The next installment of Soderberghopolis should be up in the morning. The director's three-movie run from 2000-2001 represents the period of greatest mainstream and financial success that he's had in his allegedly-soon-to-end career.

Traffic is a great example of Soderbergh's pseudonymous photography of his own movies as camera sage Peter Andrews, who generally receives "Photographed by" credits.

It'd be less than completist if I didn't do some sort of Appendix article about his cinematographic style, right?