Electric Shadow

Inside the Oz Limited Box

In an effort to offer something a little different from the ton of different reviews out there, I'm coupling unboxing photos with impressions as I go on the various components of the set. Details on extras and just about every detail one could ask about will be answered in the captions below. Lighting was horrible due to rushing, but that will improve in further posts of this type.

The box itself takes up a great deal of shelf space horizontally, but it can also be set up on its side. This is intended by design, since when you set it up on its end, there's "spine art" on it. Whichever way you set the thing, it takes up a hell of a lot of room.

Art from the underside of the lid.

The cover of the 52-page The Wizard of Oz: Behind the Curtain of Production 1060 hardcover book that greets you inside the box.

A couple of pages from said book.

The back cover of the book (l.) and a color copy of the budget sheet for "Production 1060" on top of a black ribbon that lifts the book & budget sheet from the box.

The cover of the reproduction of the 1939 ad campaign "exploit" book can be seen (r.), with the tin case for the watch peeking out (l.)

Inside the campaign book. What isn't immediately apparent is the book on the right. I could do a photo post just on the inside of this book. Oz collectors will love this detail more than any other.

The tin for the watch, with a green leather strap and REAL CRYSTALS (stressed nearly that much on the stickers that were on the cellophane. The disc case itself is thicker than a standard size DVD or Blu-ray case and is the same physical size for both the DVD & BD versions of the set. I greatly prefer the Target-exclusive version of this pack, which has the same discs in a case much thinner and less easy to smudge (I'll get to that in a minute). Underneath the disc case is the Digital Copy disc in a cardboard sleeve (not pictured, my apologies) and a few small ad inserts.
The discs feature all of the extras on the previous 3-disc DVD set and add a few more: a 34-minute documentary (Victor Fleming, Master Craftsman), a 93-minute TV movie from the 90's (Dreamer of Oz), a featurette (Hollywood Celebrates Its Biggest Little Stars), and two vintage films shy of feature length (The Magic Cloak of Oz and The Patchwork Girl of Oz ). The MGM: When the Lion Roared documentary is an exhaustive, chronological look at the history of MGM that would make many Film History courses across the country appear lacking.

The picture quality really is outright remarkable, but you need to see it on an HD monitor to properly appreciate it. When you slide out the inner disc digipack and open it, the features of each disc are listed on either "page", each of which then fold out to reveal...

...the discs themselves. On the Blu-ray set, disc 1 is a Blu-ray...

...disc 2 is a Blu-ray, and the double-sided disc 3 is a DVD that includes the six-hour MGM: The Lion That Roared documentary (narrated and hosted by Patrick Stewart).

One side of the ad insert for the similarly decked-out and remastered deluxe Gone With the Wind set...

...which they recommend you buy "for your loved one", but unfortunately, neither I nor my wife are really into the movie. I am, however, really into docs about famously fraught productions...

I'm glad to see an ad for the Warner Archive titles in just about every deluxe or semi-deluxe release from WB. Tomorrow I'll be digging into some recent Archive titles that are particularly noteworthy.
This is one of the top releases of the year, with or without all the extra bells, whistles, watches and tchotchkes. Target is selling the no-Digital-Copy, 3-disc Blu-ray for $34.99, so it's a matter of whether all the extras are worth $17 more for the $51.99 Amazon is asking for the Limited Edition version. In the interest of full disclosure, Warner Bros. sent me a copy for review, but if I had to choose, I'd probably go for the huge box over the $35 one. The Digital Copy, hardbound book, and marketing exploitation reproduction are worth seventeen bucks to me, but they wouldn't be for everyone. Oz is more than just a film I respect or admire academically, it's one of my "desert island" films, as a friend put it recently. Yes, I want it available to me in glorious 1080p on my TV and in SD on a portable computer or media player I have with me at any given time.

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Disc Roundup (Movies) 9.22.09


The original 1954 Gojira, the first of three New to Blu "Release of the Week"-worthy titles
New to Blu-ray Release of the Week (A) Gojira (Godzilla) Audio Commentary with Gojira experts Steve Ryfle and Ed Godziszewski, Original Theatrical Trailer Featurettes: Story Development, Making of the Suit After a great deal of comparison watching, the new Blu-ray offers a great deal more clarity than what is to be assumed going from DVD to Blu-ray. The image is not particularly grainy, not so much due to DNR, but the fact that the existing elements are far from perfect. Some may instinctively leap to complain about picture quality as they did on the DVD, but this is about as good (if not better) than release prints came out thanks to scratches and dirt that were on the original soft-emulsion negative before and after adding optical effects. Cutting rooms were notoriously difficult to keep clean, and when you mix the wear and tear adding "analog" effects can add, this is really what the best restoration prints of Gojira look like. The only thing missing in the jump from the Classic Media's prior DVD release is the U.S. version, Godzilla: King of the Monsters. Amazon has it for $12.99 at the time of this writing, and it carries my highest recommendation.

New to Blu-ray Release of the Week (B) Hot Fuzz Every last feature from the 3-disc Ultimate Edition DVD is ported over with upgraded picture and sound. This is one of my very favorite action films, without qualification. I'd shoot a gun straight up in the air for it. Fuzz and Shaun of the Dead (below) were available about a month in advance exclusively from Best Buy, and I know plenty of people who gladly paid $20 apiece for them.

New to Blu-ray Release of the Week (C) Shaun of the Dead New to US Blu-ray: Lucy Davis' video diary, Joe Cornish's video diary, TV Bits (Remembering Z-Day), Audio Commentary w/ Bill Nighy & Penelope Wilton, Audio Commentary w/ actors who played Zombies The thing I miss most in the move to Blu-ray for Shaun is the original DVD menus, which were replaced with the now-standard "Universal Blu-ray menus" that feature unified navigation on all Universal titles. I didn't find the above-listed extras on my original US DVD, and may have missed a couple. New Release of the Week Observe and Report (Blu-ray & DVD) Blu-ray exclusive (all extras): Gag Reel, Seth Rogen & Anna Faris: Unscripted, Basically Training, Forest Ridge Mall Security Recruitment Video, Picture-in-Picture Commentary with director Jody Hill and actors Rogen and Faris My review from a couple weeks ago can be found here. New Release O'Horten (DVD only) A delightful Norwegian movie about a train engineer's adaptation to forced retirement, O'Horten is yet another Sony Pictures Classics title that not enough people saw in theaters (as is so often the case with arthouse fare). The audience is given a protagonist whose life has been anything but spontaneous for over four decades, and the beauty of the movie is that it never allows you feel like you know what will happen next in Odd Horten's journey. This is a movie it won't take long for Netflix to get to you, but will stick with you for a while. It's as much about the human condition in general as it is having a good time. Ghosts of Girlfriends Past (Blu-ray & DVD) Matthew McConaughey plays Connor Mead, a self-centered womanizing photographer and Jennifer Garner is the nice girl he never had the sense to settle down with. Breckin Meyer plays Connor's younger brother, who's getting married to a bridezilla played by Lacey Chabert. I got so tremendously bored watching this that it was difficult to not take a nap. I woke up each time Robert Forster showed up to play the bride's caricature-drawn military dad. My god do I love Robert Forster. The movie begins, middles, and ends exactly the way you'd expect. Battle for Terra (Blu-ray & DVD) I never hated this movie, preachy though it may have been. Unlike many animated movies aimed at children, it isn't selling toys, just do-gooder ideology. I never got to see it in 3D, but I wish I'd had the chance. Adam Resurrected (DVD only) This would be on more people's radar had Goldblum been nominated for Best Actor as many thought that he would. Catalog New to Blu Star Trek: TNG Motion Picture Collection (also on DVD) (Star Trek: Generations, Star Trek: First Contact, Star Trek: Insurrection, Star Trek: Nemesis) On a cursory inspection, the DVD transfers on all of these are improved from the previous DVD versions. I haven't touched to Blu-rays, but I've read a couple reviews and forums posts that point to DNR issues, but I'm not seeing nearly as much complaining as many did on the previous 6-movie set. The fact these are all relatively new masters compared to the TOS movies makes a big difference all on its own. All four TNG movies carry over previous DVD extras with the exception of Michael Okuda's text commentaries (oh well). In terms of new extras, there's a new commentary on each disc and four installments of an interview with Brent Spiner. There are a pile of new featurettes, most of which seemed interesting from the few minutes each I gave them. The one I did watch the whole way through, Reunion With the Rikers, was excellent for anyone who loves Frakes-Sirtis banter. I grew up with TNG, so things like this really make me smile. Complete Monterrey Pop Collection (Criterion) As with Warner Bros.' Woodstock release earlier this year, the top reason to get this set must be the lossless audio. I'm sure the picture is improved, but my supposition is that it can't be a staggering improvement. I'll allow, of course, that Criterion being Criterion, they could have pulled off a coup with this one. Reissue The Paul Newman Collection None of the titles included here are new to DVD, so the only exclusive is the book. The price is reasonable for what's included if you're going gift-buying, but I'd hope for a Blu-ray version. I haven't gotten my hands on the book, so I don't know how good it is, but frankly I'd be amazed if it's better than Shawn Levy's biography Paul Newman: A Life. Direct to Video Family Guy: Something, Something, Something Dark Side I fell asleep watching the original Family Guy Star Wars parody. I don't expect this one is much better. Ghost Cat Ellen Page stars in this 6-year-old made for TV movie, and let me assure you, it is definitive when it comes to "made for TV". First off, it's readily apparent that it was scripted with commercial breaks built-in. It appears Animal Planet aired it sometime in 2007. Natalie (Page) and her widower father move into the home of an older lady with a 15-year-old cat. The sweet old lady and the cat both pass away. There's an attractive lady neighbor with two sons, one of whom is age-appropriate for Natalie. The Attractive Lady Neighbor runs an animal rescue, and the Greedy Nephew of The Old Lady wants his inheritance and also wants to push the Attractive Lady Neighbor off her land in exchange for a payoff from the Evil Land Developer. The movie is actually better than most of the stuff I flip past on cable, and it's kid-appropriate, with not a hint of sexuality or real scares to be found. [Note: it's on IMDb as Mrs. Ashboro's Cat] Disc Roundup (Movies) is posted each week at some point, depending on how many discs there are to get through. Unless otherwise noted, screener copies of titles reviewed were provided by the respective studio. If you think I've missed something, feel free to send me an email.
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Disc Roundup (TV) 9.15.09


