Electric Shadow

Death of Comic Shack & Rebirth of an All-New, All-Different Giant Size

For a while, there have been two comics-focused podcasts on 5by5: Giant Size and The Comic Shack

027-dave-cockrum.jpg

We cancelled The Comic Shack last night, and in the same breath, we relaunched Giant Size

I teased the cancellation/reboot on Twitter and got a pile of dismayed, upset tweets in response. Many moaned "but I liked Comic Shack better than Giant Size!"

I'm an awful person for toying with the emotions of those wonderful human beings. 

cover_quarter.jpg

The good news for those listeners is that Comic Shack is dead...so that its panel discussion format can merge into Giant Size and open each show.

This is the version of Giant Size I've wanted to do since the beginning, and it's how the show was originally developed. With my pal Jim starting 'Shack almost simultaneously to GS (which I wasn't aware of), I didn't want to step on his toes or "flood the market", so to speak.

Equally if not more problematic was that I needed more time and infrastructure to support the more complex, ideal Giant Size show format. This infrastructure included a regular co-host.

Except on rare occasion, that co-host is John Gholson, who has joined me for the final few Comic Shacks while we hammered out a rhythm and feel for the "All-New All-Different" Giant Size.

cover_quarter-1.jpg

Last night, we recorded the opening of Giant Size #26, in which we discussed Man of Steel and Superman origin story retellings. The Giant-Size-traditional chat with Brandon from Austin Books and Comics will get wedged in after, and the show will close with the also-regular creator/industry interview.

The logic behind this format is that the tightly-moderated panel/jumping-on-point discussion is the welcome mat, which leads into "what's cool/new/new-to-you this week", and closes with an interview with a creator whom you may or may not be interested in at first. As often as possible, the guest will be directly tied to the panel discussion. This is a dastardly trick designed to turn you into a fan of these people before you even hear their voice(s).

Extra-long interviews will get chopped, with the overage going in the After Dark feed. Each show will be under 90 minutes, ideally hitting around 75 minutes, but this will vary as we break in the new structure.

 

The goal is for all segments to be open to the widest possible audience of listeners, whether you know how many times and in what issues Jean Grey died, you hate superhero comics, or have never read a single comic book. This is the comics show I've been wanting to do since day one, and it should hopefully appeal to everyone who liked either previous show.


The goal of Giant Size remains the same: we want to bring new and lapsed readers into reading, enjoying, and discussing comics. There are some fun comics-dedicated podcasts out there already, but none of them hit this precise cross-section, nor do many (if any) seem geared toward new or non-readers.

I also think we can achieve three shows worth of content in the time usually taken up by one. 

No one needs one more podcast just like six others to listen to each week, especially one that runs two or three hours. This is something All-New and All-Different, and I hope you like it.

 

 

I mentioned that Screen Time is getting an overhaul too, right?  More soon.

Comic Shack 24: Dark and Weird

iTunes link

5by5 site

We talk about Superior Spider-Man #1, taking a moment to breathe as fans, and what is and is not "Peter Parker" as a known quantity.

The current end to 5by5's ongoing arc of shows obsessed with Spider-Man. Reading Order:

Ihnatko Almanac 48: Massage the Octopus

The Incomparable 119: The Guilt-Trip Superhero

Comic Shack 22: Heaven Looks a Lot Like Queens

Comic Shack 24: Dark and Weird

[think of this as a Point One issue] Back to Work 102: Hunter Ready to Write

 

Guest Panelist: Andy Ihnatko of the Chicago Sun-Times joins us this week.

The Comic Shack #9 and "Marvel: Season One"

As of a couple of weeks ago, I'm regularly co-hosting The Comic Shack podcast on 5by5. On last Friday's show ("Concatenation of Severed Heads"), I talked with host "Captain" Jim Metzendorf about how Captain Marvel #1 made me cry, X-treme X-Men threatens to make Dazzler awesome, and how terribly behind I am on The Defenders, which I caught up on last night. Jim also gave a crash course in comics grading and storage technology. Yes, it qualifies as technology.

Regarding "Season One", Marvel is retelling the origin stories of many signature characters in graphic novels that are around the length of five issues of comics. I'm shocked they didn't do one for their new highest-profile team in advance of The Avengers hitting theatres.

