Electric Shadow

Daily Grab 103: Facing Notre Dame

While I'm assailing critics: I like Russell Crowe very, very much as Javert in Les Mis, even with his throaty, swallowed singing. He's the right guy for that part, more so than he's been the right guy for any other thing he's done.

This grab could be considered a companion to Daily Grab 96: Out There, where Quasimodo sang in the general direction of where Javert is standing. Thinking of those two songs played back to back seems weird at first, but there's an interesting dichotomy there, worth a couple moments of abstract thought.

Daily Grab 102: Valjean the First

I choked up and cried the moment I saw Colm Wilkinson appear onscreen as the Bishop in Les Mis. I've spent a couple of decades shaped by his creation of the role and person of Jean Valjean as he's been known within the world of the musical. Look him up. You can spend an afternoon on YouTube watching clips of him singing.

Daily Grab 101: Wandering and Pondering

I thought I'd banked enough of these in advance to cover my being entirely out of commission following sinus surgery last week (more on that soon in some form).

Now that I've finally seen it, I'm an all-in Les Misérables movie fan. As a young performer, "Do You Hear the People Sing?" was the first showtune I learned and performed in front of an audience. I know this material very, very well, and I'm in love with all the changes, alterations, and sacrifices of material made in this absolutely towering adaptation. Were a lesser producer than Cameron Mackintosh behind it, I'm convinced this would not have happened or come out so exacting and so well.

Tom Hooper has his detractors it seems, many seeming to come from the camp who would prefer he make a movie in their preferred visual style. These people should go make their own movies and not disguise their job envy in the clothes of film criticism. Saying this movie is not "cinematic" is a thin, impotent critique akin to saying "this would have been more impactful (a word I hate) if they did it the way I had imagined".

The tone, look, and general approach taken here are why the movie works so well and isn't some glossy pageant play music video. The musical has needed a harsh scrubbing and reinvention for some time, and I hope this means movies of shows like Ragtime and Parade are possible in the future. Ragtime, in particular, could be three and a half hours long and would also win every Oscar in existence.