"The Bride Possessed" from One Step Beyond

Moss and Roy hatching a plan A-Team-style in The IT Crowd
New Release of the Week The IT Crowd Season 3 (DVD only) Audio Commentary with Graham Linehan, An Interview with Graham, Set Tour, Deleted Scenes, Outtakes, Original Title Sequence Animatic My favorite sitcom on television does not air on an American station that I get on my cable package (IFC). The most recently-completed season contains my new favorite episode, wherein Jen (the IT manager who knows nothing about com-puters) is named employee of the month and the B plot features boss man Douglas romancing a woman with..."a past". A fourth season is being written as we speak, and I can't wait. Catalog Release of the Week One Step Beyond Season 1 (DVD only) Extended Pilot Episode (The Bride Possessed), Next Episode Promos, Alcoa Sponsor Version Opening, 1990s Rerun Opening, Archival Audio Interview with Dan Mankiewicz There are super-cheap, super-shite public domain versions of this show on DVD that are low-quality, incomplete, and out of order. CBS has properly remastered and restored this paranormal TV fiction classic five decades after it originally aired. Just ten months before The Twilight Zone hit, host & director John Newland's show began its first year on the air. Different than Twilight Zone, One Step Beyond dealt specifically with paranormal cases substantiated to have actually happened. Like Twilight Zone and Night Gallery, and the Alfred Hitchcock Hour/Presents, One Step Beyond is still thrilling to watch thanks to a solid creative team in front of and behind the camera. Catalog

Bonanza Season 1 Vol. 1 & 2 (DVD only) Volume 1: Archival Interviews w/ Creator-Producer David Dortort, Galleries of Extensive Episodic and Rare Behind-the-Scenes Photos, Original Network logo/bumpers/RCA promo on A Rose For Lotta, 1953 Fireside Theater episodic Man of the Comstock, Original Promos on selected episodes, Early Credits Concept Drawings Volume 2: Archival Interviews w/ Creator-Producer David Dortort, Galleries of Extensive Episodic and Rare Behind-the-Scenes Photos, Original Network logo/bumpers/RCA promo on A Rose For Lotta, Original Promos on selected episodes Similar to One Step Beyond, CBS has properly remastered these episodes for official release on DVD and included some better-than-you'd-expect extras. I've only ever watched Bonanza out of order in reruns. At this point, anything Western is actually a bit of a rarity, and I never thought I'd find myself saying this, but: I can't wait to dig into Bonanza from the beginning.

X-Men Volumes 3 & 4 (DVD only) These two volumes roughly comprise the third and fourth seasons of the highly-regarded X-Men animated series from the 90's. The reason I say "roughly" is that episodes are out of order (based on airdate) and enough are missing so that a Volume 5 release won't seem lacking with only the ten episodes produced for the afterthought fifth season. The fact there are no extras on these sets doesn't bother me in the least, but it would have been nice to see a "how it was all made" doc or set of featurettes. Those minor quibbles are small in the face of the quality presented here, which is rather impressive compared to the VHS copies that included two episodes each (!). The X-Men cartoon handled classic storylines and characters loads better than Fox has in any of their four live action attempts. Fox only had a hand in the show's success by airing the episodes in their Saturday morning kids' block, since Saban Entertainment teamed with Marvel to produce X-Men. Buena Vista Home Entertainment handled the DVD release of these two volumes and their predecessors, which reminded me of the fact that pending tons of hurdles get cleared, Disney will have an active hand in actually producing X-Men and other Marvel properties in animated form. Just the possibility of that thrills me. The Transformers Season 2 Volume 1 (DVD only) This set includes the first 28 second season episodes from the original Transformers animated series. If you're a fan but aren't interested in the gigantic complete series set coming to more than direct mail order soon, this is a good set to pick up. It includes the "Dinobot Island" episode among other notable ones. These episodes are from what many fans consider the "sweet spot" in the series, before robot (toy) proliferation made the show more of an advertisement than a narrative. Reissue/Repackage

Fame Seasons 1 & 2 (DVD only) Fame: Then and Now featurette (Season 2) The delightful thing about this release is that many fans of the show will want the DVDs no matter what and have their trip to see the do-over/remake subsidized and guilt-free. The attached Movie Cash voucher lasts until the end of October. The first season was previously released separately and discontinued. New Release Grey's Anatomy Season 5 (DVD only) Unaired Scenes, Outtakes, 100th Episode: Tales from the O.R., Extended Episode ("Stairway to Heaven"), featurette Heaven Sent (Jeffrey Dean Morgan talks about popularity of his character) I've never really had the time to get fully invested in Grey's Anatomy, and it's one of those very type of shows: the kind you have to invest a great deal into. This season saw the addition of the wonderful Sara Ramirez, which makes me wish I were into it. There's a seasons 1-4 recap that seems to pretty capably get me up to speed, but the last thing I need is one more show to keep up with. Private Practice Season 2 (DVD only) Deleted Scenes and Bloopers, Extended Episodes ("Crime and Punishment", "Nothing to Fear"), Life Through the Lens: The Pictures of Chris Lowell, Patient Confidentiality: Examining Season 2 As tough as it is for me to fathom getting in to yet another show, it's more difficult to conceive getting into a spin-off of yet another show. A cast including Audra MacDonald, Taye Diggs, and Amy Brenneman makes it tempting. Anyone remember when lead actress Kate Walsh had but a two word part in Anchorman ("Mr. Burgundy!"...or was that in Wake Up, Ron Burgundy or the trailer?)? CSI: Miami Season 7 (DVD only) Audio Commentaries: Episodes 6 & 8 Featurettes: Miami Classified, The Miami Sound Machine, The New AV LAB, CSI Miami - Heating Up Season 7 David Caruso's still stringing things along in the Florida-based CSI spinoff nearly a decade later. I find myself watching about half an episode before deciding I should just get ready for bed. I invariably come back about 15 minutes later. Disc Roundup (TV) is generally posted a few days after the corresponding week's Disc Roundup and covers the week's TV releases on DVD & Blu-ray. Unless otherwise noted, screener copies of titles reviewed were provided by the respective studio. If you think I've missed something, feel free to send me an email.
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FF09: John Gholson's Day 5

