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Giant Size #35: Neal Adams on The Shallow Seas

In what is definitely the most unique interview-focused episode of the show, I speak with comics legend Neal Adams. John and I spend a few minutes giving a primer as to who Adams is and why new readers should know, because the interview itself is off in its own solar system, barely talking about comics at all. Click on the cover art to order recommended reading material listed further down.

Rather than pepper him with the same series of Batman and Green Lantern/Green Arrow questions he's been asked for decades, I handed him the reins to explain his beliefs regarding the nature of the Earth and the universe, and how he believes they are growing (not "expanding"!).

Conducted at Dallas Comic Con's Fan Days show, I left in multiple interactions with fans who paid him for signatures at his table. I feel it adds some color in general, on top of how laser-precise Adams' mind is, such that he can pick up right where he left off from essentially every time. Mid-interview, there is a special appearance by Toadies drummer and Buzzkill co-creator Mark Reznicek.

John and I will double back on some of Adams' most prominent work in a near-future episode that will include an already-recorded interview with his collaborator Dennis O'Neil, one of the most important living legends in comics.

Recommended Reading

Green Lantern/Green Arrow
Until I read these, I didn't really care about Green Arrow. This run from the 1970's is one of the most iconic in terms of directly focusing a comics narrative on social justice issues of the day on top of intergalactic threats and so on. Some of the writing, as quoted by John toward the end of the episode, is a bit creaky now, but at the time, was extremely progressive. They make t-shirts of some of these covers, and I would wear them all.

Batman: Illustrated by Neal Adams Vol. 2
The redefinition of the character to counter the Adam West TV series' camp tone occurred on the watch of publisher Carmine Infantino, with the look coming from the pencil of Neal Adams. The reason I recommend skipping the first and starting with this one is that this is where the real gold from his Batman work begins, the stuff that is most-fondly remembered, including his work on some absolutely gorgeous issues of The Brave and the Bold (which undoubtedly is part of the creative influence on the recent Brave and the Bold animated series). Grab Volume 3 while you're at it, which picks up roughly just after the issues found here.

Superman vs. Muhammad Ali (Deluxe Hardcover)
Even if it were just for the novelty value of the Last Son of Krypton boxing The Greatest, the ~$15 you pay for this is pretty reasonable. There's some really outstanding background detail in Adams' art here, and the hardcover has extras in the form of development sketches and additional content of that sort. This is one of the coolest "X Meets Y" crossover one-shots of its kind not just due to historical significance, but because it's some of Adam's absolute best artwork.

The Art of Neal Adams (Hardcover)
If you are into art books, this is a pretty solid collection of a cross-section of Adams' work, runs under $40, and makes a good gift if there's an Adams art fan in your life. His Conan covers are still to die for.

Giant Size #22 Reading List: Tom Nguyen

My guest for the most recent Giant Size (titled "Mahnke Mentoring", and soon to post in the feed) is artist Tom Nguyen, best known for his inking work for DC Comics.

I've listed a few collections that include what I consider great examples of his work. It's all Green Lantern, so consider this a mini-GL crash course. If you're getting into GL for the first time, you should start with Geoff Johns & Ivan Reis' Green Lantern: Secret Origin, which retells the origin of Hal Jordan and is designed to let you jump into the world of GL. As always, I recommend preferring and supporting your Friendly Local Comic Shop to Amazon or ComiXology if possible, but it's all a matter of choice. Choose where you shop wisely.

Original inked art of first-ever Muslim GL Simon Baz in Green Lantern.

Read More

Carmine Infantino: 1925-2013

Comics Alliance's EIC Joe Hughes has put together a really solid obit for the incomparable Carmine Infantino, whom we also lost yesterday.

His skills lead to the complete redesign and overhaul of The Flash, and, as a direct result, the revival of superhero comics. He co-created The Elongated Man, Deadman, and most prominently, Batgirl. To say that his stamp on DC Comics and comics as a whole is profound would be a massive understatement.

Here's one among many memorable pieces of Infantino art that made the rounds on Twitter yesterday:

DC Creator Dismissal and Strife, 2009-2013

My friend John Gholson shares the best timeline I've seen for the seismic shift in DC Comics's relations with creators over at Gutters and Panels.

The abrupt announcement/unannouncement/"we never planned to do X" culture over at DC troubles me in the same ways John describes his own feelings in the article. There are some great stories being told at DC, but the treatment and respect for creators has seemed to go off a cliff.

I love DC characters, and I love a fair amount of work being done there. Scott Snyder, Gail Simone, Peter Tomasi, and Bill Willingham (and occasionally Geoff Johns) have been pulling off some outstanding storytelling, among others.

It's tough to be as excited about them as a brand when they bring in an ostensible "brand person" (Diane Nelson) who spends four years doing an abominable, high-profile job of brand management.

If I'm not careful, I might pull a Horace and do an objective comparative analysis of Marvel and DC, cross-indexing sales data, editorial shuffling, and cancellations.

Daily Grab 54: The Super-Real America

Like the first part, released late last year, The Dark Knight Returns Part 2 looks, sounds, and plays note-perfect. I'm hoping to have voice director Andrea Romano return to Screen Time this week to discuss all things Batman with me. Things are looking positive. UPDATE: Tune in at 4:30pm CST Thursday right here.

With the distance of time, Superman's employment by President Reagan as his human WMD is funny but not entirely unrealistic or farcical.

Giant Size 5: Unique Combination of Talent

Marvel and DC are not the only two comics publishers out there. On this episode of Giant Size, I talk with two people from non-Big Two companies.

Branwyn Bigglestone works for Image Comics by day as their Accounts Manager, and by night freelance edits some of their comics.

The featured interview this week is with Ted Adams, the CEO of IDW Publishing. We delve into the history of the company and the extremely diverse array of comics and books they make, from republishing classic runs of Bloom County, TMNT, and Transformers to brand-new books based on licensed properties to some of the most unique and interesting original stories of recent years, like Locke & Key.

In my weekly chat with Brandon form Austin Books & Comics, we not only talk about the week's comics, but we also seethe with anger at the abrupt dismissal of fan and personal favorite writer Gail Simone from DC's Batgirl.

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I should also mention here that I am now booking sponsors directly for both Giant Size and Screen Time. Drop me a line through the contact form if you or your company are interested in sponsoring these shows. We can accomodate varying levels of budget and placement.