Electric Shadow

Change of Pace for Chan

I really wish that Sony's recent release of Shinjuku Incident had been put on Blu-ray in addition to DVD. For those who complain about "Jackie Chan movies" as being hollow, lifeless bores...guess what? He agrees with you! He says in the lone featurette on the DVD that he does not want to just do action films. He knows he can fight. Everyone knows that. He's eager to show that he's an actor capable of doing the kung fu, and not the other way around. In the movie, Chan's character and his brother emigrate from China to Japan illegally. They get tangled up in a life of crime.
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524 (525 & 526): Two from Ozu


When this set was announced back in April, I started an absurdly ambitious series to tie into it. Cinema Ozu has turned out to be more personally rewarding and enjoyable than any film studies class I took in college (with the possible exception of Chinese Cinema and Culture). To me, what these long-sought-after releases represent to the aspiring filmmaker or film historian is considerable: a look inside two of the most affecting films in one of the greatest filmographies in all of cinema.
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Exploring the Unthinkable

The direct-to-video Unthinkable from a few weeks ago is actually rather good, with equally solid work from Samuel L. Jackson, Michael Sheen, and Carrie-Anne Moss. Moss and her FBI team (which includes Brandon Routh and Gil Bellows) accidentally raid the home of CIA operative "H" (Jackson), who is a specialist in "advanced interrogation techniques".
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Walking With Eli

The thing about Book of Eli is that it really requires some sort of receptiveness to the evangelical Christian narrative to work for any given viewer. Whether a Christian or not, it really requires some personal belief of a certain bent regarding sacrifice for a greater good beyond "do unto others...". As a post-apoccalyptic action movie, there are a couple of nice fight sequences and one-liners, but that's about it. I dug the desaturated look. Gary Oldman and Ray Stevenson are fun as teeth-gnashing baddies, and Denzel Washington is sufficiently oak-like as titular hero Eli.

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Perdition Blue Eyes on Blu

The upcoming Blu-ray of Road to Perdition (3 August), Sam Mendes' followup to American Beauty, is absolutely gorgeous. Avowed former Blu-ray skeptic Mendes acknowledges his admiration of the picture quality in an optional introduction to the feature. He specifically makes mention of how glad he is to see Conrad Hall's cinematography so elevated by the additional visual data and bitrate as compared to DVD.
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500 Million Song Buys

I was in college around the same time that Mark Zuckerberg was. A song commonly traded on filesharing networks by...ahem, people our age, was the cover of Radiohead's "Creep" used in the fantastic new trailer for The Social Network. The song is haunting and creepy in its usage here. Breathes new life into a track long left by the side of the road by many. More often traded for its humor value was their cover of The Divinyls' "I Touch Myself".
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Faraci Wins Minor Victory

The Blu-ray of Clash of the Titans (2010) just arrived on my doorstep. A glance at the back cover reveals that it includes an alternate ending where Perseus confronts Zeus on Mount Olympus. It's a far cry from the radically different cut that Devin Faraci refers to in this article, but it's a glimpse, if nothing else. I, for one, wish they'd included more of Danny Huston as Poseidon. [CORRECTION: it seems there are some deleted scenes in there that I missed on first glance.]

Plastic Predator Blu-ray


This audio clip (from my CriterionCast appearance this past Friday) sums up my estimation of the transfer on the new "Ultimate Hunter Edition" Blu-ray of Predator. In short, it doesn't look like a movie shot on film in 1987. If you don't feel like listening, I'll reduce and condense my thoughts on it below.
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Disc Roundup (Movies & TV) 6 July


Release of the Week - Fresh from Cinemas A Single Man Colin Firth and Tom Ford deserve all of the credit they've gotten for this, one of the few 2009 movies with a really long life ahead of them. Blu-ray shows off the designer's eye of auteur-to-be Ford especially well here. I hope to see more from his guiding hand and creative mind. I don't care if he's an egotist. I don't care who he is in private life. I just want the movie to be good. The extras include a Tom Ford commentary and a making-of piece. I eagerly await the tenth anniversary edition with retrospective docs on Firth and Ford's five Oscars (each).
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A Star Reborn


This stunning 8k scan of the fullest surviving version of A Star is Born (1954) is really gorgeous, and unlike titles like The Wizard of Oz, Gone With the Wind, North by Northwest, and Doctor Zhivago, it isn't generally considered one of the still-shining crown jewels in the WB library. This treatment makes a compelling case to remember it exists and give it a look.
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Green for Lime, Get It?

