Electric Shadow

Mixed Catalog

Warner Bros. sent over the disparate Blu-ray trio of Logan's Run, Heat, and The Negotiator a couple weeks ago. Whereas I'm a big fan of Heat, I don't really care much for Negotiator, and don't have the childhood/adolescent love for Logan's Run that many do.

Logan was shot on-location around the Dallas-Ft. Worth area (my old stomping grounds), and was released seven years before I was born. The one time I had seen part of it previously, the miniatures and effects were painfully ineffective, and unfortunately, they are even more so in 1080p. I know that plenty of people will accuse me of just "not getting it" because of my age, but it just doesn't hold up. Logan's Run has some interesting source material behind it, and I think it could certainly stand being re-done, by Bryan Singer or someone else. The movie that exists currently is still held in high esteem due to nostalgia alone. I still love watching Michael York and Jenny Agutter in just about anything regardless of quality. The goofy dialogue made it all the more entertaining. The disc also includes a vintage featurette, the theatrical trailer, and Commentary with York, Director Michael Anderson, and Costume Designer Bill Thomas. The Negotiator carries over the old DVD features and looks fine. It hasn't grown or declined in my esteem, but it never particularly grabbed me, despite the fact it features Samuel L. Jackson and Kevin Spacey. Heat has the exact same supplements as the previous DVD edition, but the cut is very slightly altered. I'm going through with a side-by-side viewing to sort out the differences in the edit, but that'll take another few days. All three discs hit the street last Tuesday, 11.10.
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One of Crowe's Two Best

The Blu-ray of Say Anything... is something I've been anticipating equally with the "whenever it happens" release of Almost Famous (the Untitled Cut). Say Anything... is not only one of my favorite Cameron Crowe movies, it's one of the movie I probably re-watch the most. The cover art is among the most heinously bad Photoshop jobs I've yet seen. They added a different, mutant boombox that has one speaker and they artificially stretched out his arms and legs. Thankfully, the transfer is solid and the audio is stellar.

All the extras from the previous edition have been preserved, including the very intimate and candid commentary. On top of all that, there are A Conversation with Cameron Crowe [9:31], a retrospective called An Iconic Film Revisited: Say Anything... 20 Years Later [21:57], and a Best Week Ever-style fan featurette called I Love Say Anything... [7:31]. The "20 Years Later" piece is substantive thanks to the quantity of 2009 interview footage with Crowe, Cusack, and Skye (and even Nancy Wilson). It's more substantive to most of the "Anniversary Edition" fluff crap that gets crammed into many releases.

I don't want to sell anything bought or processed...
The Crowe footage in the 20 minute piece and the "A Conversation with" thing are taken from the same interview session. He's very warm and nostalgic about his first feature, which, like so many wonderful emerging auteurs, he stumbled into directing unintentionally. The fan bit includes Thomas Lennon and Ben Garant (credited as Sell-Out Screenwriters), "Weird Al" Yankovic, and a pile of comedians extolling the virtues of Lloyd Dobler and the movie as a whole. The contents are worth the upgrade, but that cover is going to chain me to a desk to Photoshop my own.
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Bright Star Now DVD-only

A revised press release is on its way pushing back Sony's Bright Star home video release date to January 26th and removing all mentions of a Blu-ray release. Is this a result of less-than-expected box office, or scaling back day and date DVD and Blu releases?

This smells like a signal of things to come from the conglomerate that invented the format. Universal is already releasing Focus Features titles on DVD only. The continually-slowing economy has to have a hand in this and the fact that none of the Black Friday ads I've seen thus far prominently feature Blu-ray software or hardware is evidence of the trend as well. Aside from Target's excellent $12.99 deals on their exclusive 3-disc Wizard of Oz and Gone With the Wind Blu-rays, nothing is very...motivating.
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Reissued Treasure

I love the whole Zorro myth, whether implemented with gringos or latinos. Disney previously released the first two seasons of the 1950's gringoriffic TV show Zorro. Now a part of the Walt Disney Treasures line, these are available in limited edition quantities with unique black tin cases (different than tyhe standard silver color for previous Treasures releases), including a lapel pin and lithograph each. Both now also feature a new intro by Leonard Maltin and a couple of 2-part episode specials from later in the show's run.

I've seen both the previous discs and these new ones, and the production quality on the new sets is definitely vastly improved, but there looks like there's a bit of an uptick in bitrate on the new ones too. Take that for what you will. I wish there were one "weird" little cable channel out there that showed stuff like this on Saturday mornings instead of the horrendous cartoon/CG garbage liquified and poured down kids' throats these days. The fact Disney's own channels aren't leveraging this content against the junk that's clogging the airwaves just mystifies me.
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Americana HD

A couple weeks ago, Paramount sent over the trio of Forrest Gump (on Blu-ray), It's A Wonderful Life (also Blu), and the new White Christmas 2-DVD Special Edition. Paramount is really neck-and-neck with WB when it comes to variety of catalog titles on Blu-ray.

Shots taken with my Canon Powershot at rapid pace.
The Gump disc's resolution upgrade is most evident thanks to the abundant detail evident in each frame of Zemeckis' multi-period film, from costuming to trees and dust and brush. Richer color depth and so on are in there, but the big difference visually is how fluidly you can watch the picture without unintended distractions. The lower-res afforded by DVD caused a lot of blur and unintentional optical illusions in checkered or otherwise patterned fabric. All those sweeping aerial shots, and particularly the very busy Vietnam scenes are crystal-clear now. It's a smoother ride overall that requires less corneal gymnastics. I'll be looking at the new extras tomorrow or Thursday, so more on that front then. It's A Wonderful Life includes the colorized version on a separate Blu-ray disc, so I thankfully never have to touch it. The original trailer is included in the best shape possible, and as has often been the case on catalog titles, it's a great comparative piece to how lovely and sumptuous with detail the Blu-ray picture is. It, like Gump, includes a $10 rebate for owners of previous DVD editions. This is a wise move for studios that want people to switch to Blu-ray. The White Christmas Special Edition adds a pile of new featurettes and some promo materials for the national tour of the stage show that's become a big hit over th past few years. New features include: Backstage Stories from White Christmas, Rosemary's Old Kentucky Home, Bing Crosby: Christmas Crooner, Danny Kaye: Joy to the World, Irving Berlin's White Christmas, and White Christmas: From Page to Stage. I've never been very much a fan of the movie, but give it a shot thanks to Danny Kaye.
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Vita Interrotta

