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Read MoreElectric Shadow
Digital Roundup: Weeks of 6/2 and 6/9
I'm playing major catchup here after being laid low by the sinus infection from hell. Thankfully this week's releases are pretty minimal compared to the first half of the month. I'm going to kick this installment of the Roundup off with the week of 6/2 and hit up 6/9 after, so this is a long one. I'm working on better info re: movies new to stream for free. The people at Hulu are outdoing themselves.
Release of the Week
Revolutionary Road
From my review on 6/4:
One of the Great But Ignored of last year (along with Che), Revolutionary Road was released on home video Tuesday to little fanfare. The movie is a stark contrast to the empty, disposable summer junk food flooding screens this summer. Hopefully that means more people will finally see what I consider one of the best acted, scripted, and directed films of last year.
Revolutionary Road is a classic film about married life that succeeds because it is not shackled to page by page adaptive fidelity as much as the universality of the themes present in the original work. Watching the Deleted Scenes [HD 25:17] reveals just how honest Mendes was with himself in making decisions in the editing room. Without those trims, there would be more of "the book" in there, but it would have been to the detriment of the film being the lean and brutal masterpiece it is now. The scenes feature worthwhile Optional Commentary with Sam Mendes and screenwriter Justin Haythe. It nicely compliments the Feature Commentary with the same participants.
Deakins-lensed movies should always look this good on Blu-ray. The transfer is crisp and sharp...it's absolutely perfect. You see every imperfection in characters' faces and individual stray strands of hair. Rich contrast and color we should all expect on every hi-def release. Lives of Quiet Discomfort: The Making of Revolutionary Road [HD 29:03] isn't long enough to satisfy me, but it's not EPK fluff by any stretch. There are some good nuggets here and there, from how quickly production ramped to how they managed some tricky location shoots. DiCaprio, Winslet, and others also make coherent, interesting observations on their characters and the story, which is not the norm on other similar featurettes out there.
New Releases (DVD & Blu-ray)
Defiance
From my 6/17 review:
Defiance falls into a similar potential trap as Valkyrie for over-analytical mass movie-consumers like movie bloggers: it's technically a really awesome history lesson. If The History Channel made dramatized "re-enactment" specials this good, I'd watch The History Channel. I know a number of bloggers I read tossed their review discs on while doing something else and just three seconds into the opening were tweeting about how bored they were with it. I think people who are actively interested in seeing the movie will enjoy it a lot and come away wanting to learn more. Those of us devouring movies buffet-style are more prone to giving this a pass. I'm glad I gave it a chance.
The extras (all HD) on the Blu-ray include Defiance: Return to the Forest [26:05], which is your run-of-the-mill Behind the Scenes thing; Children of the Otriad [13:42], where the children of the Bielskis and their descendants talk about how they learned pieces of the story growing up; and Scoring Defiance [7:00], which is pretty self-explanatory. Also included is a short series of photos taken of the remaining Bielski Partisan Survivors [1:58] by director Zwick. I listened to the entire commentary, which Zwick flies solo on, and it's a great listen. The man respects his craft and his audience, and it comes across nicely. I tried to do something else while listening: laundry, cleaning, no go.
Spring Breakdown (Direct to DVD/Blu-ray)
Breakdown isn't going on my best of 2009 list, but it deserves a glance, if only for Jane Lynch's gut-busting performance as a senator very similar to Kay Bailey Hutchison, controversially (in GOP circles) passed over by McCain last year for Sarah Palin. "K.B." is expected to be appointed Vice President so long as her assistant (Parker Posey) can keep K.B.'s introverted, renaissance faire-going daughter (Amber Tamblyn) from partying and slutting it up at spring break on South Padre Island.
Posey is flanked by her introverted, mom jeans-wearing college pals played by screenwriter Rachel Dratch and fellow SNL alum Amy Poehler. Dratch is engaged to a man played by SNL head writer Seth Myers who belongs in Bruno's entourage more than a hetero relationship. Poehler's character carries over body image issues from her college days and adopts her "gangsta bitch" persona at one point, which thrilled me. Poehler was the reason I could stand Blades of Glory, so sue me.
There are more out-loud laughs in this movie than many that actually see wide release. It also features the holy grail of "chick flick" rarities: a "who needs these fuckers?" attitude regarding men. Spring Breakdown stands as yet another example of how finding worthwhile entertainment requires more work than ever before. I really did not expect to like this movie nor did I have much interest in seeking it out. Had they put Jane Lynch on the cover, they'd probably sell more of this title. She's become a "that lady" thanks to bit parts on primetime sitcoms and bit parts in 40 Year Old Virgin among others. I'll put it this way: my mother-in-law would see her face and recognize her, unlike the people on the cover currently.
Regardless, Breakdown will get some decent word-of-mouth provided some people actually see it. Included on the Blu-ray are a Digital Copy, Gag Reel [2:03], some Additional Scenes [2:51] that feature more Jane Lynch, and a Feature Commentary with director Ryan Shiraki and writer Rachel Dratch.
He's Just Not That Into You
HJNTIY floats a "you'll be fine not worrying about men" message early on, but falls into by-the-numbers sexism pretty quickly. The women who don't end up with a man are saddled (beast of burden imagery intended) with The Lonely Woman face, not sure how they'll go on living. No female empowerment here, move right along. Ken Kwapis made the most of what he had to work with, as did the actors.
Extras include The Baltimore Blade [HD 29:03 total], which is a set of 6 mini-interviews with the actors in-character about where their lives went after the end of the time the movie "documents." These were done on the set during principal photography and more than anything prove Ben Affleck and Justin Long are the best of the cast when it comes to riffing. This is a half hour of your life you can save. 6 Words That Make Up a Film [HD 11:04] is your standard "how the movie happened" featurette. The Director Stages a Scene: Duet for Telephones [HD 4:02] is a mini-clinic on how to choreograph a phone scene, which Ken Kwapis did quite well here. The Deleted Scenes [HD 25:17] w/ Optional Commentary notably feature a whole lot of Scarlett Johansson, but mainly it's content revolving around a subplot with her mom that was wisely sliced. Had they used as much of Johansson as originally intended, she would've been a sub-lead more than the "oh, she's in it" part she ended up with. It's interesting to watch with the Commentary on with Kwapis defending Johansson, but it'd be terribly boring otherwise.
Home (also Streaming Free)
Home is a movie about the world we live in that is narrated by Glenn Close and whose photography was all done aerially (like Winged Migration, but more top-down/from-the-side). It is very apparent that the dialogue she is speaking was originally written in a different language (French). The Blu-ray transfer is rapturously beautiful, on par with Planet Earth and Nature's Most Amazing Events (more on that in a moment). It tangentially hops from aspect to aspect of the planet's inhabitants and topography, highlighting the links connecting everything. Anyone averse to paying to see this in any way (a stop in your Netflix queue or a standard rental) can watch it for free on YouTube. I've linked to it further down in the Free to Stream section.
Catalog New to Blu-ray
Fletch
Inside Man
Bruce Almighty
These are all direct ports from their most recent DVD iterations. Fletch shows its age from the opening titles. I still dig the movie, but it hasn't aged gracefully. Rebooting that series with a closer adherence to the original novels is a great idea and I hope it falls back into Kevin Smith's hands.
It bears mentioning that Universal identified an audio issue with Inside Man prior to its original release date last month. One of the back surround channels just dropped out at one point through the end of the movie. Rather than release a faulty product, Uni delayed the title, doing a full re-pressing. Kudos to them. It's a shame that's the exception and not the rule.
Don't tell anyone, but I don't hate Bruce Almighty at all and find myself sucked into cable viewings more often than I'm comfortable with.
New to DVD
Dr. Horrible's Sing-a-Long Blog
This viral video sensation is an example of how to self-market an independent project that became and continues to be a wild success, despite the complete lack of studio involvement. Included are all extras previously available online. Two Feature Commentaries are on there (impressive for a 42 minute short): Commentary! The Musical and a non-singing cast and crew commentary. The Making of Dr. Horrible Featurette covers exactly that, the cliffhanger nature of the serial installments, and the huge online fandom explosion. Rounding things out are some Evil League of Evil Application videos that were fan-submitted and completely independently produced. I nearly shut them off, but stuck with them due to a plucky, handmade quality that won me over. The most this should cost anyone in the US is about $10.
TV New Releases
Nature's Most Amazing Events
These five hours of BBC Earth docs (6 in all) are free of the commercials that plague these wonderful programs on broadcast TV. The worst thing to ever happen to nature documentaries has been commercials. I really don't want anything to do with Geico car insurance when learning about sardine migration or watching Orcas attack humpback whales. This title is on DVD and Blu-ray, but I've only had a chance to take a look at the DVD. It looks fine, but I notice the difference between these docs in high-def versus standard def.
The most interesting thing about these 50-minute "documentary shorts" is that they cover the kinds of little things that are glossed over and ignored in big-scale macro-doc series, the kind of thing you would only ever learn about in an obscure graduate school course. There are some behind-the-scenes Diaries featurettes in there too. Worth a Saturday afternoon.
Cannon Season 2 Volume 1
I wasn't alive when Cannon originally aired, and I expect that with the unhealthy body image of the protagonist and all the fat jokes, this series wouldn't make it past the pitch stage today. I'm an unapologetic fan of finely-produced procedurals, and this one has me hooked. I'm caught up on Law & Order SVU, so this gives me some back-episodes to work through this summer.
Streaming Free
Home
You can watch the whole movie in a variety of languages for free on Youtube. They've disabled embedding.
The Week of 6/9
This was a beast for new and catalog releases, and the primary reason this took so long to compile.
Release of the Week
Woodstock
From Jeff's assessment:
"The Bluray of Michael Wadleigh's director's cut of Woodstock is a curiously beautiful thing to sit through. There's something in the way it brings you back to '69 and makes you feel the whole tingle of it, the way it felt "out there" before the festival kicked off and how the emotional generosity and benevolence from the crowd and the performers alike seemed to catch on and reverberate every which way."
"I'm glad I own it, glad I've seen it. I'll be watching portions from time to time over the summer. The Bluray mastering adds stronger colors and sharper detail to my recollection of how the film looked in theatres, although I haven't watched the regular DVD version. The bottom line is that it was filmed in 16mm so it can only look so good. The sound, as you might imagine, is excellent and full of good throb, but I'm sure it all sounds better in a big theatre with heavy-duty speakers."
From my own viewing of the DVD version on my HD set, it looks great. What's missing (and the reason to go Blu if you can) is the lack of Lossless Audio. It sounds fine, but extra audio bitrate really makes it something you'd want to crank. There's a featurette that I started but didn't finish after watching the whole beast.
New Releases (DVD & Blu-ray)
Gran Torino
I really dug the movie, non-actors and Clint singing over the credits and all. In a year with 10 Best Picture nominees, I feel like this one would have made it. Blu-ray included a Digital Copy and some featurettes. I haven't had a chance to take a look at it yet.
The International
Clive Owen, Naomi Watts, international intrigue, DVD & Blu-ray. I missed this one in theaters.
Powder Blue
Jassica Biel is a stripper and goes nude. On Blu-ray. Whatever.
New Releases (DVD only)
Crawford
Crawford already came to DVD, but it wasn't as widely-distributed as it now will be. From my SXSW rave last year:
"David Modigliani's Crawford is a about much more than the major change felt initially when George W. Bush first moved there in 2000 a few months before the election. It's more than you get out of a trailer or a quote from a friend. In fact, Crawford, Texas itself is a lot more than it may seem like at first.
"This movie is more than a chronicle of events, humorous anecdotes, or an examination of what direction small-town America went in during these last eight long Bush Years. This is a movie about the future, and the film's relevance is even greater considering the pivotal role of the recent Texas Primary and the still uncertain picture regarding the Democratic nominee.
"The intellectual elite (high-thread-counters, in the Hollywood Elsewhere parlance) may have it stuck in their heads that small towns across the country are full of ignorant, tobacco-chewing pro-Bush morons, a complacent idiocracy. Many saw the 2004 election map as straight up red and blue thanks to the arcane effect of the Electoral College on our voting system. Crawford as presented in the documentary by pro-Bushies and anti-Bush residents alike is that it's definitely a purple town, and you'd be surprised how often this is true in what are considered "rural" communities.
"Those particular locals include a woman who owns a Bush merchandise shop and a Baptist preacher who prays for the day Bush will visit his church, expected types you'd see in "Bush Country". They also count among them anti-war activists who founded a Peace House and kids who completely defy the stereotype of their small town by not "chewing grass and wearing boots".
"There are good ol' boys who as "good ol'" as they come but don't fall in line with the crap others buy on Fox News each night. They know Bush only gets outside with a chainsaw to get at some cedar trees when there are cameras on him and they wish he'd pick up more of his trash.
"Plenty of people dislike the Bush regime and are aware of how disingenuous the "Crawford Good Ol' Boy" image is, but the more important examination, which Modigliani wisely chooses to focus on, is the tragic rise and fall evinced in the 74 minutes that the film runs. I watching it, the movie feels longer and richer than its runtime suggests."
The DVD has some featurettes, cut sequences, and post-doc interviews at a screening they did with the help of the Alamo Drafthouse's Rolling Roadshow in Crawford, TX.
Crossing Over
I really wanted to like this movie, but it felt incomplete. This is likely due to Sean Penn holding Final Trim sway over the film, throwing his weight around at the last minute to have his entire subplot removed from the film. It's despicable that hundreds of people worked for months and months to have some high-powered actor chop an integral part of the movie like he owned it.
Harrison Ford does a great job in the bits he gets, as do Summer Bishil and Cliff Curtis. Nothing against the other actors, but they get the meatiest stuff to work with in this immigration multi-threaded story. The DVD is another bare-bones Weinstein Company disc.
Nobel Son
This is a movie to be avoided for anyone but those morbidly curious with how much one can squander Alan Rickman. From my couch-based pan:
"Nobel Son is noble effort at taking a decent concept, some decent ideas, and some excellent talent and molding them into something cohesive. I get what they were trying for, but it didn't get moving quickly enough to build up any steam. Alan Rickman is a philandering chemist who is cheating on Mary Steenbergen of all people. Bryan Greenberg plays their PhD student Anthropologist son.
"So Rickman wins a Nobel prize, Greenberg meets an eccentric hottie (Eliza Dushku), there's a kidnapping and ransom situation, and it ends up for me with a "really, that's it?" I'd wager they could have chopped half an hour out of it and it would have been just as entertaining to me. There are a few twists, but I was never invested enough to care. The Paul Oakenfold soundtrack just made me feel like the year 2000 and didn't add or detract to be honest.
"The DVD includes some Deleted Scenes [4:45], a Featurette [13:00] that doesn't add too much to the experience, and a Feature Commentary with director Randall Miller, co-writer Jody Savin, and actors Greenberg, Dushku, and Mike Ozier."
Catalog New to Blu-ray
Fatal Attraction
Indecent Proposal
The Siege
Predator 2
All four of these are ports of features from the most recent DVD editions.
Fatal Attractions' Alternate Ending now in HD. It and Indecent Proposal look and sound better than ever. Two more solid catalog upgrades form Paramount.
Rewatching The Siege drove home how I avoided its relentless shoving down my throat following 9/11. I remember walking in to Best Buy and seeing practically an entire shelving unit dedicated to it on its own mere days later. The movie isn't bad, and is among my favorite Zwick movies.
I'm finally nailing down some time to watch and review Predator 2 all on its own for a semi-recurring retro review feature called (Not So) Great Cinema, dedicated to my friend Kirk, who wrote the following manufactured anecdote and open letter to the AMC cable channel about this "American Movie Classic":
What It Is To Love Gary Busey, Pt. 1.
"We're going in after an other-world lifeforce from another galaxy that has a self-defense mechanism that we don't understand. It's intangible to this time and space. It's actually from the Theory of Relativity and from the Theory of Quantum Mechanics. Take those properties and equalize 'em and you have the Quantum Theory of Gravity, which is the discussion of how this universe started and how it will end. The Predator knows that information already. It is our job, and our objective, to go capture the Predator. Sit him down and talk with him and find out why he does what he does, how he does what he does and where he gets the weaponry and the defense mechanisms he uses in order to obtain his goal. That is our goal. If we don't achieve that goal, we will be turned into vapor clouds made of small pink particles known on Earth as BLOOD!"
--On the set of Predator 2, ca. 1989-90
Dear AMC Television,
Your network's name implies that you feature "American Movie Classics."
However, I would like to propose that, based on current programming,
that this is not the case. I enjoy your programming immensely. However, I
sincerely doubt that films such as "Navy Seals" (which I've enjoyed
many a time), "Predator 2 (not Predator one, mind you)", and "Mimic"
frequently achieve the lofty heights of American Movie Classics. I do
fervently believe, however, that these are the most sterling and accomplished
movies that the 5.99 DVD bin at Wal-Mart (and various afffiliates) have
to offer, bar none. I humbly request that the name of your station, or
at least the block of programming dedicated to these classics be
renamed to "Five Dollar Classics", not taken off the air, for where would we
be without them?
Thank you for your time and cooperation,
Kirk Lawrence
(and associates).
To learn more about Kirk Duke Lawrence form his writing, this is his pop culture and film-centric Livejournal.
Box Sets
The Jack Lemmon Film Collection
Included are a couple goodies and the intolerable (to me) Yum Yum Tree:
Phffft!
Operation Mad Ball
The Notorious Landlady
Under the Yum Yum Tree
Good Neighbor Sam
TV New Releases
The Cleaner Season 1
There have been a couple major TV subject matter trends over the last couple decades: the soapy medical show and the cop procedural. These have both been very popular since the days of radio. I want to say that the "person cleans up their life and then helps others do the same" trend has been borne of a hybrid of the cop show and reality "help yourself!" shows. Benjamin Bratt turned in one of the most under-recognized performances of his career with Pinero a few years ago, and in The Cleaner, he mines the convict persona to great success as well. I didn't know the show existed until I saw the Season 1 DVD announcement, and I'm glad I did. Of course, this gives me one more thing I'm behind the curve on.
I haven't gotten through all of the extras yet, but the Season One set includes cast and crew commentary on selected episodes, behind-the-scenes featurettes, and deleted scenes.
Perry Mason Season 4 Volume 1
The only thing I'm more of a sucker for than police procedurals is courtroom drama, and few have ever compared to Perry Mason. Continuing in CBS' decision to issue catalog shows in 2 volumes per season (shows had 30-40 episodes each season), here you get the first 15 episodes of the fourth year completely uncut. Ever since they hit syndication, you could only see them edited down.
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Last week's column is being buttoned up later than I'd like due to some discs arriving late, but should be up soon along with a review of Criterion's exceptional release of the perplexing Last Year at Marienbad.
Read MoreDisc Wanted: The African Queen at last?
The Digital Bits is reporting in their Rumor Mill that Paramount has set a Centennial Collection DVD-only release of The African Queen for October 13th of this year. Blu-ray could follow later this year or next year. This is all unofficial and subject to change, but it's great news nonetheless. The African Queen has become on of the most conspicuous movies MIA on DVD, having not appeared on any digital format at all to this point.