 


I can't pass judgment on the video transfer's quality until I get it in my hands, but I'll say right off that this "artwork" is hideous. If they picked green as the key color because Harry's last name is Lime, then they should also pack in a recipe for a Vodka Gimlet and a bag of limes. That's how little sense this makes. Ran subtitles were shit, the Ladykillers transfer was drenched in pink, and Contempt had some glaring soft spots. If there were something stellar to point to as an act of good faith, boy would I.

 

520: Everlasting Outlet for Creativity

I've never seen The Emigrants or The New Land, but I am interested in tracking them down now that I've seen director Jan Troell's Everlasting Moments (29 June, Criterion). The original Swedish title adds Maria Larsson's (referring to the real-life protagonist) at the front, which was presumably dropped due to international unfamiliarity with the best-selling book upon which the movie is based.

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Analysis and Metrics

I really dislike the modern form of critical discourse about movies. Based on the hive mind on the internet, it seems that to some, if you love this film, you're a lowly, materialistic child in an adult's body. Hating it means you're an incorrigible, heartless idiot. No one is allowed to come to a moderate conclusion that eschews overflowing hyperbole geysers in this age of metric-based critical opinion. The masses demonstrably lean toward the "love it" end of things, as do I. I feel that the best compliment I can give is that a movie is among my favorites of a given year, but by no means does that require me to name every movie I "liked" as one of the best I've seen that year.

I hate that there are people whose standards of film criticism seem to enforce some sort of Vulcan, emotionless, and impersonal tone to reviews. I think that's utter bullshit. It's also bullshit that using a word like "bullshit" is considered "unbecoming".

Brewster McCloud Lands At Long Last

Warner Archive has finally shone the light of day on a long-requested Robert Altman cult classic. Brewster McCloud (next Tuesday, 13 July) is part of the new Remastered Edition series, which cost a little more than other Archive titles, but which feature better quality than whatever video master they'd had kicking around since forever ago. There's hiss in the soundtrack, and minor blemishes on the picture throughout, but this is a case where I'm comfortable saying that it looks pretty damn good and we should be thankful they finally made it available.

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Disc Roundup (Movies & TV) 22 June


Release of the Week - New Green Zone I feel it's safe to say that Paul Greengrass and Matt Damon's latest collaboration is one of the most unfortunate victims of "project coding" thus far this year. Calling it "Jason Bourne Goes to Iraq" is lazy, ignorant, and above all, inaccurate. Alleged "critics" who used this language should be brought up in front of a Film Critics' Society Tribunal and stripped of their titles and advertisers. If you've actually seen the movie and stick to that line, then you're just as accurate in saying that State of Play was "Daredevil Goes to Washington".
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519: Unassuming, Unpretentious Close-Up


There are those who would disagree with my use of "unpretentious" in the title of this article in reference to the film Close-Up. Either you believe in and go with the spontaneous spirit in this film, or you're actively working against your own enjoyment of many things. Yet others (or those same) would argue against "unassuming", claiming that to "get" the movie, you have to be into films from the Middle East, or just a pretentious prick. Such people are said pretentious pricks.
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Disc Roundup (Movies & TV) 15 June


Release of the Week - New Youth in Revolt After watching Sony's new Blu-ray, I'm really very sorry that I missed this theatrically. This regret is augmented by the early references to both Yasujiro Ozu and Jean-Luc Godard's Breathless, one of my Very Favorite Films. Michael Cera does not unleash his "inner badass" as the cover quote advertises, but rather, his inner anarchistic jerk. There's great work all-around in the movie, and the Blu-ray includes audition tapes, cut footage, and a commentary by director Miguel Arteta & star Michael Cera.
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