The weekend was going to at last be an opportunity for mass posting and writing and catching up, but as is often the case, life interrupted all that when my wife got bucked off of a horse. I love writing and what I do here, but my wife's well-being trumps all else. She's fine and the horse (George, our eleven-year-old gelding) is fine. It wasn't either of their fault. He got terribly spooked by a crazy old horse running up at him from behind to his left side. Horses have no depth perception due to their eyes being on either side of their head, so he instinctively kicked at this thing coming up on him from behind even though it was 20 yards away. Ashley just got dumped off his back and hit the ground, pulling some muscles in her neck and just barely hitting her head. If it's not one thing, it's another. I'll be doing my best to get back into the swing of things later this afternoon.
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Bold Consideration

The Star Trek Blu-ray supplements disc is a full-on digital Oscar campaign (intentionally framed so or not) for the production staff and the movie. If Paramount is interested in Star Trek firmly joining the Best Picture race, they'd be wise to distribute this release to Academy members. They'll receive it in the mail and pop it right in without blinking. Various people, my editor included, have dismissed Trek as a worthy member of the Big Ten. Star Wars was nominated in 1977, and the idea behind expanding the number of nominees to ten is to field great films from various genres. There's no prerequisite style of storytelling or content to being worthy of nomination. Naval action/adventure is a slot previously filled by Mutiny on the Bounty (in 1935 and 1962), and the fact Trek is science fiction shouldn't enter against it. The chatter on it has cooled in the months since release, but it's time to fire that engine back up and sneak it into the derby. How many Academy voters are there? Comp FYC discs can;t cost that much, right? Everyone's talking about the huge cost increase for campaigning, so why not push it in a different way than you usually would? Am I saying it's one of the greatest films of all time or one of the greatest in science fiction? No, I'm not at all, and I'm also not dismissing the opinion some may have in favor of that opinion either. I do know that a lot of handicappers are having trouble filling out their "Best Picture top ten", and just like we can't have five Iraq War docs in Feature Documentary, we can't have ten arthouse dramas in Best Picture. It's all about balance, and if there's a popcorn counterweight I'd be okay with, it's this one and this one alone. I titled this column Arthouse Cowboy not because I exclusively love cinema as "art" with an "h", but because I equally love thrilling popcorn fare that earns its audience. I hope a nomination for Star Trek helps change the rules of the Oscar game as so many have known them for far too long.
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HD Guide: What's So Good About Blu-ray?

"DVD looks good enough for me" may come out of your mouth before you've actually seen the difference first-hand, but once you do, there's no going back. There are a bunch of advantages that aren't necessarily apparent at first.

Blu-ray is a giant leap forward in a few respects and an agreeable do-over on some of DVD's biggest failings. Reliable, full 1080p HD streaming is still a ways off because ISPs in the States just can't manage the bandwidth. Anyone with HD cable or satellite gone a solid week without image artifacts or a delayed signal? I didn't think so. Broadcast HD is 720p, 1080i at best. Discs are here to stay for some time yet. A League of Its Own Pretty Pictures, Splendid Sounds Anyone who tells you that up-converted DVD looks just about as good as a Blu-ray, like the Orlando Sentinel's Roger Moore, is out of their mind or has a vision impairment. Video and audio quality are the biggest improvements over DVD, and if a Blu-ray doesn't blow you away in these areas compared to its DVD counterpart, someone messed up big-time. In-store displays don't often do either picture or audio justice by being badly-configured or by virtue of not running over HDMI, so you can't necessarily trust them. Finer detail in crowd scenes, clothing patterns, items in the background, and just sharper focus in scenes involving fast motion, smoke, fire, and dust are among the various things that you really pick up on with HD picture. You see freckles on Dorothy Gale, individual leaves instead of a blur in Zemeckis' aerial shots in Forrest Gump, and if you think Pixar DVDs look great, get ready for a wake-up call. Lossless audio means you can expect that analog hiss to disappear in more and more catalog titles (though it's annoyingly still there in a few). If you have a nice surround setup, channels will be more vivid and crisp than before. Restoring Justice Warner Bros. recently, and very expensively, remastered The Wizard of Oz and Gone With the Wind for DVD. WB then had to re-remaster both for Blu-ray because they restored to the resolution they needed for standard definition, with HD formats not even nascent yet. In order for all the studios to not embarrass themselves, they're all going back and re-cleaning and transferring catalog titles for HD. The smart studios are pouring a bunch of money into getting higher quality than they need now so that VOD and higher-resolution formats will be easier to transition to in the future. They know they can't pass on the cost to the consumer in an economy like the one we're steeped in, so premium picture quality is more affordable and stunning than it was just four years ago. More Satisfying Materialism Premium-Feel Packaging I like that the cases are shorter and slimmer for single discs, and that a 6-disc set no longer sits 6 inches wide on my shelf. A full season set of a TV show is slim, sleek, and feels densely-packed. The buttons that hold the disc in the case are uniform across different studio releases, and they hold the discs tightly in place. As a bonus, they aren't so strong that you risk breaking the damn disc in half when you want to take it out. The disc coating is thicker and more scratch-resistant, so buying secondhand won't be the potential horror show roll of the dice that it is with DVD. Pricing Prices have come plummeting down over the last year, and we're finally at the point that the market will adopt the format en masse (so the studios hope). The higher gigabyte quantity of data and better DRM assures studios that piracy will be harder, so they're making the discs affordable more quickly. I recently got The Wild Bunch, Being There, and The Searchers for under $9 apiece. Criterion Blu-rays are generally priced lower than their DVD counterparts. In fact, most of them are currently $19.99 on Amazon to match a Barnes & Noble sale, including the now out of print The Third Man (temporarily out of stock, but they say they're still getting them). Region Freedom Lots and lots of overseas discs are now all-region coded. Most of the titles hitting Japan and China non-locked, but some juicy UK/European ones are Region B-locked. I posted a piece back in July about the Region Coding landscape. It's still accurate, so give it a look if you're interested. I'm planning to interview a pal who's the most prolific importer I know for a future installment. He'll shed some light on best places to purchase and pricing. What's Not So Great Loading, Loading....Jesus H. Christ, Still Loading... Load times are much longer than DVD, even with the newest players. The 2-3 minute delay is something you get used to by popping the disc in, making popcorn, taking a shower, and waxing the car while waiting. This is by far the biggest annoyance of the format, but all hyperbole aside, I pass the time pouring a drink and it's like it never happened. It still bothers me regardless. Digital/Managed Copies In the arena of added cost, any title that includes a Digital Copy suitable for playing on portable devices has some additional cost built in to the sticker price. These Digital Copy codes usually expire, so at some point the discs they come with will get cheaper because the code's no good anymore. On top of that, you never know which players or operating systems these things work on. The Reno! 911 Season 6 set works only on a Windows computer and not really any portable devices, negating its usefulness. There's a new, recently-ratified Managed Copy standard that doesn't require connecting to iTunes or PlaysForSure or anything, but it isn't supported by any of the current players on the market. BD-Living Dead I really, really hate BD-Live. I would love for that to change over time, but that's where I'm at currently and for the foreseeable future. Regardless of which studio the disc came from or which disc you're using, BD-Live is slow, times out, or just doesn't work. The prerequisite for doing BD-Live is that your player is somehow connected to the internet. Most people don't have ethernet in their living room, and wireless-enabled players (that aren't a PS3) are only now hitting the market and aren't cheap. I guarantee that most of the bundled or price-slashed players that will be sold this holiday season will not have wifi capability. The biggest problem is that there's no visionary innovation behind BD-Live at all. Paramount is trying to do some downloadable featurette stuff with their Star Trek TOS sets, and they require the Blu-ray to be in the drive to play them. It incentivizes ownership, which is understandable, and it's nice that, theoretically, new extras won't require buying a new double dip every 18 months. The problem is, these 28 megabyte files take over five minutes to download, which is insane. Fox has started including Live Lookup on its most recent releases. It's an IMDb-connected feature that allows you to answer "what did I see that guy in" without grabbing a computer or phone to get online and look it up. As shrug-worthy as that sounds, it's one of the few well-designed, fast, and useful BD-Live features developed to this point. That is part of the problem: there's no killer app or anything approaching it. BD-Live is the most broken, worthless thing about Blu-ray, but honestly it has nothing to do with the primary function of your setup: playing movies. The HD Guide is an ongoing series focusing on the evolving world of HD in the home: getting started, understanding the lingo, and appreciating the best (and worst) discs that are out there.
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Paul Newman Tribute Collection: The Case & Discs


