Electric Shadow

Daily Grab 101: Wandering and Pondering

I thought I'd banked enough of these in advance to cover my being entirely out of commission following sinus surgery last week (more on that soon in some form).

Now that I've finally seen it, I'm an all-in Les Misérables movie fan. As a young performer, "Do You Hear the People Sing?" was the first showtune I learned and performed in front of an audience. I know this material very, very well, and I'm in love with all the changes, alterations, and sacrifices of material made in this absolutely towering adaptation. Were a lesser producer than Cameron Mackintosh behind it, I'm convinced this would not have happened or come out so exacting and so well.

Tom Hooper has his detractors it seems, many seeming to come from the camp who would prefer he make a movie in their preferred visual style. These people should go make their own movies and not disguise their job envy in the clothes of film criticism. Saying this movie is not "cinematic" is a thin, impotent critique akin to saying "this would have been more impactful (a word I hate) if they did it the way I had imagined".

The tone, look, and general approach taken here are why the movie works so well and isn't some glossy pageant play music video. The musical has needed a harsh scrubbing and reinvention for some time, and I hope this means movies of shows like Ragtime and Parade are possible in the future. Ragtime, in particular, could be three and a half hours long and would also win every Oscar in existence.

Daily Grab 99: Ned Again

As we near the 100th of these (usually) Daily (if I don't forget to schedule it) Grab entries, I thought it only appropriate to come back to an as-of-now-recurring figure in these posts: recently inducted Texas Film Hall of Fame member Stephen Tobolowsky.

Daily Grab 96: Out There

Yes, goofy talking gargoyles are an awful thing to add to Victor Hugo's classic. Yes, it's dishonest to radically change the ending to make this a story suitable for kids, but boy howdy did they do it for The Little Mermaid too.

Those songs by Stephen "Wicked and a ton of other amazing musicals" Schwartz aren't too shabby either.

I never watched the sequel to this one. Am I fuzzily remembering a promo for said sequel that talked about how they cast Jennifer Love-Hewitt in it as a sorta-kinda-but-not love interest girl, or did they do something moderately sane and not creepy?

Like I said, I never watched it.

Daily Grab 95: Making Men

I've regularly fought defining Mulan as a "Disney Princess" movie, regardless of how toys and licensed products are marketed. It just so happens to be one of my favorite (possible my very favorite) of the "Disney Animated Classics that features a female heroine inheriting some sort of duty".

One or two of its songs might also happen to be among my karaoke go-to's.

Did I mention that Mulan II is surprisingly not half bad at all, and in fact, is actually pretty outstanding? No?

Ok, let's act like I didn't.

Daily Grab 94: Eddie

Bob Hoskins is one of the great actors in cinema. He'll end up remembered that way at some point, one should hope. I was very sad to hear about his retirement due to the onset of Parkinson's Disease.

Key memories from my childhood (and adulthood) as well as my development as a performer are directly tied to work he's done. Go back and watch Mona Lisa, or even Hook.

Yes, Hook. I don't remember it through as rose-colored of glasses as many of my contemporaries seem to, but yeah: Hook.

Goodbye, Google Reader

On 1 July, Google Reader is no more. For a few years, we've been watching it recess further out of the primary view of our Google Accounts. I'm surprised it made it this long, but the upside is that Google is no longer mining all of my reading habit data, and Reeder already exists.

Bring Ditko Public Service Package #2 Back Into Print

A Kickstarter with a great cause. The comics legend's satirical 1991 work deserves to be made available, and they're already 3/4 of the way there:

The Ditko Public Service Package #2

A 112 page, black-and-white reprint

This is the 2nd edition of this book and a sequel to an earlier book, Ditko Package. As such, it is nearly ready to go. The story and artwork are finished.  Most production work is complete. One addition to this book will be the inclusion of the list of backers and our 'thank you'. 

If you have seen our earlier work, you know what to expect. The material we publish is unique and one-of-a-kind. 

If you are not familiar with the type of material we publish, you can expect to be pleasantly surprised.

Bold (and true) words.