Finally available somewhere other than a Best Picture marathon on TCM?
So why aren't we getting a Blu-ray at the same time? The reason this and other classic titles hit DVD first is that there's a lot more data to clean up in the much larger, higher-quality scan for Blu-ray. To put it bluntly, it'd look like shit if they took an image suitable for shrinking down to DVD resolution (which hides a lot of imperfections) and slapped it on a 1080p disc. It takes more time, but it's worth it. This is why Warner Bros. had to do a full re-restoration on The Wizard of Oz for the blu coming out this fall.
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Finally available somewhere other than a Best Picture marathon on TCM?
Everyone Loves Money
Does anyone really think that the company backing the Michael Jackson Tour that would have been doesn't want to make as much money as they can? I haven't seen anyone float the idea that's been running through my head since it was certain he had died, so here it is: if they have any sense, they'll assemble an all-star tribute concert.
There are plenty of faded-glory performers who could use a boost. They'll retitle the concert to something like "Long Live the King" that'll inspire angry responses from Elvis fans in rural areas. Paula Abdul will be there, who else needs a major leg up? Part of the proceeds will go to charity, the rest to paying down Jackson's crushing debt his kids are saddled with.
Speaking of his kids, i do wonder what we'll see them become in the next ten years. Will one be a singer? A film director? A doctor? Will "Blanket" go into child psychology to help physically and emotionally abused kids like his dad? I think it's only decent for the press and everyone else to leave them the hell alone until (if and when) they choose to enter a public life.
The greatest relief this whole thing has provided is the knowledge that upon his death, Roman Polanski's past transgressions will not override his artistic achievements. CNN will be filled with clips from The Pianist, Chinatown, Revulsion, and Rosemary's Baby. Everyone will wait a day before talking about the dead statutory rapist.
Read MoreWeekend Western: Catlow
The last thing I expected to encounter today was a movie with Leonard Nimoy fighting in the nude. Two years after the original Star Trek series and just before his appearance in one of my favorite episodes of Night Gallery, Nimoy played a snarling bounty hunter baddie in Catlow. His presence and the fact the movie is based on a book by Louis L'Amour are likely the reasons why this wasn't made a Warner Archive title. The movie is really quite enjoyable and a welcome alternative to the crap clogging the multiplexes.

