Electric Shadow

Marvel #1 "700 Issues" Promo Returns

After the first try crashed servers left and right, massively out-performing any single traffic day in their history by multiple orders of magnitude, ComiXology and Marvel are re-doing their Marvel #1 promo. Sign up before 11:59pm ET April 9th, watch your inbox for your invite starting on April 11th.

This rolling signup process will certainly ease the strain on their servers and ensure things go a great deal more smoothly. Get in there while you can.

No More (Calling People) Mutants, or: Remender Was Right

I wasn't even aware of this whole thing until today. I've spent a few hours collecting my thoughts, when I thought I'd be done with this in just under an hour.

I'm disgusted by this post at Bleeding Cool. It brazenly opens with a pile of slurs as examples of the alleged injustice to political correctness found in Uncanny Avengers #5. In the issue, Havok (aka Alex Summers) declares his desire to be known as a person before being reduced to a label associated with prejudice and bigotry:

He's speaking to his desire to be recognized by his fellow human beings as a human being first.

I disagree that this issue of this particular comic book in any way undermines the general notion of mutants representing minorities, the persecuted, and the oppressed. Moreover, Rich Johnston's implication that this is some sort of demonization of the word mutant is such a crass, overreaching grasp at straws...I'm amazed he got away with this load of crap. Bleeding Cool, as they are wont to do, have manufactured yet another controversy out of thin air, and the rest of the comics blog diaspora has followed along and validated them.

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DC Creator Dismissal and Strife, 2009-2013

My friend John Gholson shares the best timeline I've seen for the seismic shift in DC Comics's relations with creators over at Gutters and Panels.

The abrupt announcement/unannouncement/"we never planned to do X" culture over at DC troubles me in the same ways John describes his own feelings in the article. There are some great stories being told at DC, but the treatment and respect for creators has seemed to go off a cliff.

I love DC characters, and I love a fair amount of work being done there. Scott Snyder, Gail Simone, Peter Tomasi, and Bill Willingham (and occasionally Geoff Johns) have been pulling off some outstanding storytelling, among others.

It's tough to be as excited about them as a brand when they bring in an ostensible "brand person" (Diane Nelson) who spends four years doing an abominable, high-profile job of brand management.

If I'm not careful, I might pull a Horace and do an objective comparative analysis of Marvel and DC, cross-indexing sales data, editorial shuffling, and cancellations.

Giant Size 5: Unique Combination of Talent

Marvel and DC are not the only two comics publishers out there. On this episode of Giant Size, I talk with two people from non-Big Two companies.

Branwyn Bigglestone works for Image Comics by day as their Accounts Manager, and by night freelance edits some of their comics.

The featured interview this week is with Ted Adams, the CEO of IDW Publishing. We delve into the history of the company and the extremely diverse array of comics and books they make, from republishing classic runs of Bloom County, TMNT, and Transformers to brand-new books based on licensed properties to some of the most unique and interesting original stories of recent years, like Locke & Key.

In my weekly chat with Brandon form Austin Books & Comics, we not only talk about the week's comics, but we also seethe with anger at the abrupt dismissal of fan and personal favorite writer Gail Simone from DC's Batgirl.

Subscribe to Giant Size in iTunes here.

 

I should also mention here that I am now booking sponsors directly for both Giant Size and Screen Time. Drop me a line through the contact form if you or your company are interested in sponsoring these shows. We can accomodate varying levels of budget and placement.

The Defenders Ends in November at #12

Multiversity Comics caught something in an interview in USA Today:

She-Hulk has a pedigree with the team since she has been a member of the Fantastic Four, plus she’d be Ben’s pick because she’s “the one person he knew he could never lick,” says Fraction, who writes Red She-Hulk in Defenders, which ends its run at issue 12 in November.

This is a shame, as I felt the book was getting a good footing, and the team dynamic could work in the ongoing and broader-than-ever Marvel U.

The Comic Shack #9 and "Marvel: Season One"

As of a couple of weeks ago, I'm regularly co-hosting The Comic Shack podcast on 5by5. On last Friday's show ("Concatenation of Severed Heads"), I talked with host "Captain" Jim Metzendorf about how Captain Marvel #1 made me cry, X-treme X-Men threatens to make Dazzler awesome, and how terribly behind I am on The Defenders, which I caught up on last night. Jim also gave a crash course in comics grading and storage technology. Yes, it qualifies as technology.

Regarding "Season One", Marvel is retelling the origin stories of many signature characters in graphic novels that are around the length of five issues of comics. I'm shocked they didn't do one for their new highest-profile team in advance of The Avengers hitting theatres.

I wasn't really aware of these until Greg Pak announced he was doing one for Doctor Strange. For the record, Strange is my favorite Marvel character. You'll hear more about him from me, rest assured.

I picked up the X-Men and Ant Man ones the other day at the comic shop. They're clean, crisp quality hardbound trades that include a digital copy slip. This is the future of how to make money on printed books. Give it to us at a reasonable cover price and bundle digital at no additional cost. I just ordered Spider-Man, Fantastic Four, and Daredevil. I'll get around to pre-ordering Hulk and Doctor Strange soon.