Final Season" sets from ABC including this, Eli Stone (further down), and Samatha Who (the following week). I blame the writers' strike for all three disappearing. None of them could hope to retain audiences. Dirty Sexy Money is the kind of show that some friends dubbed "HBO Lite" because it was part family dynasty drama and part dark comedy garnished with plenty of people of privilege, just without all the nudity and cursing. You would expect a show with a cast of this caliber would implode from star salaries before just tanking in the ratings, but the latter is what ended up happening here. Three featurettes, a Blooper Reel, and Deleted Scenes are included. If you got in to the first season and were among the millions who dropped off, now there's a fixed amount of the show to catch up on.

Eli Stone (Final) Season 2 (DVD only) I had no idea what this show was about when it was on the air. Was it a supernatural comedy, a quirky lawyer show, a sci-fi thinker? It turns out it's about a lawyer who has an inoperable aneurysm and starts having visions. None of the ads ever told me that. It's got a good sense of humor to it and is worth watching. I didn't even know Loretta Devine and Victor Garber were in the cast. Why did no one tell me this show had musical numbers in it? I would have watched it, for cryin' out loud. Similar to DSM above, there are a couple featurettes, Bloopers, and Deleted Scenes for devoted fans.

GREEK Season 3 (DVD only) This show is the focus of my rant for the week. Why is there a show in its third season on a major cable network that seems entirely designed as a National Pan-Hellenic Council recruitment ad? I never had any interest in the Greek system in college, nor do I have interest in the High School For Big Kids atmosphere invented here. This show makes it seem like there's no one in the world who could survive college without pledging a frat or sorority. Most cinematic depictions of the Greek system aren't realistic, owing mostly to Greek system graduates scattered throughout the industry. These people want to perpetuate a legend that's never been real. The hive-mind groupthink being promoted here is thoroughly disgusting. The DVD includes Commentaries, Bloopers, and a 20 Questons With the Cast of Greek featurette.
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Ulisse/Ulysses


One of the best-composed shots in the movie
Fox Lorber released the Kirk Douglas-starring tale of Ulysses (Odysseus) about ten years ago. Lionsgate has reissued it with new cover art and no extras. It's important to note that Ulisse (Italian title) was shot in 1.66:1 aspect ratio, so the 1.33:1 transfer on this DVD is problematic for purists (myself included) from the start. Thing is, I don't think they really sank much money into quality film stock or decent lighting, so I don't know how much better this one will look. The movie was shot predominantly in Italian and dubbed into English with the exception of Douglas and Anthony Quinn's lines. Dino de Laurentiis produced, and one would expect he's why the predominantly mediterranean-staffed production got its cost-saving configuration. It's interesting to me that no one has come up with a definitive film adaptation for one of the great centuries-old men on a mission stories that turns into a quest for revenge. The thing this attempt does best is that it's slavishly faithful to much of the source material. In that respect, it's a safer bet for middle school teachers showing something to kids when studying Greek & Roman history since people have realized there's (gasp!) nudity in Clash of the Titans.

No one quite matches Quinn-style swagger and bravado these days
I'll watch anything with Kirk Douglas in it, but this movie drags toward the middle, only picking up speed again in its last 15 minutes or so. This year marks Ulysses' 55th year since release, and about the only thing I'd look forward to in a 60th Anniversary release in 2014 or a tie-in for a Troy sequel is a featurette on the practical effects and a cleaner transfer. Lionsgate rereleased this on disc back on 8/4 for $15 or a little less. I'm a sucker for enjoying this in spite of flaws I don't usually tolerate, but I'll plunk down for any imperfect adaptation of The Odyssey, so sue me.
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Cars Reissue = HD Audio Upgrade


Blu-ray.com is reporting that Disney/Pixar is rereleasing Cars on Blu-ray Nov. 10th in a Combo Pack (Blu & DVD in the same case) edition. That's the same day that UP and Monsters, Inc. hit Blu-ray as well. Aside from a new HD Audio track replacing the lossy PCM one, die-cast car models included, and the DVD packed-in, it's the same disc. That means this is really a quiet "fix" upgrade to what Home Theater enthusiasts expect from Blu-ray releases these days on top of including the precious Portable/In-Vehicle DVD Player-friendly disc for families. I've never seen Cars, but I may finally rectify that.
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