Not easily apparent in these photos (taken under a yellow incandescent bulb) is the soft blue in the irises of Newman's eyes. It really pops and makes that Newman stare even more piercing. The same soft blue is used on the edges of the box.

Clean, crisp, and simple text without much clutter.

The back of the "earlier years" slipcase folded out. It includes The Long, Hot Summer, Rally 'Round the Flag, Boys!, From the Terrace, Exodus, The Hustler, Hemingway's Adventures of a Young Man, What a Way to Go!, and Hombre.

Interior art on slipcase 1.

The main thing I don't like is the "discs in pockets" thing going on.

Slipcase 2 folded out.



Slipcase 2 includes Butch Cassidy & The Sundance Kid, The Towering Inferno, Buffalo Bill and the Indians, or Sitting Bull's History Lesson, Quintet, and The Verdict.
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HD Guide: So You Want to Buy an HDTV

The beginning of the HD conversation is choosing the magic looking glass that will become the centerpiece of your new home cinema. My personal means of making recommendations in this department is in dispelling myths and focusing on the regular human budget.

If you are comfortable dropping $6k on a Pioneer Kuro plasma, you either know this stuff already or have an assistant to do these things for you and you don't need me. I think the majority of folks out there are looking for something affordable, but not cheap. I don't care about gaming, so the following focuses entirely on watching movies and TV shows. The Buying Commandments Here they are as handed down to me by The HD Godz (cousins of Jeff's Movie Godz): 1. Thou shalt not buy a store display model. 2. Likewise shalt thou not buy an open-box, returned, or "as-is" model. 3. Thou shalt never even consider an HDTV marked 720p or 1080i. 4. Thou shall do thine research on bundled Blu-ray players you see in ads. 5. Thou shalt not be swayed by bundle offers for inferior products. 6. Thou shall not be swayed by Dynamic Contrast Ratio or other Contrast Ratio specs. 7. Thou shalt require the use of the display TV's remote control to adjust settings. 8. Thou shalt require a store associate allow you to connect a Blu-ray player over HDMI to the TV you are considering. 9. Thou shall not be suckered into multiple TV deals (2 smaller for the price of one). 10. Thou shall invest the time and patience needed to make a good decision. Which to Choose? The Brand I personally went with a 47" LG Class LCD. The first major myth to shred (with some qualification) is about brand equating quality. The nuts and bolts and transistors in the majority of HDTVs on the market feature the same LCD panels made by the same physical manufacturers. The primary difference is in the name plastered on it and the menu layout. You don't have to pay for the Sony label or fight with your friends about the relative superiority of Sharp, Samsung, or Panasonic. I would, however, stay away from store-specific brands like Insignia (Best Buy) and other budget folks like Westinghouse, Polaroid, and Vizio. Vizio is really eager to position themselves as "just as good" as the top brands, but they aren't based on customer service and warranty support horror stories. In the interest of full disclosure, my wife works for Samsung in a department wholly unrelated to their TV division. 480/720/1080 and Screen Size The bigger one is not necessarily the best one. The top resolution on HDTVs is 1080p, which in basic terms means the display is 1080 pixels tall. Think of pixels as little squares stacked on top of one another. You can have a 1080p monitor that measures 30, 37, 40, or 65 inches. It doesn't matter because pixels are a relative form of measurement. A "pixel" is not exactly a certain number of centimenters, millimeters, or inches in size. The bigger the monitor, the bigger your pixels. It's for this reason that going with the biggest display you can afford isn't necessarily a good idea. Of course, the smaller you go, the less enjoyable it is. To get what I'd consider reasonable enjoyment out of Blu-ray and true HD content, I wouldn't go smaller than 37" or larger than about 51". Make sure you measure your viewing space before leaving the house and try to get the same distance away from the TV you're looking at in the store. Bigger than the 47" we have would be too big for how far away we can get from the thing. LCD versus LED versus Plasma LCDs are the most affordable monitors out there. Samsung's new LED line still uses LCD panels, but different backlighting. TVs referred to as "LCDs" are backlit by compact fluorescent bulbs. This is what most of the world and I can afford. The other two types are what you ask someone to "help you invest in" or think really hard before budgeting. The new "LED" models feature cleaner, cooler, brighter LED backlighting that uses less power and produces better overall picture quality and contrast. They cost more, but they really are gorgeous. Plasmas are the best overall when it comes to contrast and picture quality, but the price tag shoots up even more so than LEDs. Plasmas are not prone to burn-in the same way front projection sets were (and are) [edit: I corrected some erroneous info thanks to a tip from pal Luke Mullen]. These are the best of the best for contrast and color depth, and with that comes a higher price tag. The LED monitors are projected to eventually outdo the Plasmas in quality. And no, just because it's a Plasma doesn't make it okay to get one that's 720p (see Commandment 3). User Reviews Are Generally Worthless Most people out there who've bought an HDTV don't have any idea what they're talking about when it comes to what you want it for. Additionally, there's no way to know who any of these people are. Seek out enthusiast hotspots like the Home Theater Forum and reviewers with a solid track record. If they talk about contrast ratios and other meaningless crap that isn't actually quantifiable, ignore them. If they talk about relative contrast (better than most, not impressive, etc.) that's qualitative, then pay attention. The In-Store Demo Demo Over HDMI Plan to spend a solid afternoon playing around with TVs at a store. This isn't something you want to just roll