Yul Brynner in Catlow.
Catlow is not a western I grew up with or was ever aware of until now. It's the kind of movie you find playing on TCM on a Saturday or Sunday morning and unapologetically get sucked into for just shy of two hours. The things I love most about it are the rough edges that feel so familiar: goofy ricochet sound effects, brownface "Mexicans" with wretched Spanish, and Andalusian horses in the "American Southwest."
Yul Brynner stars as the title character, an in-and-out of trouble ne'er-do-well who's after some Mexican gold with his gang of bandits. Richard Crenna plays Ben, a lawman "friend" of Catlow's who tails him in addition to Nimoy's bounty hunter Miller. The movie was shot in Andalucia, Spain and features a smattering of spaghetti western actors in addition to the Hollywood guys. The movie has a sense of humor similar to TV westerns of the 60's, and doesn't take itself terribly seriously at any point. Catlow is no forgotten classic, but it's worth a watch for anyone who likes a nice lightweight western.
Catlow was directed by Sam Wanamaker, who replaced Peter Hunt, a native Brit who was originally set to direct. Wanamaker appeared as an actor in Superman IV: The Quest for Peace and was father to Zoe Wanamaker, co-star of the super-popular and never-ending sitcom My Family in England. Wanamaker was born in the US and settled in the UK in the 50's after he found out he'd been blacklisted.
He had a more prolific theatre acting and directing career than film, apparently to some acclaim. Later in life, Wanamaker was a driving force behind the restoration of the Globe Theater in London, which reopened four years after he passed from cancer. He seems to have been a pretty interesting guy. I wish I could learn more about him than the meager resources on the internet provide.