[REC] 2 - Spain - Directed by Jaume Balaguero & Paco Plaza Synopsis: A Vatican priest accompanies a SWAT unit to investigate the aftermath of a viral outbreak that may not be quite what it seems. [REC] 2 is a fantastic sequel, expanding from the first film in surprising and exciting ways. Not content to be just a great zombie film, [REC] 2 takes a first-person walk into the spiritual side of horror with its tale of a church experiment gone horribly wrong. If there's any significant knock against the film, it's that [REC] 2's scares bear too much influence from survival horror video games, complete with white-skinned ghouls that crawl across ceilings and a sewer "level". For some, these bits might work just fine, but for me they were akin to watching someone play a scary video game, which is a much different experience than playing one yourself. The characters are all thinly drawn and serve the story only to die, more-or-less, and it impairs the tension that Balaguero is trying to create. Regardless of whether or not I was personally terrified, I never expected [REC] 2 to be so interesting. The greatest movie sequels deliver the most well-regarded elements from the original while expanding situations in an unexpected way. Horror sequels are notoriously lousy at this, always trying to one-up the original in the least creative ways possible. [REC] 2 avoids sequel-itis by replicating what works from the original [REC] and only attempting to out-do its predecessor's story, not the scares. Nice work, guys. Cropsey - USA - Directed by Barbara Brancaccio & Joshua Zeman Synopsis: This documentary examines how truth can spin into urban legend as it presents the case of Andre Rand, a Staten Island drifter accused of murderering mentally handicapped children. It's almost too easy to draw comparisons between this film and Paradise Lost: The Child Murders at Robin Hood Hills. Both films explore how a community reacts to a potential monster, especially if that monster is just enough of an outsider for people to draw their own conclusions about the details of the monster's crime. Brancaccio and Zeman are not interested in presenting a detailed case in support of Rand (unlike the support that the West Memphis Three found in Paradise Lost), despite the appearance to the contrary, as they dismiss many assumptions about Rand and his crime with this film. For a while it looks as if they're painting Rand as a martyr who got punished for being the wrong guy at the wrong time, but as the story unfolds and the tales from the police and Staten Island residents continue to get increasingly bizarre, Rand's guilt becomes almost irrelevant. The question then becomes "why do we need to create monsters?" If Rand is guilty of kidnapping and murdering children, that's horrible enough on its own. Why do many of the people involved with the case want to reimagine Rand as the retarded, necrophiliac lackey of a Satanic cult? Since when do you need to be substantially more than a child killer to be considered evil? Unfortunately, it's not a question Brancaccio and Zeman are capable of answering in Cropsey, and if the documentary falters at all, it's because of the lack of something definitive. To placate our own desire for closure, we go the only conclusion that the filmmakers weakly offer, which is that Rand is most likely guilty. Cropsey is unforgettable--more unsettling than any run-of-the-mill horror movie, and I commend Brancaccio and Zeman for exploring the dark questions in Cropsey, even if they don't provide any answers. It's obvious the heartbreaking subject matter got the filmmakers thinking, and it got me thinking too. I also don't have any answers. Bronson - UK - Directed by Nicolas Winding Refn Synopsis: Michael Peterson adopts the identity of Charles Bronson and goes on to become Britain's most notorious serial prisoner. I'd dismissed Tom Hardy because I didn't like him in Star Trek: Nemesis. I feel idiotic even admitting that right now, because Hardy is downright relevatory in Bronson. It's an Oscar-calibre performance that provides the centerpiece for a series of darkly humorous vignettes about the life of a completely psychotic thug. I'm not really sure what the point of Bronson is (A celebration of thuggery and violence? How much animal is in a man?), or if there even is a point, but who cares? Hardy as Bronson is incredible. It's a fearless portrayal of unhinged violence, tempered by absurd humor and humming with dangerous immorality. I'm nothing like Bronson. I don't ever want to meet anyone like Bronson. There's hardly a violent bone in my body, but, man, I sure did like watching this character, up there on the movie screen, unable to throttle me from the safety of my theatre seat, no matter how alive Tom Hardy made him seem. Bronson is a hilariously rude, astoundingly brutal must-see. House of the Devil - USA - Directed by Ti West Synopsis: A teenage babysitter takes on an unusual job that turns into a Satanic nightmare. Going into the festival, House of the Devil was one of the few films already on my radar. I'd heard that director Ti West was working to create a perfect replica of a 1980's horror film, and I was expecting the excess cheese of something like Night of the Demons. I expected squealing nude teenagers being gruesomely stabbed to death while Bullet Boys played in the background. I was very wrong. Make no mistake, House of the Devil does feel like a forgotten gem from the 1980's, but it's a resolutely low-key affair. It has that slow, creeping kind of terror (and the use of the zoom lens) that earmarked many European horror films from the early 80's, except House of the Devil takes an American approach to its narrative (which is a nice way of saying it doesn't completely throw logic out the window). It's a solid "trapped babysitter" film, and I imagine my reaction to it would be the same if it had been created in 1983 instead of 2009--It's pretty darn good. I like parts of House of the Devil more than the whole, and I wish West had gone just a little bit darker, a little bit nastier with it. There's a lot of repetitive build-up for such an abrupt pay-off, but the length of the pay-off maybe wouldn't have mattered if it were just a touch more horrific. I even think some of that could've been remedied stylistically, as the film's finale is shot with modern hand-held camera techniques. That's not the way horror films were being shot back then, and it's the only one awkward misstep in this otherwise excellent homage.
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This Side of a Backlog

I've got two weeks worth of Disc columns (plus one TV column on top of that) to get up, in addition to individual coverage of a few releases in the works. I want to get a chunk (if not all) of this up before digging back into Fantastic Fest coverage on Monday. Items will be posted in spurts throughout the weekend into early next week. I've been diagnosed with a nasty case of Bronchitis, so I'll be writing when I feel well enough to do so.
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Fantastic Flu

I made it through the bulk of Fantastic Fest without falling ill, and then in the closing hours of the final evening, I began to succumb to what has been informally dubbed "Fantastic Flu." Worse, I started having some of the tell-tale signs of H1N1 (or Swine Flu/Pig AIDS depending on what you like to call it). Austin is considered at outbreak level when it comes to H1N1, so I'm being extremely cautious. I'm going to try to get something posted today, but I have to clear my agenda in favor of looking into the symptoms I have. I highly recommend anyone who left Austin or is still here promptly get some Tamiflu and see a doctor just to be safe. I may descend into one of those fever-dream mini-comas under the influence of medication. If so, I can only hope that I find myself in the universe of Park Dae-min's Private Eye (my favorite of the fest).
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FF09: John Gholson's Day 4