the dice on. I've yet to find a store that has their demo sets plugged in over HDMI, which is how you'll connect your HD cable box (if you have one), Blu-ray player, and game systems. You aren't getting a real look at what the TV can do unless you've got a Blu-ray player connected over HDMI. Some stores like Best Buy have little showcase rooms that have demo players set up with correct cabling, but they're usually plugged into the super-expensive sets someone's sales manager would love for them to talk you into buying. Depending on the store you're going to, you may have to bring your own player and cable. If the store wants your business, they'll work something out. Buying a few Blu-rays that are well-reviewed and having them in-hand isn't a bad idea. Buy them from the store you're at (likely Best Buy based on limited options) if you want to show them you mean business. Pick some from different eras, like the 30's/40's, the 60's/70's, and an 80's-present one or two. You want to see how it handles different content. Presets for Different Content Don't expect 70-year-old movies to look great on the same settings as Public Enemies or Easy Rider. You want a TV that allows you to easily set a few presets and quickly swap between them if you plan on watching a wide variety of content. The Third Man will not look good with the high sharpness needed for watching Zodiac or another HD-shot feature. Contrast Ratio This specification honestly means nothing and is more a marketing tool than a technical specification. Your two human eyes are a better calibration tool for your perception of contrast than an arbitrary proportion that every manufacturer measures differently. You're looking for the darkest black and the depth in shades of grey you see. Turn down the Backlight and fiddle with the Contrast and Brightness settings. Mess with the Sharpness while you're at it. Don't Buy Right Away You should be tired after your "field trip" so go get something to eat, go home, and sleep on it. It's not going anywhere. One last thing...Don't Get Gouged on Cables HDMI cables are how you connect HD devices to one another. They should be cheap, or you're buying in the wrong place. They don't need to be platinum or premium gold-plated of some other bullshit like that. Time Warner Cable gave a couple 6-foot ones to me for $10 apiece, but you can get them for even less if you plan in advance. Monoprice.com has some for $8 (less for more). Check with your cable/satellite provider too, they'll be happy to sell you extra ones. The HD Guide is an ongoing series focusing on the evolving world of HD in the home: getting started, understanding the lingo, and appreciating the best (and worst) discs that are out there. On the schedule for tomorrow is a set of three installments: What's So Great About Bluray?, Choosing a Blu-ray Player, and TV in HD. Depending on how the day goes, I may squeeze in It's Not Blu-ray, It's HBO, but no promises.
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The Real G.I. Joe

Whatever this live-action movie was, it happened. I still haven't seen it and may never do so. I did, however, get sucked in by G.I Joe: Resolute, an hourlong animated feature that was split up into five-minute segments for airing on Adult Swim. I watched all but the last two online, and decided I'd wait for DVD to watch the rest. It's anime-styled similarly to Ghost In the Shell in general aesthetic, and it's nice and fluid. The DVD includes the whole feature uninterrupted, an interview with the series producers, the original promo that ran for the show, and some character bios.

Written by Warren Ellis, Resolute is not afraid to kill off beloved characters and re-characterize others with no care given to similarity to the live-action thing that it would be released alongside. Ellis is one of my favorite comic book writers thanks to his truly individualized voice. Even though he often writes narratives that touch on future worlds that feature more hive mind thinking and social homogenization, he will write what he writes.

If The Editor (be it literary, studio, or producer) does not like what Ellis writes, well then they can fuck right off and hire someone to rewrite it, because he's not budging. Delightfully enough, they just handed G.I. Joe to him, and he's created an adaptation of the universe that is infinitely more thrilling to me than I remember the original toy-commercial-disguise-as-a-show ever being to me as a kid. Ellis touches on realistic terrorist threat possibilities and raises the stakes in the opening few minutes by killing someone off and nuking a major world city. He has very specific intentions and doesn't just do anything for the hell of it. If this had gone live-action, I may have given a shit about a live-action G.I. Joe movie. Adults who fondly remember the cartoon will not be disappointed in the least. Some people might miss Chris Latta's voice as Cobra Commander, but I don't. Kids might have a heart attack because for once, an action cartoon doesn't require them to be brain-dead zombies.
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The Guide to the HD Galaxy


I've been diving into Blu-ray after Blu-ray over the last many months in order to launch this series. I've designed The HD Guide to initially best serve those who've recently done the HD upgrade and those who will be doing so during the 2009 holiday buying season. It will continue a couple of times a month after the holidays to chronicle the evolution and trends in Blu-ray and HD in the home. We'll start off with a lot of focus primarily on HD televisions and the Blu-ray format, which categorically dominate the discussion at this point. Tomorrow we'll take a look at the centerpiece of going HD: the TV.
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Paul Newman Tribute Collection: The Book


MGM/Fox's Paul Newman Tribute Collection box set (released back on 9.22) is destined for a lot of father-son or son-father gift-giving occasions. The passing of Newman was yet another "we've lost one of the last real men" event. The packaging and included book are slim and sleek, and they are aimed at exploring both "Paul Newman, Actor" and "Paul Newman".