Yul Brynner in and Palestinian actress Daliah Lavi
Catlow marks the final film performance of Daliah Lavi, best known for parts in Lord Jim and the original Casino Royale. Here she plays Catlow's fiery and impulsive Mexi-whore lover. Watch the movie before you crucify me for that last description. The character on the audition form must have read "saucy, sexy, and promiscuous Mexican piece of ass," because that's about all she is. Lavi may speak six languages in real life, but her "Mexican" ain't so good.
Other notable supporting performers include Jeff Corey and Jo Ann Pflug, the latter in brownface. Corey, like director Wanamaker, had also been blacklisted but went on to a healthy career into old age as an actor and teacher, guiding people like Jack Nicholson and Jane Fonda in acting classes. Pflug quit acting on account of a sudden case of conservative Christianity. After she had a "sexy" part in MASH, that lead to lots of casting directors wanting her to take her clothes off. Don't get me wrong, there's nothing wrong with modesty. She just decided she wanted to dedicate her life to motivational speaking about The Lord. She played a couple bit parts in the late 90's but has otherwise disappeared. the most I got out of her performance here is that she really has no idea how to ride a horse.
Warner Bros. released Catlow on DVD yesterday (6/23), and buying it costs less than admission for two at any movie theater this weekend. Having just recently seen My Sister's Keeper and skipping two chances to see Transformers 2 early, I can honestly recommend it as a more enjoyable option for moviegoing this weekend than the new wide releases.
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Yul Brynner in Catlow.

