Electric Shadow

The Frame #154: 16mm Friends Forever

Not only did Edgar Wright shoot the flashback sequences featured in The World's End on 16mm celluloid, he shot the whole movie on film.  It makes a difference, and more than just matching well to the other two shot-on-film installments of the Cornetto Trilogy.

My exhaustively comprehensive review of the Blu-ray is almost finished. Three years ago, I did the same for his ultra-stacked Scott Pilgrim vs. the World

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