I'm running a series of pieces on this set and in appreciation of Newman the artist over the next few weeks. As much as one can be affected by someone they've never met who they admire, Newman is up there for me in the same pantheon as Jack Lemmon, Steve McQueen, and a few others.

Many cinephiles will likely avoid this box set because it's all DVDs instead of Blu-ray (the horror!), but it's actually not a bad deal if you're looking at just the discs. If you split the $63 price on Amazon among the 13 titles included, they come out to less than $5 apiece.

I already had Butch Cassidy and Towering Inferno (on Blu), but not the other 10. The 4 collector's edition titles all cost over $12 at the least, and Hemingway's Adventures of a Young Man and Quintet are only available in Hemingway and Altman box sets otherwise. I'll get more into individual films in the set in subsequent installments, but for now I leave you with these shots of the 8"x11" softcover book in the box.`





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Boldy Going on Blu

Paramount's Blu-ray of Star Trek (available next Tuesday, 11.17) is one of the most sensibly-designed I've seen in terms of packaging and extras. They've wisely put the feature & commentary on one disc and all other supplemental materials on the second. One would assume they did this to preserve picture and audio quality, since the featurettes, deleted scenes, and gag reel on disc 2 add up to over three and a half hours of material.

The front of the cardboard slipcase and the front/back of the case.
More than once in the commentary (recorded a month after release), the producers bring up the super-early Alamo Drafthouse screening I attended in April. As enthusiastic as everyone was coming out of that show, Orci, Kurtzman, and Lindelof speak of it equally so. Approaching the first moment of Spock/Uhura intimacy, they mention having been on pins and needles while sitting there watching it with us, worried they would lose the audience right there. Hearing bits of what they were feeling during that screening brought my memories back vividly. Whoever signs Paramount publicist Tamar Teifeld's paychecks really should write her a few extra for the end of the year. Someone should buy Tim League a castle, because after that, he's the immortal king of all showmen. That show has firmly entered the annals of Austin film exhibition legend.

These are among the most efficient and cleanly-navigable menus I've seen on Blu-ray thus far. Disc producers take note: this is how it's done.
The supplements, just as the movie, do a great job of delivering for longtime followers of the franchise and new fans alike. The extras are so comprehensive that I wouldn't worry much about a double dip. I'm not certain what else they'd have to throw into the nearly four hours of content on display. As far as 2009 theatrical releases on disc are concerned, this is the only one I consider completely flawless in execution. The extras are divided into topics. Of the ten "featurette" topics, six include tangential mini-featurettes lasting in length from 45 seconds to 3.5 minutes. They're accessible by pushing the Enter button when the Trek logo appears on the screen. The order in which the topics appear in the menu pictured above follow a logical progression deeper and deeper into the development and execution of the film. The only thing I would have added here would be a "Play Everything" option that covers all supplements and branching featurettes.