Kenny Begins - Sweden - Directed by Carl Astrand & Mats Lindberg Synopsis: Kenny Starfighter, Galaxy Hero in-training, accidentally ends up on Earth, just in time to stop evil Dr. Oversmart from gaining superpowers from a crystal hidden on our planet. A little research reveals that Kenny Begins is the film version of a popular kids' TV show in Sweden, called Kenny Starfighter. I feel a little better knowing that this was originally intended for children, because it's almost excruciatingly stupid. If this were an American production, it'd star some minor SNL veteran like Horatio Sanz, and it almost certainly wouldn't be playing at an international film festival. I guess seeing even the dumbest comedy in a foreign language can make you feel like you're getting a dose of culture, but, really, this is a movie where one of the biggest jokes is that people on Kenny's home planet of Mylta greet each other with "woolly boolly" instead of "hello". That's barely passable as comedy, no matter what language it's in. There's a sci-fi adventure story at the heart of Kenny Begins that at least keeps things from getting too boring while all the jokes hang silently in the air. Krabat - Germany - Directed by Marco Kreuzpaintner Synopsis: An orphaned boy falls in with a group of black magick practicioners at a remote, mysterious mill. It's easy to describe Krabat as a more occult version of Harry Potter, replacing J.K. Rowling's "abracadbra" style of magic with chalkline pentagrams and ancient Germanic rituals. While the characters certainly share some similarities, I was pleased to find out that Krabat is based on a 1971 novel, one that's already been adapted to film once before, and I shouldn't lump it in with post-Potter cash grabs like The Seeker or Eragon. The Reader's David Kross plays the title character, a powerful magic user who finds himself torn between the young woman he loves and his loyalties to his sinister mentor and the rough-and-tumble group of boys that operate the mill. For the first hour or so, I was entranced by the movie, fascinated by its realistic portrayal of magic, its unique setting, and the dynamics of the relationships between the young men (all fatherless), and their master. Ultimately, Krabat wants to be a fairy tale, which means it eschews real-world logic for "true love conquers all" fluff. Sadly, that's not the movie I wanted to see, but it's the movie Kreuzpaintner made. To criticize it for not being the movie I wanted it to be is pointless--Krabat works excellently as a dark fable, regardless, and comes highly recommended to fantasy fans. Burantino, Son of Pinocchio - Estonia - Directed by Rasmus Merivoo Synopsis: A wealthy businessman wants to use the seeds of Pinocchio's wooden son, Buratino, to rule the world. Buratino opens with a bang--a bizarro musical number in which a woman longing for a child of her own is impregnated by an enchanted splinter of wood--but the movie never gets any better; it never delivers on the gonzo promise of its first ten minutes. I suspect that Buratino was created for the tween set. It's got a half-baked Romeo and Juliet love story going on, and there are a smattering of upbeat (but pointless) songs sprinkled throughout the film. Personally, I think Buratino's going to have a hard time finding an audience (which is not to say that it's bad, exactly). It's too weird and cheap-looking for the junior high set, and too safe and witless to form an adult cult audience. The Imaginarium of Dr. Parnassus - UK/France/Canada - Directed by Terry Gilliam Synopsis: Dr. Parnassus uses his Imaginarium, a magic mirror that can conjure a world from pure imagination, to win a contest for human souls in a wager with his rival, Mr. Nick Too often the term "poorly paced" is used by film critics as a synonym for the word "boring". Imaginarium of Dr. Parnassus is never, ever boring, but it is poorly paced. It's the same stop-start rhythm that has plagued too many of director Terry Gilliam's works. I can recognize that Imaginarium feels like Gilliam's most personal film, I can acknowledge that it's a beautiful artistic achievement, but it's also very much a Gilliam film in other, less positive aspects too. It doesn't really have any characters I can relate to. The narrative meanders and stumbles, instead of striding along with total confidence. It's got enough midgets, Dutch angles, and Python-esque bits of humor to almost qualify it as self-parody. The Gilliam film it reminded me of the most was The Adventures of Baron Munchausen. Munchausen is gorgeous, but it's a hard film to re-visit, because everything is always turned up to eleven, and it, too, has pacing problems. Gilliam clearly wants to say something important about religion in Imaginarium, but he takes too complicated a route to find a simple truth, and he seems to confuse and confound even himself by the film's conclusion. It's more than a little frustrating, but still worth watching, mainly due to its awesome production design and enthusiastic acting by the entire cast.
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Fantastic Fest 2009 Standouts Thus Far

The loss of my mobile computer (functionally, that is) on the first day of this year's Fantastic Fest has crippled my ability to get things posted in a timely manner. For that, I offer my apologies. I'm also tremendously behind on Disc reviews, but I should be all caught up by the weekend. I'm dashing this together so as to have something out there in the closing days of the festival. The two movies I've seen that have most stuck with me are Merantau, which I saw the first day and is playing again tomorrow afternoon, and Private Eye, which plays once more this evening at 6:30pm. I highly recommend that anyone attending the festival make plans to see either or both, as their certainty of pick-up is not a lock. Quick thoughts on various things I've seen (with more detail to come): Toy Story 1 & 2 Double Feature This will lose some kids like the 8-year-old sitting next to me who had the youthful audacity to say "daddy, this is BOring" during "Jessie's Song" (the kid was not mine). The added depth is wonderful, particularly in the elevator shaft and Woody's Roundup-related sequences in Toy Story 2. The trailer for Toy Story 3 preceding the main attraction trained me to think of and look for hooks throughout the original two movies. I also noticed that bear briefly spotted in UP shows up in both Toy Story movies... Zombieland This movie is going to go over huge with the general public, and yes, The Cameo is pretty good stuff. Lines like "God bless rednecks" and "He's on the ceiling!" had me rolling, as did the opening lines making fun of Garland, Texas (my hometown) as looking "like a wasteland...but that's just Garland". The movie is gorier and bloodier than I'd been let on to believe. The Imaginarium of Doctor Parnassus I was right there with the movie until the third act, when it seemed to contradict some of the Imaginarium "rules" that had been set up. Then again, there were circumstances that threw thing out of whack. I'm still rolling over this one in my head, but I walked out feeling like it was really uneven. Under the Mountain This is better than almost every children's movie I've seen in the last few years. Adults would likely be bored by it, but it's a perfect pre-tweener thing. I hope some American distributor picks it up. Yatterman Anyone who has ever been a fan of Anime series will get the very intentional in-jokes included in Takashi Miike's Yatterman, based on a couple decades-old Japanese series of the same name. In the film adaptation, they basically condense an entire "show" worth of stories into one two-hour narrative, including criticism of the reptitive nature of the medium and a gentle jab at the end to fanboys who refuse to out their toys away and grow up. I hope Miike's name will get this one picked up for some sort of Stateside video release at minimum. Love Exposure From the director of Suicide Club, this one is outright bugfuck insane in places, and shifts tonally more times than I could count. I need more than a few lines to get into this, but suffice to say that it earns its runtime by continually giving you a new reason to keep watching. The Men Who Stare At Goats From what I understand, we saw an unfinished version of this film. The Jedi lines being said to Ewan McGregor are almost impossible to not laugh at. I'd buy or rent the DVD just to watch the Gag Reel of hours of mucked up lines where he and Clooney couldn't keep straight faces. Ninja Assassin I was asked by WB publicity to not write about this until opening day, which I think is hilarious on its face for a movie that's screening to the public at a festival. Once I see embargo broken all over the place, I'll add my thoughts to the throng. From what I gather, I'm neither as positive or negative on it as the majority of reviewers, who seem to have been hot or cold. I've seen a great deal more than this, but this is the limit of what I have time to post on at present. I'm seeing Private Eye a second time tonight and an Avatar preview.
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FF09: John Gholson's Day 2

Hard Revenge, Milly/Hard Revenge, Milly: Bloody Battle - Japan - Directed by Takamori Tsujimoto Synopsis: In a post-apocalyptic future, weaponized cyborg Milly seeks out those who killed her baby and left her for dead. Milly is a wacko little piece of Japanese action splatstick, full of ridiculous weapons and showers of aterial spray. Of the two forty-five minute films, the first one is the best one. It flies by so fast that you barely have time to register how silly it is before it's over and done. Bloody Battle doesn't match the original's efficiency, but the last fifteen minutes are a gore-soaked fight scene that fans of this kind of thing (Machine Girl, Tokyo Gore Police) are going to love. Neither film are particularly artful, but both provide a cheap, high-energy, oftentimes inventive, serving of ultra-violent junk food cinema. RoboGeisha - Japan - Directed by Noboru Iguchi Synopsis: Two quarrelsome sisters are trained as cybernetic assassin geishas by an unscrupulous steel company. Iguchi, director of Machine Girl, reins in his trademark gore for this oddball superhero origin film. I'd recommend avoiding the hilariously bizarre trailer for this movie, as most of its biggest gags are revealed there. Having seen that trailer, I was a little surprised at how conventional much of RoboGeisha actually is. It's weird, but never too weird--almost on the fence about whether or not it wants to be a kids' flick. The plot is dopey, the visual effects are intentionally terrible, and much of the violent humor falls flat, and yet...there's still something endearing about RoboGeisha. It's made with enthusiasm, and sometimes that's enough to turn dumb into dumb fun. Trick 'r Treat - USA - Directed by Michael Dougherty Synopsis: All manner of monsters haunt the residents of a typical American town one Halloween night in a series of interwoven stories. You know those "haunted house" audio CD's that go on sale every October, full of wolf howls and ghostly moans? This is the cinematic equivalent of those Halloween front porch standbys. That being said, I don't think Trick 'r Treat really works as a movie. The fractured narrative is ambitious, but the continual jumping between timelines and characters quickly turned me into a passive viewer. For better or worse, it's not interested in anything other than being a constant celebration of Halloween in all its sticky candy corn glory. The decision to maintain the same level of spookiness throughout robs the film of any suspense. If any scene is threatened by not being Halloween-y enough, Dougherty jumps to whatever characters are doing something nasty, regardless of whether or not it makes any narrative sense. Trick 'r Treat is a one-note drone of costume aisle horrors, that may not always work as a film, but it'll make for one heck of a great background movie for constant play during your next Halloween bash. Doghouse - UK - Directed by Jake West Synopsis: A group of guys out for a weekend away from their women end up in a zombie nightmare, where only women are infected. I don't think Jake West and writer Dan Schaffer set out to make a misogynistic film--I think they just wanted to make a zombie movie with an alpha male sense of humor. Regardless, Doghouse has a questionable subtext through all of its comedy. The men escape the shrill women in their lives, only to try and escape another, deadlier group of women, while leveling all sorts of violence against them, all in the name of surviving to enjoy a little bit of "bloke" time. I honestly don't know if I was comfortable with the ideas simmering right under the surface of the film. It's a good thing then that Doghouse is really funny. It makes it easier to ignore my feelings of politically correct male guilt, because Doghouse entertained me. The filmmakers strip the film of any feminine perspective, placing the "bro's before ho's" philosophy right at the heart of the film, then wrapping that in sharp dialogue, funny bits of grue, and fast-paced action. Zombie fans should definitely seek it out, then decide for themselves if West and Schaffer have only accidentally opened a can of worms, or if the filmmakers meant to fly in the face of feminism.
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FF09: Explosive Merantau

