From one of Ozu's masterpieces, 1932's I Was Born, But... (featured in today's new installment of Discovering Ozu).
This is from right before two little boys bring down the thunder.
From one of Ozu's masterpieces, 1932's I Was Born, But... (featured in today's new installment of Discovering Ozu).
This is from right before two little boys bring down the thunder.
This cycle of three films finds Ozu saying goodbye to making movies about small children or college kids (for the most part). We see his signature lead actor (Chishu Ryu) take on more substantive roles, in addition to the rise of a silent-era comedy star (Takeshi Sakamoto) and the big break for a legendary Japanese actress and filmmaker (Kinuyo Tanaka).
The last of Ozu's 1929 films and the first half of those he made in 1930 reveal a filmmaker in transition. He is in search of his voice in addition to how he can push that individuality out around the edges of the studio system's staid templates.
Sadly, out of the seven movies discussed in this chapter, only two survive in complete form. Fragments of three survive, and yet two more are completely, irretrievablty lost.
From 1930's I Flunked, But...