Yul Brynner in and Palestinian actress Daliah Lavi
477: Bergman Island
Marie Nyrerod's Bergman Island is worth a look, whether you splash out for the full Criterion reissue of The Seventh Seal or not. This doc and the included extra (Bergman 101) are included on both the DVD and Blu-ray editions of the Seal re-release.

Island is an 83-minute condensation of a nearly 3-hour made for Swedish TV doc. Snips must have come mostly from the second part, which dealt exclusively with his theatre career, because I learned more about the director and his influences here than I did in a course about him in college. The intimate detail he goes into regarding the various demons haunting him on a daily basis is absolutely fascinating. Most moving for me was a section where the master filmmaker goes into his various failed romantic relationships and his shortcomings (to say the least) when it comes to fatherhood. This is easily the most candid Bergman has been in any interview I've ever seen, and he seems quite happy to be so. His story about a conematograph that his brother received as a gift but did not appreciate is touching and childlike in the telling.

Also included on the disc is a career retrospective moving picture gallery called Bergman 101, which features a lot more info than I expected. 101 Includes stills and video clips chronologically going from his early life and influences to the end of Bergman's career. It's narrated by Peter Cowie, Criterion's go-to guy for Bergman commentary tracks among others. If you aren't so much in to The Seventh Seal but want to dig deeper into Bergman's career, this is a no-brainer. I like that Criterion made it available as a separate spine number. Even if you end up getting Seal later on, Island is the kind of title you can pass on to someone wanting to expand their knowledge of film.
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Diluting the Picture
the Academy of Motion Picture Arts & Sciences announced today that going forward, we'd see 10 nominees for Best Picture, with no changes to any other category. Rumor has it Best animated Feature was on the bubble but still made the cut. A little history for the unintiated: in the first year, covering 1927 & 1928, there was no Best Picture award, but two separate ones: Most Outstanding Production and Most Artistic Quality of Production. Each had three nominees, but only one movie in common for both: Sunrise: A Song of Two Humans. Wings is erroneously credited as the first Best Picture because it won Outstanding Production and Sunrise won Artistic Quality of a Production.
They unified the awards as Outstanding Production which became For the three years following, they did five nominees until the 1932 awards when they expanded to 8. The next year, 1933 they stepped up to 10, then doing 12 in 1934 & 1935. They dropped back to 10 from 1936 until 1943, the year Casablanca won.
Read MoreI Really Tried
Nobel Son is noble effort at taking a decent concept, some decent ideas, and some excellent talent and molding them into something cohesive. I get what they were trying for, but it didn't get moving quickly enough to build up any steam. Alan Rickman is a philandering chemist who is cheating on Mary Steenbergen of all people. Bryan Greenberg plays their PhD student Anthropologist son. I tried to like it just because it featured an Anthro major, but then I found out his thesis was about cannibals and lost the interest I manufactured.

So Rickman wins a Nobel prize, Greenberg meets an eccentric hottie (Eliza Dushku), there's a kidnapping and ransom situation, and it ends up for me with a "really, that's it?" I'd wager they could have chopped half an hour out of it and it would have been just as entertaining to me. There are a few twists, but I was never invested enough to care. The Paul Oakenfold soundtrack just made me feel like the year 2000 and didn't add or detract to be honest.
The best part for me was recognizing a friend from college who was an extra in a reaction shot all of her own. Rickman fans would be advised to skip this one, along with anyone else considering watching it. I should have listened to Will Goss. He warned me, I stopped it once, but I just gave in. I should not have kept trying.
The DVD includes some Deleted Scenes [4:45], a Featurette [13:00] that doesn't add too much to the experience, and a Feature Commentary with director Randall Miller, co-writer Jody Savin, and actors Greenberg, Dushku, and Mike Ozier.
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Paramount Announces "Sapphire Series"
Based on the evidence, it looks like this is how they're branding catalog Best Picture winners going to Blu-ray from here on, with new extras. Braveheart and Gladiator hit on September 1st, with Forrest Gump following on November 3rd.


Braveheart features over two hours of new features (my comments in brackets):
Interactive Timelines
Three distinct timelines featuring a combination of video, images, text and audio that can be accessed linearly or randomly.
Production: A comprehensive chronology of the motion picture from conception through theatrical release, from a behind-the-scenes point of view.
Historical: Chronological modules feature Scotland's greatest patriot, along with historical places, figures and events surrounding his life and struggle.
Fiction: A comprehensive timeline identifying the chronological events of the film.
[this appears to be a PiP feature you can turn on and off]
Braveheart: A Look Back
Features new interviews with members of the cast and crew reminiscing about their experiences making the film and its enduring impact on cinema.
["holy shit did everyone make a lot of money on this movie, and everyone keeps buying it!"]
Smithfield: Medieval Killing Fields
Relates the remarkable history of Smithfield, which for centuries was regularly filled with the roars of crowds, regal fanfares and rowdy games. Smithfield is also known as the site of William Wallace's execution, along with other terrifying spectacles when heretics, rebels and criminals were put to death.
[a better than History Channel look at historical fact]
Battlefields of the Scottish Rebellion
Two major Scottish battlefields, Falkirk and Bannockburn, will be presented as 3D models that can be explored for further investigation into the military strategies and timetables employed in each. Topography, weapons, troop movements, and leadership data can also be accessed. An alternate playing mode will allow the story of each battle to unfold in an "automated" fashion, much like the interactive dioramas displayed at historical site museums around the world.
[so, 3D-modeled Battlefield Porn]
Gladiator features both the Theatrical and Extended Cuts through seamless branching on the same disc and over four hours of extras, most of which at first glance appear to be duplicated from previous releases, including both commentary tracks. The press release notes "but not limited to," so I expect new extras to be added before release. Gladiator is a two-disc set and no further details are available on Gump at this point.
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SilverDocs Successes
I'm going to do a rundown of some other stuff that played, but I wanted to hit on a couple hot bits of news regarding a couple favorites that played up in Silver Spring. Soul Power, which I reviewed back at SXSW, won a Special Jury Award over the weekend at SilverDocs. Sony Pictures Classics will open it limited this July. It's the spiritual sibling of When We Were Kings, covering the Zaire 74 music festival that went on concurrent to the Rumble in the Jungle. As I said in March, it features my favorite Bill Withers performance put to film.
Another success story is audience favorite Best Worst Movie, which I reviewed here. Frankly, everyone loves this once they've seen it. SilverDocs had to add an extra show because it turned out so popular. The team behind BWM deserves a medal for making it the can't miss event of the festival circuit thanks to all the blood, sweat, and green slime they've put into promoting it. When critics are asked by friends what's hot at a given festival, Best Worst Movie is at the top of everyone's list. It also won an Audience Award Honorable Mention this weekend. More tomorrow.
Read MoreDigital Roundup: Week of 6/16