Of the films I've seen at Fantastic Fest this year, none has surprised me more than Merantau, the first martial arts film to come out of Indonesia in some 15 years. I took my own advice and skipped Opening Night film Gentlemen Broncos and saw this instead. Based on immediate reactions after Broncos let out and people were shuttled over to The Highball from the Paramount Theater downtown, I didn't miss much. Merantau is a rural Indonesian rite of passage wherein youths from areas like Sumatra go into the big city (Jakarta) and must survive unaided by their family. Yuda lives a simple, quiet agrarian life in the country picking produce. He practices the Indonesian martial art discipline of Silat, which to my eye is predominantly comprised of a dance of elbows, grapples, and kicks. Yuda arrives in Jakarta and finds trouble almost immediately. His problems multiply exponentially when he meets a disadvantaged girl and her little brother, but he remains pure of heart and purpose. He eventually runs into a couple of guys who speak thickly-accented english who traffic in women. Going much further gets into plot telegraphing.

Early in the film, I realized something I hadn't really given much thought to going in: Indonesia has a predominantly Muslim population. As a result, Merantau presents one of the more genuine and positive portrayals of Islam that I've seen...since I last saw a film made by a Muslim. I find that American friends and acquaintances who are only acquainted with Christianity and tiny bit of Judaism don't realize just how similar in fundamental precepts Islam is to what they know. I've heard a number of Christian friends, moderate to hard-core evangelical, compare heroes in martial arts films to Christ to the point that they interpret the narrative as What Would Jesus Punch If He Had To? The cultural debate that could erupt from this movie would be fascinating. Merantau apparently went through a needed shave-down from its original Indonesian cut. As Twitchfilm's Todd Brown put it in his intro last Thursday night, it lost "about 27 minutes of Indonesian family drama to get to the kicking and punching more quickly." It appears to be much better for it. I was moved to slap something together quickly the evening I saw it, but I thought better of that, wanting to stew over it a bit since it was the first film of many I'd see this week. Not only has it maintained its place as one of my favorites of the festival, but it's one of the more compelling and powerful martial arts films I've seen. The oft-used comparison of martial arts is to dance, but here the choreography is so precise that it never loses you nor does it feel phony or "on wires". Quite to the contrary, it looks as if lots of stunt fighters got really, really hurt "taking a bump" for authenticity.

I watch lots of martial arts films, and this is the rare one that even non-enthusiasts will get something out of, rest assured. Even I did not expect the movie to go where it eventually did until the final half hour or so, but even then, I didn't think I'd find myself experiencing an emotional catharsis in its closing minutes. Merantau approaches patiently for much of its runtime, appearing to be a run-of-the-mill fighter-on-a-quest movie, but it then sneaks up, grabs, and throws you before you realize what's happened. It would truly be a shame if a specialty distributor doesn't pick this one up. Those still at Fantastic Fest have one more chance to see it closing Thursday at 1:45pm. It's up against Hausu (vintage Japanese insanity) and Kaifeck Murder. No offense to either of those movies, see this one instead.
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FF09: John Gholson's Day 1

As I mentioned in a prior post, fellow Austinite John Gholson is contributing to Arthouse Cowboy during this year's Fantastic Fest. He's helping cover the gigantic amount of content that no one correspondent can cover on their own. Without further ado, here's John in the first of his sum-ups of his day at this year's Fantastic Fest: First Squad - Russia/Japan - Directed by Yoshiharu Ashino Synopsis: Russian scientists use a team of teen psychics to journey into the netherworld to stop the Nazis from resurrecting a German warlord. While an animated film about young psychics fighting Germanic ghost warriors (raised from the dead by Nazi occultists) sounds like a must-see, it ends up being fairly typical dramatic anime. "Talky" is not a word I want to use when describing an animated film, but First Squad offers heavy doses of exposition, not only from the characters in the animated segments, but also from live-action "talking head" experts on the historical fiction featured within. First Squad does little to transcend itself into being an actual good movie, but anime die-hards will probably be more forgiving of its slow pace and underdeveloped characters. Like many recent anime projects, it ends just as things get heated up (to set up the inevitable sequel), and the animation is suprisingly static (a cost-cutting measure, I'm sure). Gentlemen Broncos - USA - Directed by Jared Hess Synopsis: A young, unpublished writer has his novel, The Yeast Lords, stolen by an established science-fiction author. If art exists to satisfy the needs of the artist to create, then Gentlemen Broncos is certainly a work of art. It's also a terrible movie. I get the feeling that Jared Hess and co-writer (and spouse), Jerusha Hess, were endlessly amused by the mugging, unpleasant grotesqueries that populate Gentlemen Broncos--a mean-spirited comedy that feels like a Farrelly Brothers adaptation of a Daniel Clowes comic book. As an audience member, I felt like I was being asked to join in the mocking of those that the Hess's look down upon as the dregs of society, which, in the Gentlemen Broncos universe, is everybody. Unlike other cinematic enthusiasts of white trash (John Waters, The Farrelly's), the Hess's show open disdain toward their characters. The plot hinges on the writing talent of Benjamin (Michael Angarano), and the filmmakers bring Benjamin's work to life through fantasy asides starring Sam Rockwell as Benjamin's protagonist, Bronco. These asides are so ridiculous (most, if not all of them revolve around Bronco trying to retrieve his stolen gonad), that you can't buy into anyone thinking that this kid is talented, much less that a best-selling science fiction writer (Jermaine Clement as Dr. Ronald Chevalier) would want to plagurize such utter nonsense. The cut-aways to Chevalier's version of Benjamin's story are even more inexplicable, featuring Rockwell as a prancing, lisping transgender albino named Brutus who rides a missle-launching reindeer. Remember, this is supposed to be the hero of a well-regarded science fiction novel. The bizarre treatment of the fictional writing in the film is hugely detrimental to the characters and the central conflict. It's also insulting to the audience to ask us to buy into a story that the Hess's don't really stand behind in the first place. It's all one big gross, stupid joke. Gentlemen Broncos features an hour and a half of slack-jawed, talentless idiots talking about gonads, when they aren't puking or doing something that involves feces in some way. It's vile, and unfunny on an almost profound level. Jared and Jerusha Hess have created quite a movie for themselves. Solomon Kane - UK - Directed by Michael J. Bassett Synopsis: A Puritan with a penchant for violence seeks spiritual salvation as he hunts down the forces of darkness. I'm curious to know how they plan on marketing Solomon Kane. They've got a star (James Purefoy) who's a dead ringer for Hugh Jackman, and they've dressed him almost exactly like 2003's Van Helsing. Not only that, but most of Solomon Kane's "money shots" feature him in slow-motion battle with demons and monsters. I fear that mass audiences will dismiss it as a wannabe Van Helsing, and deprive themselves from an exciting (albeit unambitious) action swashbuckler. Kane gets the job done in the ass-kickery department, delivering the simple, predictable pleasures you'd expect from a property based on a pulp hero (created by Conan's Robert E. Howard). Kane's religious journey makes him slightly more interesting than the average sword-slinger. He's damned to Hell by a situation beyond his control, and is searching for answers from a God who isn't providing any. Honestly, the spirituality is just window dressing on what's essentially a story about a one-man army facing down an army of monsters, but the effort to make Solomon Kane even a little bit different is appreciated. I don't even think of myself as a "sword and sorcery" guy, and I had fun with this one. Paranormal Activity - USA - Directed by Oren Peli Synopsis: A couple, plagued by demonic forces, decide to document their haunting via video camera. It's easy to call Paranormal Activity the best film of its type since 1999's The Blair Witch Project, but, more than that, Activity is the best haunted house movie in years. Katie Featherston and Micha Sloat make for a realistic on-screen couple, and they don't behave too actor-ly, a simple thing that's ruined many a pseudo-doc before it. If you like being freaked out, Paranormal Activity is a must-see, but the nature of the scares (nail-biting anticipation, where often the only pay-off for your fear is a bump in the night) mean that the film's impact is immediately diminished on repeat viewings. If you have a wild imagination, watch out--Paranormal Activity is going to give you a coronary. The film forces you to become an active viewer, involving your senses in a way that I don't think I've ever seen a film do before. I watched every corner of the screen, listening for even the slightest unusual sound. Often, captured video is used to create an immediacy, but, in Paranormal Activity, it also creates intimacy, and that intimacy pays off in unforgettably hair-rasing ways.
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Cinetic to Release Collapse VOD in December