The contents of the case and the back of the slipcase. The standard "DVD back" text and summary of features is on a piece of paper spot-glued to the back of the cardboard, similar to recent "Blu-ray book" releases for Warner Bros.
I won't go too deeply into spoiling the content of each featurette, but I will list runtimes and topics with a bit of detail on a few. The parts I was most eager to watch were anything and everything to do with the deleted scenes involving the Klingons. To Boldly Go [16:40] - The Shatner Conundrum [1:58] - Red Shirt Guy [:43] - The Green Girl [3:25] - Trekker Alert [2:22] This section deals with preproduction, scripting, and general conceptualization. More specifically, it gets into how and what they chose to draw from in canon for the new film. Watching this first primary featurette, I did a double-take when I thought I saw my first college roommate, Joshua Rosenfield. I went back a few seconds, and sure enough, it was him. A few moments later, a logo popped up. I hit enter, and there he was front and center in "Trekker Alert", a 2 minute and 22 second featurette about Trek fans that were extras in the movie. For better or worse, I'll say that he is portrayed very authentically. Casting [28:53] This bit hits on the casting process with regard to every main character, with a fair amount of time rightly spent on Nimoy and Quinto. A New Vision [19:31] - Savage Pressure [3:08] This focuses primarily on JJ Abrams and his particular flavor that he added to the property. There's some coverage of the lens flares and camera shakes so many have decried. "I would have done..." they all futilly directed from their armchairs! I defended them then, and I defend them now. Before Abrams, Trek style was all about a flawless, dirt and imperfection-free universe. I like the rough edges. "Savage Pressure" gives some love to Assistant Director Tommy Gormley. As is often the case, the audience sees the movie, but doesn't appreciate the tremendous contribution of the 1st AD. Starships [24:33] - Warp [1:22] - Paint Job [1:12] - Bridge Construction Accelerated [1:18] - The Captain's Chair [:42] - Button Acting 101 [1:41] - Narada Construction Accelerated [1:20] - Shuttle Shuffle [1:46] This is the first featurette that really digs into the design updates and reasoning behind different choices, like changes in scale. The 2009 Enterprise is over twice the size of the Original Series Enterprise, and it makes sense. The design choices made on the Starfleet bridge sets are inspired in execution, but you only get a really good, up-close look at them here. The time lapse construction bits are great. I watched them twice each. My favorite things they covered here are the locations used for various interiors, from the Enterprise engine room (a Budweiser plant) to the Kelvin escape pod deck (a power plant) to the shuttle hangar seen early on (a WWII zeppelin hangar). Aliens [16:29] - The Alien Paradox [1:40] - Big-Eyed Girl [1:25] - Big Bro Quinto [1:25] - Klingons [1:57] - Drakoulias Anatomy 101 [1:34] The approach they took to the aliens in the new Trek feels very much like what the franchise wishes it'd had the money to do previously but couldn't. The mix of practical and CG applications look great in the finished product, and pulling back the curtain on how they were done is indeed fascinating here. The "Klingons" branching featurette includes the only look at the partial makeup application they did on Victor Garber as the lead Klingon. You see him as he looks underneath the metal mask he's seen wearing in the deleted scene. The didn't do the full face, so the makeup ends at his brow. Planets [16:10] - Extra Business [2:29] - Confidentiality [2:45] The primary piece here looks at outdoor locations used, but the coolest bit for me was on how information was managed throughout production. Secrecy was a big deal on this set more than any franchise property in recent memory. How long did everyone go not even seeing the crew uniforms? Here they pinpoint the moments where people were caught outside of "tent city" in costume by paparazzi, including Chris Pine running off to take a leak. The intricacy of the operation is really impressive from the other side of the tent flaps. Abrams runs about as tight a ship as one can. Props and Costumes [9:22] - Klingons [1:08] I didn't realize that the costume designer from Blade Runner worked on this movie until I watched this. The Klingon trench coat getup was the most Blade Runnery in the production, and here they get the attention they missed out on thanks to being cut out of the movie. People who've never been inside a theatrical costume shop will gain a new appreciation for the art of design here. Ben Burtt and the Sounds of Star Trek [11:45] Burtt, famous for sound designing no less than Star Wars, gets to come full circle. He was a die-hard Trek fan before Lucas started the first draft of Wars. Abrams tasked him with recreating and updating the classic sound effects, from the transporter to photon torpedoes. The sad state of archival materials on original Trek production sound methods and tools is on full display when the voice of R2D2 goes to the studio vault and can't find much at all. Score [6:28] Michael Giacchino turned in a score that managed to pay tribute to familiar themes, but really pumped Star Trek up to epic action film tempo. This is more substantive than what I'm used to on this subject. I'm used to anemic two minute blips on "so there was music in this movie, and it was totally awesome" covering the score. They wisely chose to focus specifically on the new theme and the adaptation of the Alexander Courage classic. Gene Roddenberry's Vision [8:47] This is the obligatory look at how much affection the writers (Bob Orci in particular) have for the source material. Orci/Kurtman understandably put a great deal of emphasis on how much they wanted to pay proper tribute to Gene's intentions. A cynic could try to call foul on their claims of faithfulness, but they'd have to know nothing about Trek in the first place. I can assure you that their hearts are in the right places. Anyone who still doubts their respect for and faithfulness to canon should listen to the duo's commentary on Star Trek IV: The Voyage Home 9 Deleted Scenes [13:30] with optional commentary by JJ Abrams, Roberto Orci, Alex Kurtzman, Damon Lindelof, & Bryan Burke - Spock Birth - Klingons Take Over Narada - Young Kirk, Johnny, and Uncle Frank - Amanda and Sarek Argue After Spock Fights - Prison Interrogation and Breakout - Sarek Gets Amanda - Dorm Room & Kobiyashi Maru (original version) - Kirk Apologizes to the Green Girl - Sarek Sees Spock Right off the bat, I should state that there is no reason they would ever do an "Extended Edition" or "Director's Cut" of the movie. These scenes and the movie wouldn't work if reincorporated into the movie. They're cool, and I'm glad to see them, but it they are wisely removed. The gold here is the pair of excised scenes involving the Klingons and the prison planet of Rura Penthe (used in Star Trek VI: The Undiscovered Country). I'd love to have seen the Klingons and Victor Garber in the movie, but there's always the sequel. The commentary details which of the scenes originally opened the movie and when you think about it, the opening they used is many, many times better in terms of pacing. The original Dorm/Kobiyashi scene was too explicit in showing how Kirk beat the test to the point it really made him rather unlikeable. The scene in which Diora Baird appears as a green Orion girl is included, and it's pretty funny thanks to Kirk becoming an accidental racist. Watch all of these first without and then with commentary. Gag Reel [6:22] There are a couple really solid laughs in this, but it isn't a rip-roarer like other gag reels on other discs. Quinto and Pine's lousy Scottish accents were what got me the most. I suppose that's a testament to how well everyone concerned did their jobs and stayed professional. Also included are the trailers, disc credits for the sharp folks who put this thing together, and a Starfleet Vessel Simulator very much like the one on TOS Blu-ray sets. The first disc gives you access to Nasa News, a BD-Live specific feature that connects you to the latest updates from NASA. There's a Digital Copy on the third disc. The 2-disc DVD edition features the commentary, deleted scenes, gag reel, digital copy, and some of the featurettes without their branching bits (To Boldly Go, A New Vision, Casting, Aliens, and Score). If you're buying Star Trek on disc, buy the Blu-ray or wait until you have a Blu player.

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Technical Difficulties

Movable Type, my old nemesis, has once again confounded my plans by giving me a headache and a half trying to post things since yesterday. Some articles that I stupidly composed only in MT are gone and will need to be redone. Thankfully, the bulk of my Star Trek review was saved, and it'll appear shortly.
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Blu Flood

I've got a pile of pieces hitting over the coming days on last, this, and next week's disc releases. First up is Paramount's Star Trek Blu-ray, which will be up today as soon as I can get it finished. I've watched/listened to every damn thing on it finally, and it's extremely impressive in every department. I've also pored over most of the Paul Newman Tribute Collection and will be doing an update a day on it through Friday. This week also finally sees the launch of the HD Guide, which was delayed from last week by a couple things (for its betterment).
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FF09: Private Eye director Park Dae-min


(l. to r.) Fantastic Fest programmer Matt Kiernan, Private Eye director Park Dae-min, and Korean film programmer Jin (I feel horrible for not getting his full name) at the first screening's Q&A
I met South Korean writer/director Park Dae-min the second day of Fantastic Fest, and to be completely honest, I had a feeling of foreboding that I wouldn't like his movie when we shook hands the first time. I had heard very good things in advance, but a friend was going to be his primary interpreter for the duration of the festival. I knew I'd be getting to know him somewhat in the days leading up to the screening, and that can be a dicey proposition. As a result, I avoided much in-depth talk with him before I saw Private Eye. I reviewed the film shortly after the festival ended, and have been working and re-working a piece about Dae-min himself ever since. Dae-min is a very laid-back, thoughtful, extremely intelligent guy. He doesn't smoke, nor does he drink much (if at all). As is the nature of many filmmakers, his eyes are cameras, constantly taking in everything around him. Whether he was actively participating in one of the various parties or not, he was at many of them for a while, just taking everything in. His capacity for focus is truly impressive.