These movies look better than they ever have for many people my age who only ever saw them on bootleg tapes recorded off HBO or "backed up" from rental VHS tapes. The featurettes are in HD as well, which is great. Part III comes with two pairs of anaglyph 3-D glasses. After seeing these movies for the first time, I'm even more convinced a remake was no form of sacrilege what so ever. The movies themselves look and sound great, and I'd consider these definitive home video versions of both. I'm not certain what else the could add that would really would justify a re-dip other than commentary tracks, but the featurettes on these discs and the 4-6 DVDs cover a lot of trivia. When it comes to catalog horror, these are rock-solid high-def upgrades. New to DVD











Accentuating Consistency
The thing I liked most about Valkyrie was that they left everything consistent. Everyone spoke in English with their native accents because technically they're all speaking the same language. Some had a beef, I didn't. So what happens when there's more than one lingua going around? Defiance handled this amiably by having Daniel Craig and Liev Schreiber make even more heterosexual women melt in their seats by speaking actual Russian in addition to their accented English that represented Yiddish.

What bothered me most while watching it was that I didn't feel riveted to my seat at all. Don't get me wrong, I was interested the whole time. I was there for it, but I couldn't help but feel like I'd felt the same types of beats in the same places before. If the pace hadn't clipped along the way it did, it would have lost me, but not for lack on interest. I have to blame any lack of engagement on my part on the glut of WWII/Holocaust movies that hit screens each year. I'm not asking for less of them, but could someone dedicate himself to watching only those movies and tell me which ones to see first so I don't get burned out?
The story of the Bielski Brothers is an important one, and I'm surprised it took until now to do a movie. The Nazis invaded and killed their family, and these farmers became reluctant saviors of over 1200 Jews. I guess that's the thing: you go in by virtue of advertising knowing they save a ton of people. It's good to learn about, and boy is it compelling with respect to the acting on display. They gave Daniel Craig something to really sink into emotionally in contrast to Bond, Liev Schreiber got to be a goddamn action hero (Wolverine doesn't count), and Jamie Bell really had a chance to bridge the gap between "young" and "adult" for once.
This will turn into a laundry list if I mention every last amazing blink-and-miss female performance in this thing. I'll say this: watch for the lady who pleads for death and keep in mind she was freshly off playing Lady MacBeth in Lithuania's National Theatre Company. She's in the movie for about a minute and a half. This is also likely the first place people will see the work of Mia Wasikowska, who Tim Burton's made famous by casting as Alice. She'll be in Amelia later this year and festival circuit-goers could have seen her in That Evening Sun.
I've said my fair share of snarky things about Zwick's work, but I've always liked Glory, melodrama and all. Dances With Samurai was fine in parts, and I skipped Blood Diamond entirely. I have some things to say about The Siege later today. I feel quite strongly that Zwick's career has been building to no project more perfect for him than this one. I've got no real vested interest in him or the material professionally or culturally beyond your average moviegoer, and I'm no easy lay. Zwick made the best film out of this material that could have been made. Anyone who disagrees with me on that point probably wishes they had directed it themselves and thrown in some more explosions or giant robots or didactic narration or something.
That being said, Defiance falls into a similar potential trap as Valkyrie for over-analytical mass movie-consumers like movie bloggers: it's technically a really awesome history lesson. If The History Channel made dramatized "re-enactment" specials this good, I'd watch The History Channel. I know a number of bloggers I read tossed their review discs on while doing something else and just three seconds into the opening were tweeting about how bored they were with it. I think people who are actively interested in seeing the movie will enjoy it a lot and come away wanting to learn more. Those of us devouring movies buffet-style are more prone to giving this a pass. I'm glad I gave it a chance.
The extras (all HD) on the Blu-ray include Defiance: Return to the Forest [26:05], which is your run-of-the-mill Behind the Scenes thing; Children of the Otriad [13:42], where the children of the Bielskis and their descendants talk about how they learned pieces of the story growing up; and Scoring Defiance [7:00], which is pretty self-explanatory. Also included is a short series of photos taken of the remaining Bielski Partisan Survivors [1:58] by director Zwick. I listened to the entire commentary, which Zwick flies solo on, and it's a great listen. The man respects his craft and his audience, and it comes across nicely. I tried to do something else while listening: laundry, cleaning, no go.
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Homicide and More Go Criterion

William H. Macy and Joe Mantegna in Homicide (1991)



Vivian Leigh in That Hamilton Woman (1941, Lady Hamilton in UK)

Tatsuya Nakadai in The Human Condition (1959)