At a press brunch this morning, I learned from Cinetic's Matt Dentler that they are releasing Chris Smith's Collapse on their new FilmBuff VOD channel, and the filmmakers are managing their own theatrical rollout. The beauty of this is that even had the film gotten a "major markets" run in theaters done by a smaller scale distributor, the movie won't have nearly the reach it will being available on all the major cable providers.
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Oz at 70

My very good friend Eric, who I consider a major authority on The Wizard of Oz, went to one of the one night only events last night and had the following to say: "Saw the premiere of the HD version of The Wizard of Oz tonight, in celebration of the 70th anniversary--one night only in 400 theaters. The theater at Governor's Square was almost full, with people of all ages. Three middle-aged women blew bubbles whenever Glinda appeared. The HD image almost looks 3-D, and I noticed background details I had never noticed before. You can see even more of Judy Garland's freckles than on the last DVD digital restoration. Most of all, it was fun to see it with a roomful of people. "But I do feel old. I remember the 40th anniversary in 1979, which launched the mega-merchandising, not only of Oz, but of movie-themed merchandise in general. And the 50th anniversary, when they added back the sepia wash to the Kansas sequences. And the 60th anniversary, when they did the first nationwide theatrical re-release in a generation. And now I'm gonna have to buy a blu-ray player, to get the next generation video release this Christmas." With this and Gone With the Wind coming in a similarly-outfitted edition in November, reactions like Eric's are indicative of what really will sell people on the HD hardware: a repertory presentation experience that most cinemas don't (or can't) provide.
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7 Alternatives to Gala/Secret Screenings

Every year, there are high-profile studio pictures and Secret Screenings at Fantastic Fest. This year, I'm proposing some alternative choices for those who are uninterested in one or more of these (or are unable to secure themselves a ticket). It's extremely difficult for many to choose between a major studio movie with real live talent due to appear and some Korean flick they've never heard of before, but my aim is to help ease that choice and hopefully wreak some last-minute havoc on the carefully-chosen schedules many have already agonized over.

Instead of...Gentlemen Broncos (Paramount Theater) Merantau (Alamo Drafthouse South Lamar) A coming-of-age martial arts movie that significant in that it's the first one from Indonesia in 15 years. "Merantau" is the rite of passage in which youths go and survive in the big city with no help from their family. Instead of...Zombieland (Paramount Theater) Antichrist (Alamo Drafthouse South Lamar) People know what this movie is roughly more so than those who went in sight-unseen at Cannes. A limited IFC release in NY/LA means out-of-towners and even Austinites may not have the opportunity to see it otherwise. Instead of...Secret Screening 1 (Alamo Drafthouse South Lamar) Sweet Karma (Alamo Drafthouse South Lamar) This starts in the same timeslot as Zombieland/Antichrist, and could be the best of them all. A mute woman's sister is kidnapped, and the perpetrators are likely a Russian prostitution and human trafficking ring. She goes on a bloody quest for revenge. Genre action combined with very real issues piques my interest. Instead of...Secret Screening 2 (Alamo Drafthouse South Lamar) Trick R Treat (Alamo Drafthouse South Lamar) Whatever the second mystery show is, it will likely have some sort of actual theatrical release unlike Mike Dougherty's excellent, virtually direct-to-video horror anthology film. I'm reasonably certain this is one of the only chances to see this with an audience, and it plays really well. I wish WB had the balls to put it up against Saw. Instead of...Secret Screening 3 (Alamo Drafthouse South Lamar) Rampage (Alamo Drafthouse South Lamar) I've never watched a movie made by "Dr." Uwe Boll. This one is about a man who gets fed up with his dead-end life, builds an armored suit, and goes around murdering his home town. This is a "I can't believe I saw something like that in a theater" experience. Instead of...Secret Screening 4 (Alamo Drafthouse South Lamar) Vampire Girl vs. Frankenstein Girl (Alamo Drafthouse South Lamar) In another case of "if it gets picked up, who knows if it'll play in a theater near you," VG vs. FG is like so many love triangle girly animes, but full of blood and violence. Its first screening is up against the one and only show of Trick R Treat, so see it here. Instead of...Secret Screening 5 Fireball I'm sure whatever the recently-added SS5 is, it'll likely be possible to see it otherwise. Fireball is a Thai martial arts revenge movie about an underground, ultra-violent basketball league that puts a guy's brother in a coma. I always hope that distributors pick up movies like this one, but Magnet can't buy everything, and Thai films are otherwise tough to come by. Instead of...Daybreakers (Alamo Drafthouse South Lamar) Salvage (Alamo Drafthouse South Lamar) I know Daybreakers doesn't come out until January, but even then it'll be on thousands of screens. A SWAT team invades suburban Liverpool and guns down a family, setting off a night full of "are they here to protect us or kill us" paranoia. Just the subject of this one creeps me out in light of as-we-speak debate over USA PATRIOT Act powers of search, seizure, and imprisonment. So why go to this show of Salvage and not the first? There's a daisy-chain effect at play. The first screening of this one is up against screening one of Dae-min Park's Private Eye, which I'm really looking forward to. The second show of Private Eye is up against Fish Story (hyped already as one of the best of the fest) and the retrospective screening of Jess Franco's Bare-Breasted Countess (link NSFW), also considered a hot ticket since Franco will be in attendance. These recommendations come from what programmers and pals have successfully hyped me on as well as synopses or filmmakers I'm interested in. Yet others are titles I worry may join titles I enjoyed last year like The Good, The Bad, The Weird, La Creme, and Muay Thai Chaiya, all of which have not as yet secured US distribution (and they may not). The festival buzz on these "unknown quantities" can make the difference between a pickup and not, so go see them and blow up twitter with positive reactions.
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Ch-ch-changes

You can now leave Comments on entries where they're enabled (some posts don't merit it, so I'd prefer to focus discussion). You'll also notice there are links to an About/Contact page, my Twitter feed, as well as Archives sorted by date and category linked on every entry in addition to the main page of Arthouse Cowboy (if youre reading this in one of the many places I syndicate this content). More regular features and tweaks will make their debut during and after this week. Your lively participation in the comments section is encouraged and appreciated.
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Observed, Reported