Read of the Week: How Disney Bought Lucasfilm

An excellent piece from Businessweek describes the due diligence process undergone by Disney chief Bob Iger, which is just one of many good bits of the piece. It reveals a bit of Lucasfilm trivia I didn't know about, the Holocron:

His company maintained a database called the Holocron, named after a crystal cube powered by the Force. The real-world Holocron lists 17,000 characters in the Star Wars universe inhabiting several thousand planets over a span of more than 20,000 years. It was quite a bit for Disney to process. So Lucas also provided the company with a guide, Pablo Hidalgo. A founding member of the Star Wars Fan Boy Association, Hidalgo is now a “brand communication manager” at Lucasfilm. “The Holocron can be a little overwhelming,” says Hidalgo, who obsesses over canonical matters such as the correct spelling of Wookiee and the definitive list of individuals who met with Yoda while he was hiding in the swamps of Dagobah.

Devolver Digital Adds Film Distribution Arm

I reported on this over at Ain't It Cool News, to wit:

Devolver has not just been helping indie game developers publish games, but they have become known (as you can see in this piece over at The PA Report) for helping the developers promote their games. In this case, "promotion" does not just mean sending out some press releases and tweeting about it a couple of times. They're right there in lock-step with their developers, helping the games get noticed and, more importantly, purchased.

This is the same sort of model they're applying to film distribution. Devolver Digital Films will look to acquire movies that they believe in as well as know how to sell and promote.

Mike and his business partner Andie Grace are joining me for the second interview segment on this week's Screen Time. Should post later today.

Time Warner Spins Off Time Inc.

The Wrap reports that this includes all publications under the Time banner move to this new public company. The CEO is splitting too:

"A complete spin-off of Time Inc. provides strategic clarity for Time Warner Inc., enabling us to focus entirely on our television networks and film and TV production businesses, and improves our growth profile," Time Warner CEO Jeff Bewkes said in a statement. "Time Inc. will also benefit from the flexibility and focus of being a stand-alone public company and will now be able to attract a more natural stockholder base."

...

Time Warner reported $6.1 billion in profit that fiscal year, and $463 million of that came from publishing. That figure represented a 20 percent decline from the previous year. 

Time Warner also announced Wednesday that Time Inc. CEO Laura Lang will depart once Time Inc. can stand on its own but will remain until a successor is found. She has been in the post since November 2011.

"Laura indicated to me that we should find a different kind of CEO for this new public company, and I respect her decision," Bewkes added. "She has been a great partner who has given Time Inc. forward momentum to make this transition possible, and I look forward to working with her to select the right leader to head the company as an independent entity."

In plain English, Time Inc. was dead weight that Time Warner thought was weighing down their stock performance. They had been trying to sell all of their "female lifestyle"-leaning publications to Meredith Inc., and that deal falling through lead to this. Lang's departure is a "good luck rats, I'm getting off the ship now, while the golden parachute rate I can get now is available".

The old magazine/periodical business, like other Old Media slawarts, continue their decline. None are trying to reinvent their revenue model. Where are the bold publishers of yesteryear?

Long dead.

New SimCity Hit by First Natural Disaster

...the widely expected, always-network-connected, DRMed-to-hell problems. Ben Kuchera at PAReport:

 

It’s sad that EA couldn’t launch an online game this large smoothly, but when have they ever done so? It would have been news if they had gotten it right, not the other way around. This sort of situation makes reviewing SimCity nearly impossible.

Polygon is updating their score as the servers go up and down, and that’s one way to handle it. We’ll be following the game with ongoing coverage, and that’s another. Both approaches have their flaws, and it may be that SimCity is simply immune to the idea of a classical “review.”

Reminds me of wanting to throw my copy of Diablo 3 through the internet at Blizzard in unplayable frustration. It was the first $60 computer game I'd bought in around ten years. People wonder why console or "traditional" gaming is on the wane.

I think both review approaches are flawed. Reporting on "live-connected" content experiences requires a new style of reporting. Publish a light pre-launch "under ideal conditions" preview, with the review following the launch week with data of the content performing in the wild.