Clement's Gervaise
Getting Back Up to Steam
I've been toppled for the better part of a week by illness verging on pneumonia, but have tried to get something out there every couple days. I'm still pretty much bed or couch-bound for another day or so, but I can finally type for an extended period of time without risking knocking the computer to the ground in a coughing fit.
Posting new Criterion announcements from the middle of the night shortly and posting this week and the past couple weeks' worth of disc releases in digest form (Digital Roundup). I planned to get the first two weeks of the month up last Thursday, but that's when everything went to hell in my respiratory system. Back soon.
Read MorePelham Aftermath
After seeing Tony Scott's Pelham 1 2 3, I got home and threw Inside Man on the Blu-ray player. What is it with Denzel Washington in hostage negotiation movies? The Siege came out on Blu-ray last week too. Aside from Independence Day, it's the one movie whose sales were most definitively helped by 9/11. There's no pretty way to say that, so there it is.
Denzel became the guy standing up for American ideals and it's suited him well. He gets butts in seats. Anyone remember the last time a movie he headlined outright bombed? Didn't think so. Third place behind second week of a movie themed on a blitzed night of excess and a new Pixar movie isn't shabby at all.
I enjoyed Pelham as much as I did because it felt like an adult movie made for adults. Is it the most jaw-dropping, pulse-pounding, hack-critic-baiting thrill-ride of the 21st Century? Hell no, but neither was State of Play. They're movies of a feather, in that they don't have some kind of couldn't-see-it-coming twist to them, but rather, they provoke discourse and discussion. Instead of "holy shit, could you believe what happened" there's some intellectual stuff to talk about, some allegorical dots to theoretically connect in a million different ways.
Travolta's villain is over-the-top, but the critics who went nuts on him have obviously never met a Wall Street guy. You take the average drunken idiot you hang out at parties with on the weekends and give him that kind of bankroll, he's fucked up all day every day of the week and adding "motherfucker" to every sentence he can.
I'm not one of those opposed categorically to remakes as a rule (just bad ones). You take something like Pelham, add some modern relevance and some extra dashes of uniqueness, and I'll go with it. There are those who want to take the easy way out and claim the holy sanctity of the original from 1974. The majority have either only just recently watched Pelham One Two Three because they were born two decades after it came out, or they haven't seen the new one yet.
People who come out still not seeing eye to eye with me on the new Tony Scott movie can rest easy knowing the original stands to get better treatment and should be seen by thousands upon thousands more than it would have. You can watch the whole thing on Fancast for free, and it could make it to Blu-ray catalog release a lot faster now as well, hopefully as some sort of two-pack with this remake.
Read MoreTwo Sides of the Chick Flick Coin
I got through both He's Just Not That Into You and Spring Breakdown relatively unscathed. I skipped HJNTIY in theaters, and didn't have the chance to with Breakdown, which played Sundance and went direct to DVD/Blu-ray. Whereas the former plays up the desperation of modern women to remain competent through all their boy craziness, the latter was a refreshing "chick" alternative to the slew of T&A-centric STV junk made exclusively for guys.

Breakdown isn't going on my best of 2009 list, but it deserves a glance, if only for Jane Lynch's gut-busting performance as a senator very similar to Kay Bailey Hutchison, controversially (in GOP circles) passed over by McCain last year for Sarah Palin. "K.B." is expected to be appointed Vice President so long as her assistant (Parker Posey) can keep K.B.'s introverted, renaissance faire-going daughter (Amber Tamblyn) from partying and slutting it up at spring break on South Padre Island.
Posey is flanked by her introverted, mom jeans-wearing college pals played by screenwriter Rachel Dratch and fellow SNL alum Amy Poehler. Dratch is engaged to a man played by SNL head writer Seth Myers who belongs in Bruno's entourage more than a hetero relationship. Poehler's character carries over body image issues from her college days and adopts her "gangsta bitch" persona at one point, which thrilled me. Poehler was the reason I could stand Blades of Glory, so sue me.
There are more out-loud laughs in this movie than many that actually see wide release. It also features the holy grail of "chick flick" rarities: a "who needs these fuckers?" attitude regarding men. Spring Breakdown stands as yet another example of how finding worthwhile entertainment requires more work than ever before. I really did not expect to like this movie nor did I have much interest in seeking it out. Had they put Jane Lynch on the cover, they'd probably sell more of this title. She's become a "that lady" thanks to bit parts on primetime sitcoms and bit parts in 40 Year Old Virgin among others. I'll put it this way: my mother-in-law would see her face and recognize her, unlike the people on the cover currently.
Regardless, Breakdown will get some decent word-of-mouth provided some people actually see it. Included on the Blu-ray are a Digital Copy, Gag Reel [2:03], some Additional Scenes [2:51] that feature more Jane Lynch, and a Feature Commentary with director Ryan Shiraki and writer Rachel Dratch.