Observe and Report is one of the ballsiest wide releases in recent memory. Verging-on-psychopathic obsessive Ronnie Barnhardt (Seth Rogen) is a mall security guard with delusions of heroism. I didn't quite go nuts for it back in March, preferring director Jody Hill's The Foot Fist Way and TV show Eastbound and Down to it, but I love what it has to say about modern perceptions of heroism. People espouse the belief that soldiers are heroes by job description, but in come reports of convicted perpetrators of rape and civilian murder in Iraq. The doesn't make all soldiers criminals in any respect, but it certainly calls into question blanket unqualified praise. Transformers 2 and G.I. Joe make hundreds upon hundreds of millions by portraying a world where there's black and white good and evil, but nothing resembling the nuanced world we actually live in, where the ideas that make us enemies of one another can be invisible to the naked eye. Do those dollars rolling in translate into American Idol-style votes for the "Fuck Yeah" America that people wish we could be again? I can imagine Ronnie going to see Transformers 2 and screaming "Fuck yeah!" as Optimus Prime rips heads off of Decepticons, wishing he could do that to "I-rackis" like Aziz Ansari's lotion hawker in O&R. It's going to have a healthy life on home video even though it didn't explode at the box office. Here's my review from SXSW '09. In what I consider a significant symbolic move, WB has opted to not include supplemental features on the DVD version of Observe and Report, putting them all on the Blu-ray. This, to me, indicates one of the biggest of the majors making a statement on where things are moving. The Gag Reel [12:14] is lifted by a section of Danny McBride toward the end, and it's partly duplicated in Seth Rogen & Anna Faris: Unscripted [7:38]. There's just shy of half an hour of Deleted Scenes/Alternate Lines [27:09], many of which are riffs that seem like they just didn't gel or hum along as well as the rest of the film. Basically Training [6:48] is a short piece about Rogen going from funnyman to action man, and the Forest Ridge Mall Security Recruitment Video [2:58] momentarily breaks the fourth wall by using footage of Rogen from the BT featurette out of costume and character. There's a Digital Copy included, and the Picture-in-Picture Commentary with director Hill and actors Rogen and Faris opens with the three of them questioning why anyone would want to watch them watching their own film. They planted a camera facing them sitting in the front row of a comfy-looking screening room. The Blu-ray came out yesterday (9.22) and is available from Amazon for $25. The movie on its own is available on DVD and as a Digital Download.

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The Discovery of Robert Rich


Walt Disney as a friendly witness in front of the House Un-American Activities Comittee
I once wrote a paper about the Blacklist in school. It was nearly 30 pages long, with extensive research and citations. The title of that paper (double meaning and all) now rests atop this story because after staring at a blank page, I think the best stuff I remember about the original paper approximates how I feel about Peter Askin's film Trumbo. I urge anyone reading this to watch the movie and not just "Google" or "Wikipedia" (since these words are now verbs) Robert Rich. When I submitted the paper, which dealt with how the memes and ideologies from the days of the Blacklist continue to the present (this was 1999 or 2000), I was told it was too overtly political. Growing up in Texas was like living in an alternate universe. They meant that I was somehow defending or promoting Communism, which was completely off-base. I think I ended up neutering it into an examination of how the Blacklist affected modern Hollywood or something similarly uninteresting. I still managed to sneak some provocative stuff in, like the idea that conservative politics couldn't ever take over Hollywood due to the fact that conservatives are inherently not capable of being adept at humor. I phrased it differently, but that was the idea. There's no nuance to conservative "humor" naturally, since the word nuance is "too French" to be deemed acceptable. Trumbo began life as a staged reading written by blacklisted writer Dalton Trumbo's son Christopher. The story of the Hollywood blacklist in the film is made up of talking head interviews, recordings of interviews with Dalton Trumbo himself, and readings of letters Trumbo wrote to friends, family, and adversaries. The letters are read by David Strathairn, Donald Sutherland, Joan Allen, Michael Douglas, Paul Giamatti, Nathan Lane, Josh Lucas, and Brian Dennehy (as well as Danny Glover in a deleted segment). Trumbo wrote one of my favorite films, Lonely Are The Brave. It's a movie that many "teabaggers" and Libertarian-leaning Republicans would resist believing was written by one of the Hollywood Ten, "pinko commie", whatever. The documentary released on DVD by Magnolia is indeed very good, and is a fitting tribute to one of Hollywood's most talented screenwriters who fought against the persecution of perceived "thought crimes". Extras include a deleted reading by Paul Giamatti and the collected deleted readings done by Danny Glover.
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Disc Roundup (Movies) 9.15.09


Release of the Week An American Werewolf in London Full Moon Edition (Blu-ray & DVD) Beware the Moon [1:37:32] feature documentary Rick Baker: I Walked With a Werewolf [7:38] Previously-available extras: Feature Commentary with David Naughton and Griffin Dunne, Making An American Werewolf in London [5:16], An Interview with John Landis [18:20], Make-up Artist Rick Baker [11:15], Casting the Hand [11:00], Outtakes [3:08] The previously-released supplemental materials above are almost entirely duplicated in new interviews in Beware the Moon, which one should only watch after having seen the movie. I wouldn't ordinarily make that note, but I know plenty of people playing Blu-rays out there could be seeing the movie for the first time. The Walked With a Werewolf featurette has a very limited glimpse at the recently-delayed Wolfman movie with Benicio del Toro. As I blurbed the other day: I wish more studios treated their top-tier catalog titles like Universal has decked-out their second dip on An American Werewolf in London. The main attraction is Beware the Moon, a 97-minute feature documentary about the making of the movie put together by fans of the film, not a studio marketing department. It was obviously shot in HD, but is SD on the Blu-ray. That's the only unfortunate thing about it. What host/director Paul Davis may lack in game show-host charm and polish he more than makes up for in thoughtful staging, structure, and balance. this doc makes the Interview with John Landis and various other extras from the previous DVD & HD-DVD redundant for the most part. The movie looks like a fresh, grainy 35mm print from 1981 and the sound is top notch. Amazon has the Blu-ray for $16.99, and it's better than the vast majority of catalog upgrades out there. New Release

Firth is a better dancer than he gives himself credit for.
Easy Virtue (Blu-ray & DVD) Feature Commentary by director Stephan Elliott & write Sheridan Jones Blooper Reel [8:47] 4 Deleted Scenes [4:48] NY Premiere featurette [6:09] I reviewed this one a few days ago. A couple thoughts from that writeup: "Easy Virtue is about English society heir John Whitaker (Ben Barnes) bringing a feminist, independent wife named Larita (Jessica Biel) home to meet his parents (Firth and Kristen Scott-Thomas). Noel Coward's sociological comedy is rather enjoyable as it lives on the printed page, but it is much more fun in filmed form thanks to the talents of Firth and the always sublime Scott-Thomas. Barnes and Biel do good work in the parts they're given. Of the two of them, Biel outperformed my expectations most. "If there's one most unsung performance from what I've read by others, it's that of the absolutely marvelous Katherine Parkinson as John's sister Marion, who's infatuated with an imaginary fiance. Parkinson is one of the stars of my beloved The I.T. Crowd that plays on Britain's Channel 4 and is most easily found on DVD or Netflix Watch Instantly in the USA."