(l. to r.) Interpeter Junghee Cho, Dae-min, and Alamo Drafthouse co-founder Tim League after the second screening of Private Eye
I think he picked up on the fact that I didn't want to get too chummy before I'd seen PE, and he was cool with that. Not to say this is universal about American directors or Americans in general, but 'Mericanos seem all too eager to become the best of pals to ingratiate press to whatever they're selling, be it a movie, themselves, or something else. For Dae-min, I suppose it's easy to be laid back when he knows he's got excellent work to show. That isn't to say that he's an overconfident, smug jerk (far from it). Talking to him or interacting with him, you'd never guess that this humble, soft-spoken guy was a top-grade screenwriter and filmmaker. He has a particular talent for delivering mainstream-friendly content without pandering to or taking advantage of the audience, based on his first feature. Once I had seen the movie, I told him a couple of times that I was interested in doing an interview, but our mutual piles of commitments made that next to impossible. Instead, we just tried to get to know each other a bit, mostly without the help of an interpreter (his English is better than he thinks it is).

At the first screening Q&A, he was asked about influences on his script, and he said that Sherlock Holmes stories and movies fundamentally influenced Private Eye, as did L.A. Confidential and Chinatown. One of the earliest conversations we had was later that same evening, about directors we like. Off the top of his head he came up with Bong Joon-ho, Kitano Takeshi (Beat Takeshi), and Park Chan-wook. I asked him a bit more about movies and filmmakers, and he mentioned True Romance and his love of Japanese cinema. We jumped to discussing a few directors and how we generally preferred their early films and came around to Miike Takashi. He added that his favorite installment in Park Chan-wook's revenge trilogy is Sympathy for Mr. Vengeance. Dae-min yet later told me during the closing night party that he grew up watching everything from Jackie Chan movies to the Indiana Jones series and other American blockbusters that, in his words "everyone went to see together" and had a sense of adventure. He added that in his childhood, he wanted to make those kinds of movies that were widely accessible. I asked, "what did you think of the fourth Indiana Jones movie?" His facial response was as if to say "what is that horrible smell?" That response is exactly what sets him apart from the multitude of young directors making movies in any country these days.
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FF09: Under the Mountain


This youth adventure film from New Zealand is an adaptation of a 27-year-old NZ TV series, which is in turn based on a book. The redheads you see above play twins named Rachel and Theo (Sophie McBride and Tom Cameron) who have special powers. Sam Neill plays a mysterious old man called Mr. Jones who helps them learn how to use those powers. They then fight off aliens underneath the inactive volcanoes of Auckland. Getting too much more in-depth than that would be a waste of time. The story is simple and straightforward, and is thankfully less focused on how they can sell toys tied in with the movie than American films of the same general stripe. Some sexual situations may not make the US edit should it get picked up, but they're far from crucial to the story.

Director Jonathan King directed the hilarious and fresh Black Sheep a few years ago, and his chops still rate. All concerned do a better job than things like the remake of The Race to Witch Mountain did for even its most ardent fans.
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FF09: The Imaginarium of Dr. Parnassus


Dr. Parnassus (Christopher Plummer) has a traveling show that wanders around London in a big horse-drawn trailer that looks like it came from centuries before. The doctor is joined by his daughter Valentina (Lily Cole), her eager-to-deflower-her boyfriend Anton (Andrew Garfield), and the very much put-upon Percy (Verne Troyer). The show is very theatrical and requires audience participation. The goal at minimum is to get someone to go through the mirror in the middle of the set, which appears to be no more than mirrored paper. The movie The Imaginarium of Dr. Parnassus is also more intricate than it may seem at first, but that may not be a good thing.

Heath Ledger, Lily Cole, Andrew Garfield
Terry Gilliam's latest is bound to confound and frustrate those looking for a cohesive, traditional narrative. It does go from point A to point B, but the plot is less important to the movie than the twists in the metaphysical quantum reality on the other side of Dr. Parnassus' mirror. The rules never stay the same once you're on the other side, and things like up/down, right/wrong, and logical progression are all out the window. Parnassus got so abstract that I don't remember a lot of the end of the movie due to my mind wandering. I want to see it again though, which I can't say is the case for others who were at the screening I caught.

The movie does not lack cohesion or entertainment value due to the loss of Heath Ledger during filming. The problem that persisted for me was not thinking "what would this be like if he hadn't died?" from the point Tony (Ledger) is found by Parnassus and company hanging by the neck off a bridge. "How did they handle...you know, the Ledger thing" is the first thing people discuss after bringing up the movie in casual conversation when one person or another hasn't seen it. After a screening, a group likewise starts talking about whether the loss of Ledger did or didn't affect what they thought of the movie. Of course it did, or those conversations wouldn't be happening after every show.