I wasn't really aware of these until Greg Pak announced he was doing one for Doctor Strange. For the record, Strange is my favorite Marvel character. You'll hear more about him from me, rest assured.

I picked up the X-Men and Ant Man ones the other day at the comic shop. They're clean, crisp quality hardbound trades that include a digital copy slip. This is the future of how to make money on printed books. Give it to us at a reasonable cover price and bundle digital at no additional cost. I just ordered Spider-Man, Fantastic Four, and Daredevil. I'll get around to pre-ordering Hulk and Doctor Strange soon.

Back in the Saddle (Again)

Welcome or welcome back!

My appearance on tonight's episode of The Comic Shack on 5by5 prompted a sooner-than-I'd-planned relaunch of this thing.

This column abruptly ended its run at its original home, Hollywood Elsewhere, just as I left Apple to work for the Alamo Drafthouse here in Austin. I currently write a weekly column for Ain't It Cool News, a gig that is a little surreal for a guy who started reading that site in its infancy.

The old header artwork from the Hollywood Elsewhere version of Arthouse Cowboy

There are loads of abandoned Big Ideas that I had planned for the column back in 2010. I started an insanely ambitious career retrospective on Yasujiro Ozu, and I wanted to do one on Michael Powell. I also had ideas for podcasts and all sorts of other things that never came to fruition...mostly because I was trying to do way too much all around.

 

There was always "later". Then my dad had a massive stroke that has rendered him unable to speak. Then my brother died of a cancer that he beat the shit out of before it took him. Then I read and listened to loads of things that Merlin Mann has written and/or said. Then I finally had enough of having excuses for everything, and started focusing on how to spend my time the right way. I finally started answering "what do I really want to be and do?".

 

Now, I'm just doing it. No more excuses or "reasons why". No more "I wanted to, but...something came up". No more grand plans that never materialize due to unrealistic ambition.

This ongoing journal is a major part of that. It's been an enormous, gaping hole in my creative life, and I'm glad I have it back to myself.

 

My entire Hollywood Elsewhere back catalog of over 900 posts is here. I'm sure loads of them are all kinds of screwed up in terms of formatting. Fixing them up is an ongoing "spare time" project.

The Ozu series? It's getting "remastered" and re-posted here in its own specialized index, with the original versions of articles remaining in their original form and chronology. In case you don't know who I'm talking about, Yasujiro Ozu is still one of the greatest directors that cinema has ever known. Reducing him to "that Japanese director who never moved the camera" is neither correct nor clever.

The Michael Powell series is in what I'd call "pre-production". I need to watch and read a lot more before starting on that.

I'm taking a fresh pass on the Soderbergh career retrospective that I wrote under the header of "Soderberghopolis" for Badass Digest.

I want to do series on other artists, all of which can happen simultaneously and creep along at a snail's pace as I have time. These series are all conceived with the idea of revisiting, filling gaps, and further solidifying what I know about the people whose work I love in the world of talking (and not-talking) pictures. When I dig into filmographies, I like to do it chronologically, and I’d rather do more of that than constantly over-promise and under-deliver.

My Criterion Collection column, "Criterion Collected", will live here. I finally named it when I was with Badass Digest, but I own the name outright (since I was never paid or contracted for any of my writing there).

I kicked around various formats for a column dedicated to Blu-ray (hardware, software, and so on), and I think I’ve cracked it. Those posts will go under the heading of “Blu-Grade”, a term that I think that I coined.

"Monty Cristo's Musings" will live on Ain't It Cool, which is the only place I use that AICN-traditional codename. The articles will be linked from here, sometimes with a little bit of extra something or another for those of you who only follow this RSS feed.

 

The biggest reason for kicking off this new iteration of Arthouse Cowboy is that, regardless of where I do anything else, I need a centralized home base for what I write about the moving image.

I've spent a few months preparing and doing dry runs so that I can make this a true daily journal. There will be days I really write a piece, and yet others when I excerpt something I've read that I think is worth a bit of your time.

I'm going to put something new here every day, simple as that. Expect no frequency promises otherwise.

 

Thanks for reading in advance (and in retrospect).