Trumbo (DVD only) Paul Giamatti reads another letter written by Trumbo [4:45] Danny Glover (not in the final cut at all) reading a letter written by Trumbo [3:39] Trumbo is about more than just left versus right or American versus Communist, just as the Blacklist itself was. I'm trimming a longer piece on this for posting before Fantastic Fest obliterates my schedule this weekend. Triangle (DVD only) The Making of Triangle [6:15] Behind the Scenes [13:31] I forgot to mention a couple days ago that this is yet another Magnet title that defaults to an ear-splittingly bad English dub track by default. From my Sunday review: "The lazy comparison I've seen made to Triangle is Grindhouse, which is only similar to this movie in that it features famous directors teaming up. In just that respect, they're quite different, since instead of separate features, Hong Kong kings Tsui Hark, Ringo Lam, and Johnnie To directed a single act (in the order listed) of a single "heist gone wrong" picture. "As for the movie, it's solid stuff thanks to the three acts feeling about as cohesive as they would in a film directed by only one of these guys. It gets a bit muddled toward the middle, but the third act saves it. I intentionally avoided poking around to see who directed which part so that I wasn't watching it thinking "ah, how very To" or "Ringo you aesthetic mad genius, how I love you," but I still kinda picked up on who did what in the opening minutes of sections 1 and 2. I don't expect that to be the same for people who aren't into the work these guys do. For those who do, I should note that there's a nice nod in Ringo's act back to Tarantino, who was inspired by City on Fire when writing Reservoir Dogs. "I enjoy the approaches of the three directors and I relish a good heist movie, so I was quite happy and at home here. Plot threads go unresolved or dropped in places, but save one instance of attempted vehicular homicide approaching Amnesia Bullets levels of implausibility, Triangle never remotely approaches laughable territory." X-Men Origins: Wolverine (Blu-ray & DVD) Commentaries: (1) Director Gavin Hood, (2) Producers Lauren Shuler Donner and Ralph Winter Featurettes: The Roots of Wolverine: A Conversation with X-Men creators Stan Lee and Len Wein, Wolverine Unleashed: The Complete Origins Deleted Scenes with Commentary by Director Gavin Hood Alternate Scenes: Memory Erase Sequence, Tag Scene: Japan Blu-ray Exclusives: "Wolverine Weapon X Mutant Files Featurette: 10 Character Chronicles, "The Thrill of the Chase: The Helicopter Chase Sequence", "X Connect and On Set With Gavin Hood", X-Facts Trivia Track, Fox Movie Channel Presents: World Premiere BD-Live Exclusive: IMDb Live Lookup (requires internet-connected player) The best thing about this release is the Live Lookup BD-Live feature, which is actually useful. It live-checks IMDb over the player's internet connection for biographical info and credits for people in the movie, many of whom are emerging stars not unlike Hugh Jackman on the heels of the first X-Men movie. I'm amazed it's taken this long for this to be available on Blu-ray titles. Before long, I should hope that this is as much a standard feature as Chapter Selections. I didn't go see Wolverine just as I didn't see a number of other summer tentpoles (like Transformers 2...never watched the first either). From the rumors surrounding the script's insistence on cramming every licensable character imaginable into one less-than-smooth story to the dreadful word of mouth that followed The Big Leak of 2009, I had little interest in making time for this. I've read comics for years, and I couldn't care less about a movie centering on Wolverine. After finally sitting through the damn thing on Monday, I can easily say I wish that I hadn't. The only thing terribly stimulating for me was thinking of Harlan Ellison's "I Have No Mouth, And I Must Scream" when the image of Weapon XI came around. There was no relation to the actual story of Ellison's, mind you, but simply a connection between the imagery and that title. Good actors and directors and crews can only do good work when given good ingredients. That being said, no one cares what I think and I'm not actively trying to tell anyone that I know mindless, badly-staged action any better than the next guy. What I am saying however is that this could have been much, much better. I'd really like the sequel to make this one disappear from memory. Grace (Blu-ray & DVD) Part of an exclusive pre-release date deal where Best Buy was selling this and Shaun of the Dead/Hot Fuzz for $20 a pop, Grace is the odd one out that I'm not terribly interested in. Catalog New to Blu

Hero (also on DVD) Digital Copy Featurettes: Close-up of a Fight Scene, Inside the Action: A Conversation With Quentin Tarantino & Jet Li, "Hero Defined" Making-of Storyboards Soundtrack Spot One of my most anticipated titles of the week has not disappointed in the least. This goes right on the Chinese martial arts Blu-ray shelf next to Crouching Tiger, House of Flying Dagger, and Curse of the Golden Flower. I can finally retire my Hong kong import DVD I bought two years before Miramax released this movie stateside. The Close-Up of a Fight Scene extra is new. Hero and the other three Kung Fu titles below are available separately and in a 4-Blu box set for $74.99 ($30 for Hero on its own). Iron Monkey Donnie Yen Interview Quentin Tarantino Interview The Blind Swordsman Zatoichi Exclusive Interviews with Crew Behind the Scenes These are both blugrades of their previous editions. The picture and sound is fantastic on both. Iron Monkey is $25.99 on its own from Amazon, as is Zatoichi. The Legend of Drunken Master (Jui kuen II) English Dub Audio ONLY Behind the Master: An Interview with Jackie Chan This is actually Drunken Master 2, and the same disapppointing shortcoming of the DVD is on this disc: the original Cantonese audio track isn't even optional, it's nowhere to be found. I was hoping this would be fixed, given this opportunity. Oh well, maybe next time. The featurette is again carried over from DVD. Army of Darkness Screwhead Edition Creating the Deadites [21:26] Alternate Ending [4:39] Theatrical Trailer The transfer is great. The sound is booming and clear. The problem here is that this is far from a definitive HD version of a title that I own around four versions of on DVD. The fact there aren't more extras on this thing is borderline hilarious to me. The video transfer is so good that I can make out dust & dirt on the lens and in the frame. The Creating the Deadites featurette is new and just fine by me, but other than that, all you have is an ending and a trailer that might look great in HD, but does nothing to make up for missing documentaries and commentary tracks. What a goddamn shame. The Hannibal Lecter Collection: Manhunter The Silence of the Lambs Hannibal The first movie and the sequel are new to Blu, but Demme's masterwork is a reissue of the existing Blu-ray. Silence of the Lambs retains the same extras from its prior Blu-ray release, but Manhunter and Hannibal are both completely barebones even though previous DVD extras are out there. Misery Child's Play These two titles are part of a trend that I'd like to see stop. They both include DVD copies of the movie (the most recent SE's presumably), but the Blu-rays are movie-only. Are studios saving bitrate on the Blus by leaving the extras that were never going to be higher than SD quality out, or are they building obsolescence into "first gen" Blu-ray discs? The latter is sure what it looks like to me at this point. The odd thing is, this "no extras" Blu thing didn't happen on Spaceballs, also an MGM title released by Fox Home Entertainment.... Wrong Turn Wrong Turn 2 Van Helsing ...and mysteriously these three don't need a separate DVD for all the extras (yes, I know that Helsing is Universal, not Fox). The picture and sound upgrades on all three are noticeable. There's not a whole lot to say other than that. Catalog Repackage/Reissue

I Am Cuba Ultimate Edition Spanish and Russian Soundtracks The Siberian Mammoth feature documentary Film About Mikhail Kalatozov feature documentary Long Interview with Martin Scorsese Interview with co-author Yevgeney Yevtushenko Original American trailer Collectible Booklet Long out of print in the US, Mikhail Kalatozov's anti-Batista film was re-released by Milestone Films last week in a deluxe three-disc DVD set complete with a cigar box-style case and piles of extras. It's $35.96 on their website versus $44.95 at Amazon. I'm not sure if shipping and sales tax could bring the prices closer to parity, but I'd go with getting it from Milestone if only because there's a disgustingly long wait time from Bezos-Mart. I hope to review this one during or after Fantastic Fest, depending upon when I can secure a copy. The Wes Craven Horror Collection (DVD only) The Serpent and The Rainbow Shocker The People Under the Stairs This is a pretty solid deal at $15 on Amazon, which breaks out to $5 each. There's also a $5 Candy Coupon inside the case. Isn't that nearly what it cost to rent movies at Blockbuster? Wow, what a difference! John Carpenter Master of Fear (DVD only) The Thing Prince of Darkness Village of the Damned They Live This is an even better deal than the Wes Craven set, with four movies for $15 at Amazon and the same $5 Candy Coupon inside. I'm not a sugar junkie, I just like the seasonal Reese's Pumpkins, so sue me. Disc Roundup is posted each week at some point, depending on how many discs I have to get through. If you think I've missed something, feel free to send me an email at the name of this column at gmail dot com.
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The Coming Monsoon

The lead-up to a major festival is always hell for me. This past week's Disc Roundup is coming in mere minutes, and a Fantastic Fest preview piece is coming as well. Last week's TV on Disc update will follow later today, and I should be posting this week's installments of Disc columns before everything FF takes me over come Thursday. I've also got all-around good guy John Gholson covering the festival with me, since I can't see everything. More on him and what he'll be posting soon.
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American Werewolf: Catalog Blu Done Right


Taken from feature documentary Beware the Moon, included on Universal's worthy Blu-ray of An American Werewolf in London
I wish more studios treated their top-tier catalog titles like Universal has decked-out their second dip on An American Werewolf in London. The main attraction is Beware the Moon, a 97-minute feature documentary about the making of the movie put together by fans of the film, not a studio marketing department. It was obviously shot in HD, but is SD on the Blu-ray. That's the only unfortunate thing about it. What host/director Paul Davis may lack in game show-host charm and polish he more than makes up for in thoughtful staging, structure, and balance. This doc makes the Interview with John Landis and various other extras from the previous DVD & HD-DVD redundant for the most part. The movie looks like a fresh, grainy 35mm print from 1981 and the sound is top notch. Amazon has the Blu-ray for $16.99, and it's better than the vast majority of catalog upgrades out there.

This is basically the only decent screen capture I could get of the very animated John Landis
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