Tony takes three separate trips through the mirror later in the film where the perspective of his companion shapes what he looks like, which I bought and works perfectly fine, especially thanks to the progression of actors used. It takes a few glances to pick up on the fact you're looking at Johnny Depp and not Heath. When done up as Tony, Depp looks and sounds eerily like Ledger. Jude Law looks and moves noticeably different, and Colin Farrell is yet more distinguishable and has the meatiest stuff to work with overall. Ledger's absence will distract everyone to some extent, at least on first viewing, but the diversion fades. The production design and art direction are exactly as one would expect of Gilliam's trademark. The world of the Imaginarium is so richly-textured that one would swear it sprang forth, fully formed, directly from the mind of Terry Gilliam. If you can't dig surrealist weirdness, this one's not for you by any stretch. Parnassus is a richly-layered experience, but the death of Ledger makes it difficult to soak it all in on the first go. Even if I hadn't been mostly hooked by the whole work, the visuals would have me onboard for a second go-around.
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Disc Roundup (Movies) 10.27.09



New Release of the Week Medicine for Melancholy (DVD only) Barry Jenkins' debut feature starring Wyatt Cenac and Tracey Heggins is one of the few low-budget American independent films that has really delivered on a variety of fronts. The desaturated palette stands out among others who have applied less precise science to their use of the same aesthetic. More important and compelling, however, is how the characters address their feelings about race and identity and how we cling to or reject preconceived notions of them both. I really like this film a great deal. It's rough around the edges and imperfect such that it's raw and refined in just the right places. I'll dig into this more once the copy I have on the way arrives. I have no idea if there are any extras on the disc at all, but it's a better use of the ten bucks you might spend on fast food in the next 24 hours. Catalog Release of the Week Night of the Creeps (Blu-ray & DVD) I reviewed this one earlier today. This is a great presentation of a previously un-findable cult classic. Specialty Release of the Week 42nd Street Forever: Alamo Drafthouse Cinema (DVD only) One of the coolest things about the Alamo Drafthouse is found in the details of its atmosphere. The preshow trailers are often of things it's hard to believe really existed. Synapse Films has collected material hand-picked by the Alamo programming staff and added a full-length commentary over a big batch of trailers you could previously only find at live Alamo events. This disc may not see a second pressing, so if you want it, get it now. New Release

Whatever Works (Blu-ray & DVD) As with all Woody Allen DVDs, there are no extras on this release. Allen was recently quoted as saying he doesn't think he'll come up with another Manhattan or Annie Hall, that those days are behind him. I enjoyed Whatever Works as a sort of performance art/film essay hybrid. I'm afraid some may have had some sort of expectations going in that were underwhelmed, whether of Artiste Woody Allen or HBO's Larry David. Ice Age 3: Dawn of the Dinosaurs (Blu-ray & DVD) Director's Commentary, Unfinished Deleted Scenes, "Walk the Dinosaur" Music Video (sung by Queen Latifah), Scrat Pack Shorts & Featurettes Featurettes: Evolution Expedition, Buck: From Easel to Weasel, Unearthing the Lost World, Fox Movie Channel Presents: In Character with John Leguizamo/Ray Romano/Queen Latifah BD-Live Exclusive: IMdB Live Lookup I tried to be as objective as possible and not think of the copy of UP sitting on my coffee table while I made it through this movie. My background studying Anthropology really came rushing back as I looked on baffled at the different eras of species on display. The Ice Age series has really become the evolution-denier's paradise. If they do a fourth one, I expect it to be something like Ice Age: Hunt 4 the Humans. The undercurrent of "you're nobody without a mate and a of couple 'crazy' single friends" jumps to the forefront of this latest installment that is made slightly bearable by Simon Pegg as Buck the Weasel and a gorgeous sequence in a pouring rainstorm. The featurettes are difficult to pay much attention to, but I really liked one bit where an actual scientist went rogue and brought up the fact that Tyrannosaurus and Baryonyx would likely never run into one another and that Baryonyx was likely an aquatic scavenger. The Scrat sequences and the ones with a bunch of dinosaurs are the best part of the movie. The "plot" isn't terribly interesting, nor does it ever feel like there are stakes in place. There's no suspense or sense of danger whatsoever. Tinker Bell & The Lost Treasure (Blu-ray & DVD) Featurettes: Magical Guide to Pixie Hollow, Pixie Hollow Comes to Walt Disney World Scenes You Never Saw (Outtakes?), Deleted Scenes, The Gift of a Friend" music video This adventure is a lot more bearable than the first DTV Tinker Bell adventure, owing largely to the more established presence of John Lasseter at the helm of Disney Feature Animation. The original one looked and played out like a merchandising opportunity for new dolls, toys, and dresses. I'm still not a-ok with expanding the Tinker Bell universe beyond Peter Pan, but they've gotten better with this one. Rather than just sit around introducing new toys and inventing backstory, there's an actual adventure going on for once. Tinker Bell screws up reviving the tree that produces the pollen--er, Pixie Dust that makes everyone fly, so she has to go out and find a MacGuffin to set everything right. Did I mention that Tink has found herself a wee little boyfriend/love interest? How cute and marketable! Angel & The Badman (DVD only) Someone woke up one morning and decided that the idea of remaking a well-known John Wayne western sounded like a good idea. This stars Lou Diamond Phillips in the Wayne role of Quirt Evans and Luke Perry as Quirt's former parter Laredo Stevens (originally played by Bruce Cabot). Before you cry outright sacrilege, John's grandson Brendan Wayne is featured in a small part. Nah, go ahead and cry about it. The movie aired on TV back on the 5th of July this year. I haven't had a chance to watch it yet, but that's what Thursday mornings are for. I have no faith at all in this, so let's hope it outdoes my expectations. Orphan (Blu-ray & DVD) I reviewed this one here. Fear(s) of the Dark (DVD only) I saw this at Fantastic Fest 2008. Nothing Like the Holidays (Blu-ray & DVD) Il Divo (Blu-ray & DVD) Stan Helsing (Blu-ray & DVD) The Achievers: The Story of Lebowski Fans (DVD only) High School Record (DVD only) Lovecraft: Fear of the Unknown (DVD only) Sauna (DVD only) Battlestar Galactica: The Plan (Blu-ray & DVD) Catalog Z (Criterion Collection) (DVD only) I wish this were available on Blu-ray as well. Reissue March of the Penguins/On the Wings of Penguins Limited Edition Giftset (DVD only) I only requested a review copy of this because I was interested in the second film they're bundling in here. I'll have more on this one on Friday or Saturday from the look of things. Stargate: 15th Anniversary (Blu-ray only) The original disc had mastering issues, and this is one of the first "fix" double dips the format has seen. All reports seem to be that they got it right this time. Disc Roundup (Movies) is posted each week at some point, depending on how many discs there are to get through. Unless otherwise noted, screener copies of titles reviewed were provided by the respective studio. If you think I've missed something, feel free to send me an email.
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