He's Just Not That Into You, on the other hand, floats a "you'll be fine not worrying about men" message early on, but falls into by-the-numbers sexism pretty quickly. The women who don't end up with a man are saddled (beast of burden imagery intended) with The Lonely Woman face, not sure how they'll go on living. No female empowerment here, move right along. Ken Kwapis made the most of what he had to work with, as did the actors.
That being said, it's not universally badly-acted, and some of the more histrionic moments actually play more authentically than one might think at first. Jennifer Connolly's "I hate liars" rant aimed at Luis Guzman and later Bradley Cooper in particular felt pretty honest.
Extras include The Baltimore Blade [HD 29:03 total], which is a set of 6 mini-interviews with the actors in-character about where their lives went after the end of the time the movie "documents." These were done on the set during principal photography and more than anything prove Ben Affleck and Justin Long are the best of the cast when it comes to riffing. This is a half hour of your life you can save. 6 Words That Make Up a Film [HD 11:04] is your standard "how the movie happened" featurette. The Director Stages a Scene: Duet for Telephones [HD 4:02] is a mini-clinic on how to choreograph a phone scene, which Ken Kwapis did quite well here. The Deleted Scenes [HD 25:17] w/ Optional Commentary notably feature a whole lot of Scarlett Johansson, but mainly it's content revolving around a subplot with her mom that was wisely sliced. Had they used as much of Johansson as originally intended, she would've been a sub-lead more than the "oh, she's in it" part she ended up with. It's interesting to watch with the Commentary on with Kwapis defending Johansson, but it'd be terribly boring otherwise.
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Tony Awards Wrapup
Neil Patrick Harris' digs at Jeremy Piven in the middle and later the Golden Globes during the closing credits of the ceremony last night were easily my favorite moments of the evening:
Shrek: The Musical looks utterly dreadful, despite its amazing cast (Sutton Foster, Chris Sieber, Brian D'Arcy James). The stagehand overheard saying "I'm going, I'm going, I'm going" while running a mic out to the singer of "Sit Down, You're Rockin' the Boat" deserves a medal. That performance was nearly ruined by the 100th body mic glitch of the night. I don't like the "remixed" version of the number regardless.
I don't like wishing injury on anyone, but following their (lip-synced) performance, it's somewhat darkly poetic that a piece of scenery nearly decapitated Poison's Brett Michaels.
I'm glad Billy Elliott: The Musical composer Elton John shouted out Next To Normal (the most intriguing show based on performance). Alice Ripley's acceptance speech was a bit unhinged, but at least it woke me up.
I am sad to hear this morning that reasons to be pretty is closing June 14th. See it while you can, Newyorkers, and join the ongoing firestorm surrounding Jeff's reaction to seeing it. In his defense, oh quick to be offended, reverse the gender roles in what he says on his letter grading scale. Tell me that doesn't apply to the guys of the world for you, hetero women, and I'll call you a liar just as quickly. If anyone chooses to rebut Jeff's post without selectively misquoting and re-interpreting his piece as a declaration of men deserving women who lay at their feet, I'm willing to listen. Want to know why people are up in arms about what he wrote? It's more blunt than people are used to hearing things through their self-imposed barriers of delusion. Humanity is allergic to the truth. The way we think and act in the real world frightens the everloving shit out of us. Human beings are superficial, fickle, and impulsive mammals prone to self-interest above all else. We don't care about preservation of our species or objectivity when it comes to mates nearly as much as instant gratification and pleasure.
Read More1, 2--Waitaminute
I didn't see The Taking of Pelham 123 last night due to a fatal glitch. The sound on the right side started going garbled, and eventually sounded like a speaker was blown (it hadn't). After lending as much expertise as I had in the projection booth (resetting the audio processors, isolating the channel and shutting it off), we were still stuck.
They started and stopped the movie so many times I lost count, but after the fifth or sixth, around half the radio station promo audience left. They shouted "asshole" and "fuck you" at the poor publicist.
They're apparently a DLP-only theater, and the "analog" equipment is rarely ever maintained. Fellow press attendees confided they always have problems showing prints there. When all was said and done, the theater management was blaming the print, but I was blaming the proprietors of the Galaxy Highland 10 for not having a staff capable or knowledgeable enough to show a fucking film print.
As quick as many would be to blame the theater, or the theater would Sony ("must be a bad print" my ass), this is something that is emblematic of the jerky changeover happening as more theaters go digital. It could have been something as simple as cleaning the optical reader that scans the audio, or it could have actually been the print, fine. What I'm saying is that we're in a limbo between two exhibition standards that's bound to cause some more upgrade frustration at the shit-tastic mall theaters where most people see movies.
Did I mention one of the fratty jocks leaving the screening told his botoxed date "pshh, whatever, fuck 'em...I'll just Torrent it"?
Read MoreI Felt a Little Lost
Land of the Lost is a fan's passionate fever dream adaptation if there ever was one. Having only caught the remake series when I was a kid, I have to say I liked this much more than the series I got, but I don't think I was the intended audience for this. Me and all the kids out there whose parents saw the show it's based on are in the dark. I have no desire to see it again, but that isn't to say it doesn't have redeeming qualities for a very particular viewership.
What they've come up with is really bizarre...I think in a good way. It's not as apparent as I'd like in the trailers just how inappropriate this is for kids. The humor is par for the course for a Will Ferrell-headlined, PG-13 comedy. It's no worse than they could be watching on primetime TV, but this isn't kids' Saturday Morning stuff.
Fans of the original show who I talked to afterward had very strong opinions one way or another. Either they thought it was a disaster or they felt it was uniquely made "just for them," condensing the entire series into one movie. The thing not everyone could agree on was the alterations made to the characters.
Holly and Will are not Rick Marshall's kids, they're a graduate student from Cambridge (England) and a redneck who operates cave exhibit. It's kind of weird for Holly to be Rick's love interest instead of his daughter. Did I say weird? I meant creepy.
I can almost explain my way out of the new "configuration" of the leads. They now describe The Land of the Lost as where the past and present meet the future, so it's some sort of interdimensional dump. Technically, the original show could have been about a parallel universe Rick, Will, and Holly who were related. In other words, they cover continuity about as well as the new Star Trek movie does. Then again, Sid & Marty Krofft's admiration for the banjo in Deliverance expressed in the EPK featurette on the new box set of the original show could mean something else...
Take into account that Universal passed out hats, Chaka backpacks, and two drink tickets to everyone at the screening here in Austin on Monday when you read local coverage. Personally, I trust Jenn Brown over at Slackerwood as the voice of a fan, since I don't fall into that category. I don't think she's posted a review yet. Her points here about pre-screening happy hours gets a full agreement from me.
As I was saying the other day, this movie is going to get massacred by no fault of its own. It's opening on the second weekend of a Pixar movie and it's up against The Hangover, which has a huge buzz train going, on top of the fact it's a kids' TV show adaptation that isn't for kids. Before I'd seen this movie, I knew it had an uphill climb.
The dumbest thing Universal has done was make the Tonight Show clip from Conan's first program that of Will Ferrell dumping urine on himself. That didn't win them any more business.
The movie isn't much more than a diversion. You either have to "get" this as a tribute piece to something you don't understand, or be a big, forgiving fan of the original to feel like it's worth the money. I could see myself having gladly waited to see the dinosaurs on cable rather than pay for it, had I not seen it for free.
Read MorePelham and More
Gotta dash out the door to a screening of The Taking of Pelham 123, which Jeff seems to have had a lot of fun with. Not a "full review" worth of fun, of course, but a quickly dashed set of thoughts about worth. I picked up Dr. Horrible on DVD for a slim $10 and am going to be working into the night on various things, including a couple interviews.
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