Electric Shadow

HBO and the Sandstorm

Thinking a bit about Amazon today got me to thinking a bit about HBO.

Six months ago, Amazon Prime Instant picked up The Wire, Rome, and loads of HBO "back catalogue" original programming.

HBO Go is still not available for Amazon FireTV, but I think that's only the result of some sort of exclusivity deal expiring. Come 2015, HBO's standalone streaming service makes that moot.

Contrary to what Steve Burke says, I think it's ridiculous for HBO to not start gunning for Netflix in the standalone streaming arena. His spin almost reads like a Mafia Don making an idle threat, "when you been part of 'the family' for so long, why gotta go make trouble?" HBO chief Richard Plepler is right in noting that "hundreds of millions" have been left on the table due to a combination of cable bundle "Families" not actively driving up HBO subscriptions and HBO choosing not to go direct-to-consumer.

Sitting on the "first run" Iron Throne of original series has kept people bowing and paying into The Bundle for years. I've long opined that the sleeping giant is HBO's enormous back catalogue of made-for-HBO narrative and documentary movies, many of which haven't re-aired in years (some, decades). Many of them have rarely, if ever, been readily available on home video in any form, with the recent exception of blessed Warner Archive DVD releases. Couple all of that in-house content with HBO's multi-decade relationship with literally every studio in Hollywood.

The thing I keep seeing repeated is "Netflix should be scared of what is to come," but I think that's wrongheaded.

Even as an eventual little brother to HBO, Netflix has enough going for it that they can survive for a bit yet while they make some strategic acquisitions and beef up their offerings so as to not get pushed off the playing field. Netflix should be wary and think long-term, but they're radically more forward-thinking than "Cable" networks and "Cable Bundle" providers.

"Cable" complacent content businesses are the ostriches that'll get swept up in the sandstorm.

2.4 Million Watch CANDELABRA on HBO

THR reports that Steven Soderbergh's Behind the Candelabra is the most-watched "HBO Film" in nine years.

Contrary to the Twitter hivemind, there is no mathematical formula that will tell you, in millions of dollars, exactly how stupid every studio in town is for not putting it in theaters nationwide. In the same breath, I'll add that Magic Mike was a major gamble on paper to Warner Bros., even though it went on to be one of the biggest successes of 2012. We could play "what if?" until the end of time.

What's certain is that we still live in an age where mainstream industries are scared to death of male sexuality in any form, and not just the gay one. Male Gaze theory and voyeurizing woman? That's what keeps America (and the world) strong!

Wouldn't it be great if you could be an HBO subscriber without having a creaky old cable subscription? I bet they could do more of these and have those one-time-nine-years-ago ratings more regularly.

"Family Tree" Season 1 Trailer

Another HBO production that had some taste test teasers (like Candelabra) finally has something watchable. The show was directed/conceived by Christopher Guest and starring Chris O'Dowd alongside the repertory I refer to as the Guest Family Players.

I'll have to wait for Blu-ray since I'm a cord-cutter, but with the wealth of content they have on their hands, I sure wish HBO would go the $7.99-$9.99 route of Hulu Plus/Warner Archive and establish a beachhead against Netflix.

Odd trivia: the guy who set up my business account at the bank is from the same town in Ireland as O'Dowd and played (actual) football with him growing up.

"Behind the Candelabra" Trailer

The last one was more teaser-y fluff. This one has all the bells, rhinestones, and sequins on, ready for the ball. I anticipate having Soderberghopolis complete through Haywire by the time this one is on HBO on 26 May.

The thrust of this (accept the double entendre) focusing on the gravity of Liberace's all-consuming vanity makes it compelling and interesting. That studios all thought it "too gay" meant that they were worried they'd get in trouble with "the gays". I wonder if quite the opposite would have occurred, to great box office reward. Oh well, next time, Homophobe-wood!

Before you watch the trailer, share in my amazement at how completely unilke herself Debbie Reynolds looks below: